Souten

Souten (1983) was a commercial hit and Bollywood's trade Pandits considered it as a movie signalling the comeback of Rajesh Khanna whose earlier release in that year - Avtaar was also a box office success. However, that comeback did not materialize but this box office grosser is a nice timepass and still remembered for its songs which were chartbusters those days.

Souten (the other woman in the life of someone's husband / lover) is the story shown as inspired by the true love of Radha for Lord Krishna. Mythology does not tell anything about Radha but her name is considered so pious (because of her true and selfless love for Krishna) that it is spoken before Krishna by the devotees (we always say - 'Radhakrishna' when remembering them). I have read the complete life-story of Lord Krishna derived from the Indian Puraanas. Radha's name does not feature anywhere in that. But devotional folk-songs and folk-tales have popularized her more than Krishna's wives. Despite not being Krishna's wife, she has been being considered the icon of love for ages. Her selfless love for Krishna has always been considered as pure as fresh cow milk.

Considering the same type of love as the essence of the story told in Souten, the names of the three principal characters have been kept as Shyam, Rukmani (Krishna's principal wife) and Radha. In this story of the twentieth century, our modern Krishna (Rajesh Khanna) gets married to Rukmani (Tina Munim), the daughter of a multi-millionaire. Rukmani's step-mother (Shashikala) and step-maternal uncle (Prem Chopra) are not happy with this marriage because they keep an eye on the wealth of her father (Pran). Misunderstandings are created between the loving couple and Rukmani's decision to abort her pregnancy, widens the cracks between herself and Shyam.

The third angle according to the title of the movie is of Radha (Padmini Kolhapure) who is the daughter of a financially weak and ailing person (Dr. Shriram Lagoo) and works as a librarian to support his family. Shyam supports her family and the interactions between them leads to sprouting of love in Radha's heart for Shyam though Shyam is not infidel to his wife, Rukmani. However Rukmani suspects illicit relation between them and considers Radha as her Souten. Finally, Radha only takes a drastic step to reunite them.

Souten starts with the romance of Shyam and Rukmani and provides several interesting moments to the viewers. The first half of the movie is pretty romantic, heart-tickling and takes the beaten path studded with regular Bollywood formulae. The intensity comes thereafter through the character of Radha and the forming of the triangular relationship. The director, Saawan Kumar Taak has been able to keep the interest of the audience alive for the major part of the movie.

The story is set in Mauritius and the cinematographer has captured the scenic beauty of Mauritius very skilfully. Director Saawan Kumar's ex-wife Usha Khanna has composed melodious music for the movie (despite getting separated in personal life, professionally they had maintained good rapport). The best song, in my view, is - Zindagi Pyar Ka Geet Hai Jise Har Dil Ko Gaana Padega (Lata). However hilarious songs like Shaayad Meri Shaadi Ka Khayaal (Lata-Kishore) and Saasu Teerath Sasura Teerath (Kishore) were topping the charts when the movie was released. Meri Pehle Hi Tang Thi Choli (Kishore-Anuradha Paudwal), Jab Apne Ho Jaayen Bewafa (Asha), Main Teri Chhoti Behna Hoon (Lata) etc. are also quite good. The songs are a very big plus point of this movie.

Performance wise talking, the best performance has come from Padmini Kolhapure as Radha. She was a highly talented actress and all the movies done by her evidence this fact. Rajesh Khanna and his real life lover (those days), Tina Munim (who was proving herself as the Souten for his wife, Dimple Kapadia) have done well. The performance of the supporting cast is good but the villain - Prem Chopra has been given a role which is over the top and less villainous, more comical.

Souten ends on a tragic note. However overall, this is a good entertainer and won't disappoint the viewers. I unconditionally recommend it to the entertainment-seeking audience. And the sacrifice of Radha in the story underscores this eternal fact once again that true love is always selfless which does not demand anything for itself and always remains ready to sacrifice anything and everything for the beloved.

This movie was a nice surprise for me in the sense after reading the plot summary, I expected it to be a boring tearjerker. It still is melodramatic because of the ending which I did not like, but the performances, specially by Padmini Kolhapure and Rajesh Khanna are really really good. These two have a good chemistry ( see Insaaf Mein Karoonga) and they really feed off each other in dramatic/emotional scenes. Tina Munim's character was really one-dimensional. Shriram Lagoo also is a very good actor but the whole untouchable thing felt too dated for me,really, in 1983 Mauritus? Great songs, beautiful scenery and a good enough story which is well directed. So a good watch for me and a must watch if you love Rajesh Khanna.

A story needs to be neutral. Even though they tried and I really appreciate that effort but still it comes across as misogynistic and told through the male perspective. Both main characters were flawed but they presented Rajesh Khanna as the good guy and Tina as an out of control 'bad' woman. I still enjoyed the movie. Its well made and editing is pretty good. Padmini's character has been shown as righteous but she is trying to get the attention of a married man and interfering in his emotional life with his wife. Still she has been presented as a positive character which she is not. Tina's character has its flaws and had them even when they were dating but Rajesh had a problem with those things later and ignored the red flags earlier. Movie is still well made and well paced. Songs are introduced as naturally as possible so overall its a good movie. Another thing I have problem with is the casteism shown. The problem I have is that rich people living in Mauritius barely know which caste anyone is to treat them this way. Seems like caste thing has been forced into this to make you feel bad and hate Tina's character more and have sympathy for Padmini. I don't find it plausible and seems like a justification for the affair.

Rajesh Khanna began making a slow comeback at the beginning of the 80s. Betweem 1981-82 he featured in a number of fairly successful films. However, 1983 saw him once again catapulted to the type of superstardom he enjoyed from 1969-75. His films Avtar and Souten were massive hits and Agar Tum Na Hote was also a hit. All 3 were very different films and Khanna proved what an excellent actor he was by demonstrating his broad range of acting skills in them. He also made a special appearance in Disco Dancer in the same year which was one of the biggest hits of the decade. Khanna was truly back with a bang!

Souten has an interesting story line, good songs, drama and some great dialogues. The Khanna - Munim chemistry works very well. All the cast perform well. Padmina performs very well but Khanna is clearly a cut above the rest. Well worth a watch!

Souten was released in 1983 after Avtaar & went on to become a super hit, paving the way for Rajesh Khanna's comeback. The film is a tear jerker & a bit long for 3 hours but keeps you interested.

Tina Munium has done well but Padmini Kolhapure walks away with the honors though why she sheds so much of tears is a mystery.

Feminists will not agree with her depiction & also the climax but the audience lapped it up.

Rajesh Khanna, though aging keeps pace with Tina in the romantic sequences & acquits himself creditably in the emotional sequences, particularly in the second half. Prem Chopra is villainous though comical. Shriram Lagoo could have been utilized better.

The songs are melodious & the song "Zindagi Pyaar Ka Geet Hai" was the most popular song of 1983.

The film was released when the Rajesh-Tina romance was just beginning & added to the curiosity factor about the film.

Saawan Kumar Tak is not a very good director but he comes up trumps this time around.