Un long dimanche de fiançailles
NOTE IMDb
7,6/10
77 k
MA NOTE
Ce film raconte la recherche obstinée d'une jeune femme pour son fiancé, qui a disparu dans les tranchées de la Somme pendant la Première Guerre mondiale.Ce film raconte la recherche obstinée d'une jeune femme pour son fiancé, qui a disparu dans les tranchées de la Somme pendant la Première Guerre mondiale.Ce film raconte la recherche obstinée d'une jeune femme pour son fiancé, qui a disparu dans les tranchées de la Somme pendant la Première Guerre mondiale.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 17 victoires et 35 nominations au total
Jean-Pierre Darroussin
- Benjamin Gordes
- (as Jean Pierre Darroussin)
Jean-Pierre Becker
- Esperanza
- (as Jean Pierre Becker)
Jean-Paul Rouve
- Le facteur
- (as Jean Paul Rouve)
Elina Löwensohn
- La femme allemande
- (as Elina Lowensohn)
Avis à la une
An epic love story on a World War I background. Far from Amelie, the team Jeunet/Tautou demonstrates his talent, showing with poetry love and war, beauty and horror, sweetness and violence. Mathilde and Manech, played by the stunning Audrey Tautou and the new French heart-throb Gaspard Ulliel, are the ideal lovers, determinate, passionate, separated by destiny, hoping...because hope is the message, the only one of a film where love is giving and giving again. If you loved Cold Mountain you will adore "A very long engagement". If don't know yet what it is to hold someone's heart in your hand, to feel the beatings of somebody's heart like the Morse alphabet, this movie will explain it to you, and you never will be the same anymore.
A gorgeous film about love, search, hope and fight. Colors from "Amelie", touching Gaspard Ulliel, delicate performing of Audrey Tautou, impressive presence of Jodie Foster. And flavor of a lost world, so persistent, so heavy, so ambiguous.
A splendid French adaptation of a novel but, more important, a subtle exploration of miracle's rules. At first sight, it is a story about believe. At the second- hope in the skin of nostalgic images. But in fact, it is end of innocence. Manech is not the boy-friend, the good guy from an old lighthouse, he is the sense of Mathilde's existence. The poor signs to know if he is alive, the contact with lives of others, the postman like angel of new part in interior universe, the joy and the final silence are elements of a intangible miracle.
That is the motif to discover this film like second part of "Amelie Poulain". Same director or same actress are irrelevant details for explain the feeling because the message is more important than any definition. The principal character are not the war/ search/love/ sacrifice/hope. The fundamental problem is the sense of life, yesterday or tomorrow, the gestures of world's discover, the taste of miracle and the touch of his shadow.
A splendid French adaptation of a novel but, more important, a subtle exploration of miracle's rules. At first sight, it is a story about believe. At the second- hope in the skin of nostalgic images. But in fact, it is end of innocence. Manech is not the boy-friend, the good guy from an old lighthouse, he is the sense of Mathilde's existence. The poor signs to know if he is alive, the contact with lives of others, the postman like angel of new part in interior universe, the joy and the final silence are elements of a intangible miracle.
That is the motif to discover this film like second part of "Amelie Poulain". Same director or same actress are irrelevant details for explain the feeling because the message is more important than any definition. The principal character are not the war/ search/love/ sacrifice/hope. The fundamental problem is the sense of life, yesterday or tomorrow, the gestures of world's discover, the taste of miracle and the touch of his shadow.
10Libs
It is almost insulting to compare this film to Amelie Poulain. Yes it's the same crew, yes it's the same director and yes, Audrey Tautou almost plays the same character. But give JP Jeunet a break, it's part of HIS style. Would you blame Beethoven because his symphonies kinda sounded the same?
It is at times gritty, with its very tough depictions of the Great War, and at times light and naive. It all follows a very complicated storyline which is, I would have to admit, the only weakness in this otherwise perfect movie. With so many characters and so many plot elements, some people may feel a bit lost, specially toward the end. But this is of lesser concern as the audience will still follow the main idea : a quest to find a loved one. So even through all the intricacies of the subplots, the arc story (and its finale) always remain on the horizon.
To put it short, the movie is a masterpiece. The acting is strong, the scenes are breathtaking and overall, so much attention has been put to details that it feels like a labor of love more than a big production movie. I truly think that if French cinema was not so locked into producing crappy talkative movies about losers and failures, it could come up with a lot more movies as poignant as Engagement is.
It is at times gritty, with its very tough depictions of the Great War, and at times light and naive. It all follows a very complicated storyline which is, I would have to admit, the only weakness in this otherwise perfect movie. With so many characters and so many plot elements, some people may feel a bit lost, specially toward the end. But this is of lesser concern as the audience will still follow the main idea : a quest to find a loved one. So even through all the intricacies of the subplots, the arc story (and its finale) always remain on the horizon.
To put it short, the movie is a masterpiece. The acting is strong, the scenes are breathtaking and overall, so much attention has been put to details that it feels like a labor of love more than a big production movie. I truly think that if French cinema was not so locked into producing crappy talkative movies about losers and failures, it could come up with a lot more movies as poignant as Engagement is.
A powerful and emotional war drama from French auteur Jean-Pierre Jeunet. Audrey Tautou leads us through an engaging and well-crafted story which sweeps us into the world of its characters, whom are established and well developed as the story progresses. The film itself is visually arresting with stunning cinematography. It was actually Bruno Delbonnel's visuals that acted as one of the man aspects that allured my interest in the film, it's a visual powerhouse blending the gritty conventions of war with scenes of a more romantic and dramatic style. A harrowing and emotional account of World War I from the perspective of French soldiers and civilians.
I had the pleasure of seeing this movie on a special preview last night and I was enthralled at its story line and cinematic experience. I wasn't a great fan of Amelie and hence was not expecting any particular out-of-body experience in viewing this. But I was wrong. It is a wonderful piece of story telling somewhat difficult to follow if you do have a short memory span for character names and flashbacks. Yet at the end, it seamlessly closes the web in a beautifully written script that has been well acted and filmed. It is particularly gory in the WWI battle scenes but probably accurate in depiction whilst the locations where the film was shot seem out of this world (hoped they were not computer generated). Quaint towns, fields, beaches and houses lend a beautiful touch to the story of a love that will not die whilst Audrey Tautou delivers a spellbinding performance in a child-like heroine with a will of steel. A special mention must be given to Bruno Delbonnel's camera work which simply is amazing. Can't wait for the DVD.
Le saviez-vous
- AnecdotesWhen casting Jodie Foster, Jean-Pierre Jeunet met her in Paris at the café which was used to shoot the scenes in Le Fabuleux Destin d'Amélie Poulain (2001) which is near where he lives. Some tourists were at the café, knowing it was featured in the film, asked Jeunet and Foster to move out of the way (not recognizing them) so that they could take a photograph of the café.
- GaffesIn the film there is an important storyline about an albatross. However, throughout the film in all footage depicting the albatross a gannet is shown. Though a gannet is also a large seabird, it looks nothing like an albatross.
- Citations
Ange Bassignano: [writes] "Revenge is pointless. Try to be happy and don't ruin your life for me."
- ConnexionsEdited from Le peuple migrateur (2001)
- Bandes originalesÇa ne Vaut pas l'Amour
Music by François Perpignan
Lyrics by Alexandre Trébitsch
Performed by Esther Lekain
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- How long is A Very Long Engagement?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- A Very Long Engagement
- Lieux de tournage
- Héaux de Bréhat, Côtes-d'Armor, France(lighthouse exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 56 600 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 524 389 $US
- Week-end de sortie aux États-Unis et au Canada
- 101 749 $US
- 28 nov. 2004
- Montant brut mondial
- 69 424 389 $US
- Durée
- 2h 13min(133 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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