Arthur et les Minimoys

Every now and then it's nice to be reminded of the power of the imagination; of what it was like as children to escape to other worlds and embark on remarkable adventures. Luc Besson's Arthur and the Invisibles does just that and does it brilliantly with a mix of stunningly shot live action and wonderfully crafted, sometimes breath-taking CGI animation. It's a story which echoes, and affectionately pays homage to, many of the very best Children's stories. Stories such as The Sword in the Stone, Alice in Wonderland and The Borrowers.

The tale's young hero, Arthur, is battling to save his grandparents' home from the clutches of real estate developers. His grandfather is missing, but handily he's left the boy a series of clues to a hidden treasure trove which, if it's found, could be used to pay off the money- grubbing developers. But this is no straight-forward, stroll in the park search. In trying to find the haul Arthur must unlock the passageway to an underground world populated by curious, minute creatures. The home of these "invisibles" is also in peril: in their case, because of a malevolent wizard. So, joining forces with an almost improbably beautiful princess, Arthur sets off on his perilous mission.

The cast list reads like a Hollywood Who's Who. Robert de Niro, Harvey Keitel, Madonna and Mia Farrow all feature. But it's the young lead who really takes centre stage. Freddie Highmore was Charlie in Tim Burton's Charlie and the Chocolate Factory. It was a role he played well but I fully expected him, as with a plethora of child actors, to then disappear into fresh air. But Highmore comes alive in this movie; both when we see him in the flesh, and when he's voicing his animated incarnation. Besides Highmore, Mia Farrow, as Arthur's scatty grandmother, is utterly charming and David Bowie makes for a very creepy, yet nicely understated, evil wizard Maltazard. The look of Maltazard's henchmen exemplify the darker side of Luc Besson's previous work but their idiocy prevents them being too terrifying for smaller children.

The film isn't flawless. Jimmy Fallon's Betameche, while surely popular with the film's younger viewers, at times borders on the unbearably annoying; while the casting of forty- eight year old Madonna as Princess Selenia seems a little odd. Her performance is perfectly adequate, but in effect she spends most of the time flirting with a schoolchild. Strange.

But the gems in Arthur and the Invisibles far outshine any minor negatives. Mixing live action with CGI could quite easily look messy and unconvincing but, quite simply, it works and while there's always a danger of such a tale descending into saccharine sludge, thankfully that doesn't happen. Arthur's quest is a joy to follow; it deserves to be anything but invisible.

The movie in the theater was wonderful...however now we have watched the DVD and the children are quite disappointed as many of the funny scenes have been cut out...this is the first time I have seen this happen. For example the two kisses between Arthur and Selinia...the dance with Max...when the parents are digging for the treasure...the part where the buyer tries to steal the treasure....the part where the coconut breaks and Arthur asks Selinia for the string on her top for him to climb...when they were almost kissing and Selinia's brother said she had to wait for the next ten years....when they are sleeping in the flower and Selinia wakes Arthur has his arm around her...these are just a few of the scenes the children have noticed on our first viewing.

Took my nine-year old daughter and we both really enjoyed it. I found the animated portions far more engaging than the human-acted portions, but that wasn't a real distraction. The other commenters on the film here in IMDb seem to be very annoyed by the lack of a completely cohesive plot, but hey, this isn't Citizen Kane! We really work hard to find films we will take our daughter to see, and having viewed the preview some time ago, I was happy to stumble upon the opening of this movie this weekend. I can guarantee that we'll see it again before it leaves the theatres and will likely purchase the DVD. The violence was minimal and well-handled (vague battle scenes), the scary parts not over-the-top scary, and the light touch with the romance was appreciated by the mom of a pre-pre-teen. Nice family movie.

If you're seeing this with your kids, my opinion is to ignore this review. However, watching as an adult, I found this movie annoying. The character and plot development at the beginning of the movie is first-rate. It's only after Arthur descends into the world of the Minimoys that the movie also descends in quality. At that point, the plot gives the characters only 36 hours to complete their mission. For whatever reason, director Besson goes into speed-reading mode with the plot. Mentally, I kept saying to myself "what just happened?" as scenes come and go like you're flipping through a magazine. Correspondingly, the character relationships lack depth - most importantly for me, how does the Princess go from barely tolerating Arthur to my-god-he's-my-soul-mate? Personally, I also found the celebrity voices intruded upon the characters - I kept picturing Madonna and Bowie talking to each other rather than the story's actors. As with previous Besson movies, the scenery is not just eye candy but integral to his story-telling style so he does not disappoint there. This is a good movie to see with children and I have no complaints there.

I've had the privilege of watching the worldwide premiere of Arthur and the Minimoys on Friday, December 1st 2006. French director Luc Besson (Leon, The Fifth Element) arrived at the "Yes Planet" theater in Ramat-Gan, Israel early afternoon, to attend the show. Right before the screening began, he asked the audience to open it's heart, and added something about the film being aimed mainly for kids. He was right.

Maybe it's that bitter 26-year-old guy in me that just couldn't let go of that aching sarcasm that prevented me from really enjoying this half CGI animated/half live action film. Maybe it's the fact that i've just seen so many similar products through the course of my life, that I found it heard to be excited or (god forbid) enthusiastic during this one. Whatever the cause, I couldn't help but reaching the eventual conclusion that Arthur and the Minimoys didn't live up to it's potential. If Besson had just moved one step forward with his imagination, if the twists had been just a tad more original, if the ending hadn't felt so quick and rushed - I could have had a much better time.

The plot line is easy to follow: 10 year-old Arthur, played by Freddie Highmore of Charlie and the Chocolate fame, lives in a small town with his grandmother, portrayed by Mia Farrow (Rosemary's Baby, The Purple Rose of Cairo). It's the early 1960's and Arthur, who is neglected by his parents, escapes his loneliness by hearing stories of his absent grandfather's journeys to imaginative lands. Reality, however, is grim, as Grandpa has been missing for three years and Grandma must raise a large sum of money in 48 hours, or her land will be seized by the local authorities. Determined to save the property, Arthur sets out on a journey to the land of the Minimoys, extremely small beings who live in his garden, in search of expensive rubies that can put an end to Grandma's debts. From here on out the story turns CGI, as Arthur is shrinked to the size of an average Minimoy himself. On his journey, he falls in love with princess Selenia (voiced by Madonna), befriends a rastaman underground dweller named Max (Snoop Dog) and faces the evil being referred to as "M" (David Bowie).

While the animation is colorful and filled with imagination, the plot moves so fast you don't have much time to really notice the details. Also, there are some supposedly subtle remarks about sex, marriage and corrupt leaders which I don't think are fully appropriate for kids.

Bottom Line, Arthur and the Minimoys is an OK ride, but nothing we haven't seen before. From the recent animated The Ant Bully, through the classic 1980's Honey I Shrunk the Kids, the famed story of King Arthur and even The Matrix - it's all homaged, if not copied, in this new entry.