Cambridge Spies

A very highly fictionalised account - but why did it need to be? The story of the Cambridge Five really did deserve better than this.

As drama it can't be faulted, but as a depiction of historical events it left much to be desired. We British are prone to look down upon the American TV movie, and for all the same reasons that were evident in the Cambridge Spies.

The story of the Five is well known enough for me not to have to point out the inaccuracies involved in this production, but beyond that I had no real sense of time and place, and certainly no sense of the evil these men did and the horrors and tragedies that came about as a result of their activities. In four hours there was room enough to get it right.

Some events were tick-boxed in glib exchanges, others rendered risible - the horror of Guernica reduced to one aged aeroplane with German markings, a mother, her son, the rattle of gunfire, the inevitable priest who rushes to the aid of the dead boy.

Philby lost his stammer, MacLean's bisexuality was never hinted at, Burgess became almost a paragon of virtue compared with the reality of the man, and Blunt...

The appeal of this series was, whatever the BBC might say, that it was based around real events. In that case I feel the viewer has a right to expect factual accuracy, otherwise the fictionalisation may as well have extended to the substitution of fictional names for the characters, and the excising of the "what happened next" text before the end-credits.

As BBC drama this was well up to standard, as BBC factual drama it took a long step in the wrong direction.

High production values and a great story drive this excellent show along at just the right pace. Never rushed or drawn-out. A few oddities with the script - some things don't seem to flow right but minor. Perhaps the editor put a few bits of film in the wrong place! David Higgs' photography is a joy to watch - it would almost be worth watching without any sound! Aspiring DPs (directors of photography)should look at his lighting, framing and camera movement. Lovely use of long lenses to separate the characters from the background. Older DPs should start to worry!

The BBC has once again shown that they can still create top quality drama. While there may be some historical issues with the script, one has to admire the fact that the characters are portrayed accurately and convincingly. Having just seen the last of the four-part series, I can comment that for entertainment value it is top notch.

Sure, some may argue the historical facts are inaccurate, or that the light spun upon the situation is somewhat different to how it was at the time, but much information about the infamous Cambridge spies is uncertain at best - in particular Kim Philby (Toby Stephens) is somewhat a mystery even today. Do not be fooled into thinking that this series is a documentary, it isn't. However, you will be forgiven for thinking that you are watching the actual events, with the locations, pieces and acting all first class.

Watch it with an open mind, as if it is fictional. You will be greatly rewarded, excited and even humoured at how four masterminds underplayed the archaic MI6 for their principals. I'd certainly recommend it.

Overall: 9/10 - Losing the ultimate 1 mark for seeming rushed in parts and sometimes making it hard to understand the relationships between the very complex characters - particularly at the start of the series.

I had heard and read about Kim Philby, of course, but not of the other ones, plus I was not aware of their past and story of formation. Realistic atmosphere, motives well explained and logical, vices and virtues of the protagonists, etc. - everything depicted in a skilful manner. And, of course, the performances, particularly Tom Hollander as Guy Burgess, but also the others - convincing, stylish, but also showing dangers of "elite" and closed communities where depravities are so easy to emerge and develop.

In retrospect, one may ponder on and over how the British authorities were so naive, but, on the other hand, it was an era without much technology and funding to deal with "the own"...

What a superb series the BBC has made in Cambridge Spies! The cast are really fantastic. My favourite actor has to be Imelda Staunton as the late Queen Mother. She has some of the best lines and delivers them so well. The leads are cast very well indeed. Tom Hollander is suitably seedy as Guy Burgess, Samuel West is very starchy and upper class as Blunt, Rupert Penry-Jones is wonderful as the handsome but flawed Donald Maclean and Toby Stephens is delightfully dislikable as Kim Philby. These characters are thoroughly entertaining and horrible in the extreme in their betrayal of King and Country. The cloak and dagger feel of the piece is wonderful. The settings are really great too. Cambridge is so beautiful. The writers should be congratulated in keeping the pace moving so well. All in all BBC you have done it again. I wish we saw more quality drama like Cambridge Spies!