Superman Returns
- 2006
- Tous publics
- 2h 34min
Superman réapparaît après une longue absence, mais est menacé par un vieil ennemi qui utilise la technologie kryptonienne pour dominer le monde.Superman réapparaît après une longue absence, mais est menacé par un vieil ennemi qui utilise la technologie kryptonienne pour dominer le monde.Superman réapparaît après une longue absence, mais est menacé par un vieil ennemi qui utilise la technologie kryptonienne pour dominer le monde.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 12 victoires et 47 nominations au total
- Jor-El
- (images d'archives)
- Ben Hubbard
- (scènes coupées)
Résumé
Avis à la une
Directed by Bryan Singer (X-Men, X-Men 2) Superman Returns is a reboot/loose sequel to the 1978 original. But even though it references a little bit from that film (be it a Marlon Brando cameo or the original John Williams music score) it's less a sequel and more of a homage to that film. It's done considerably well however it's best viewed as its own film. If it was a real sequel Lois Lane and Clark Kent would be in their late 50's with it being 28 years later.
Kevin Spacey is the highlight as Lex Luther, he's over the top and sometimes hammy but he appears to be the only one enjoying himself. The other actors do good jobs but they are often bland, but in a way that's oddly a relief because there are no goofy comedic performances. Clark Kent is not the cliché clumsy nerd this time and Lois Lane isn't as whinny as she was in the other films. There's also no annoying background extras.
There are a few intense action sequences, the plane rescue being the highlight but they tend to rely on CGI that looks dated even for the time. There are so many shots where Superman is recreated using CG effects and it looks like something taken straight out of a video game. His suit has a plastic look to it, but to be honest the Superman suits have never looked great, it was only until Man of Steel (2013) when they got his suit right. The bright colours and underwear are fine for the comic but they don't translate very well on screen.
Running well over two hours, the film runs at a sometimes plodding pace and some scenes are drawn out a lot. However the film has a solid story and great performance from Kevin Spacey. The tone of the film isn't too dark drawing a fine line between its lighthearted and serious themes. The cinematography, set designs, music score and editing are all great. It's a film that deserves to be watched even if it suffers from a slow pace.
Good - using the Williams score, original titles style and Brando voice-over for the start sequence: all good calls;
Bad - Kate Bosworth: bad casting. No charisma. Never for a second convinced me that she was a spunky reporter;
Good - Brandon Routh: I thought nobody could fill Christopher Reeve's shoes, but this lad does well;
Bad - costume. They got it right in the 70s movies. The effect of darkening the colours, reducing the shield size and dropping the waistline of the trunks is well-known to clothes designers - it makes the wearer look tall and thin. Reeve looked broad and imposing.
Good - saving the shuttle/plane, and dealing with the Metropolis "quake";
Bad - not enough of that stuff;
Good - Spacey's Luthor. Clearly grown from the same seeds as Hackman's, but much more definitely a villain. I believed that this Luthor was fundamentally evil;
Bad - Kitty Kowalski. What an underwhelming character. Miss Tesmacher-lite;
Good - Richard White - a potentially interesting new character, to sit in a potentially very interesting group dynamic;
Bad - Tristan Lake Lebeau. Superman's son is autistic? Sorry, kid - you were rubbish.
Good - tweaking the franchise back into life again;
Bad - forgetting that Superman isn't Batman. Superman is supposed to be light. Superman is supposed to be FUN! Don't take it so seriously, next time!
Le saviez-vous
- AnecdotesIn interviews, Kal Penn revealed he originally had a much greater role. It would have been revealed that his character was a disgraced former Daily Planet science reporter who was bribed by Lex Luthor to plant false evidence of Krypton's possible survival, thus inspiring Superman to leave Earth and explore Krypton's ruins.
- Gaffes(at around 1h 23 mins) When Lois is talking to Lex Luthor in the piano room on the boat, her engagement ring constantly moves from her ring finger to her middle finger between shots.
- Citations
Superman: [Quoting Marlon Brando/Jor-el from 1978's SUPERMAN:THE MOVIE to Jason asleep in his bed] You will be different, sometimes you'll feel like an outcast, but you'll never be alone. You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father becomes the son.
- Crédits fousThe opening credits are seen in a trip through space from Krypton to Earth, to parallel the Superman (1978) opening credits sequence.
- Versions alternativesIn the IMAX presentation, four scenes (totalling about 20 minutes) were converted from 2D to 3D: The flashback to Clark Kent's youth on the farm, the Shuttle/777 rescue, the rescue of the sinking ocean liner, and the final flyover before the credits. Bryan Singer developed a cue featuring an icon of Clark's glasses flashing in green at the bottom of the screen when it is time to put them on, and then with a red circle/slash over when it is time to take them off.
- ConnexionsEdited from Superman (1978)
- Bandes originalesQuando, Quando, Quando
Written by Pat Boone (as Charles E. Boone), Tony Renis and Alberto Testa
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Superman regresa
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 270 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 200 081 192 $US
- Week-end de sortie aux États-Unis et au Canada
- 52 535 096 $US
- 2 juil. 2006
- Montant brut mondial
- 391 081 192 $US
- Durée
- 2h 34min(154 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1