Amarelo Manga

In a poor neighborhood in Recife, the lives of exotic and bizarre characters entwine in a bar and in a very low-budget hotel. The queer Dunga (Matheus Nachtergaele) works in the hotel and has a crush on the butcher Wellington (Chico Diaz) that is married with the religious Kika (Dira Paes) and has an affair with his mistress Dayse (Magdale Alves). The sick necrophiliac Isaac (Jonas Bloch) owns a yellow Mercedes Benz and wants to have sex with Lígia (Leona Cavalli) that owns of Bar Avenida.

"Amarelo Manga" is practically the debut of director Cláudio Assis, at least this movie made him famous in Brazil, but actually is a boring exploitation of sex and low level situations. The nudity and sex scenes are absolutely unnecessary and have only the intention of shocking the audiences and most of them are free, like for example, the scenes of the asthmatic fat woman in the hotel; of the sex scene between Kika and Isaac with the hair brush; or Lígia taking her clothes off after closing her bar. I do not like this Brazilian director but many professional critics love him. The cast has great performances but the story is terrible. My vote is five.

Title (Brazil): "Amarelo Manga" ("Mango Yellow")

This is one of the best brazilian movies I have ever seen. The way the characters' stories get connected to each other along the movie is really amazing. Some of all the poverty, violence and social disease so common at a humble landscape of Brazil is depicted on the screen through a great script and dazzling photography. Although the sharp sense of humour of some characters this movie contains the right amount of reality that some people may not feel comfortable to watch. For those who have the guts, this motion picture is a perfect portrait of a brazilian unfair society that may remain in the mind of the audiences for quite along. Shocking, hilarious and tough. Two thumbs up!

This was a thoroughly disgusting and pointless film and I am not sure how folks could watch and praise it. The movie is filled with disgusting and wretchedness. Were these sentiments strong enough to hopefully keep you from seeing this film---I sure hope so! My thorough disgust for the film isn't because it shows the lowest elements of Brazilian society-- after all, I was quick to praise films like CITY OF GOD and CENTRAL STATION--and these films were violent and scary. However, their portrayals of the violence and cheapness of life in the lowest social strata were meant to be eye-opening and document the horrors--not provide a voyeuristic chamber of horrors meant only to turn our stomachs. I won't even begin to describe all the viscerally vile images from MANGO YELLOW--partly because they make me ill just thinking about it and partly because I could only take the movie to a certain point, then I made myself get up and turn it off! It truly seems to try to alienate much of its audience.

If you want a similar experience, go to a slaughterhouse (it's already in the film) or stare at feces (it's also in the film and is apparently eaten by one of the scum in the film). Yuck.

Cláudio Assis won several awards at festivals for his feature debut, "Amarelo Manga" aka "Mango Yellow". His mosaic about some very troubled lives starts intriguing, and the talented, versatile cast (Matheus Nachtergaele, Chico Diaz, Dira Paes, Jonas Bloch and Leona Cavalli) keeps our attention till the end. However, Assis fails on the same aspects as other pretense "provocateurs", such as Sérgio Bianchi ("Chronically Unfeasible") and Larry Clark ("Kids" seemed to have some honesty, but "Ken Park" is one of the most unnecessary flicks ever made): excessive nudity (I actually think there should be MORE nudity in films, since nudity should be treated as natural by everybody; but this movie is a great example of how nudity should not be presented), too much visual and verbal masturbation for pure shock factor. I'm far from being a prude and that's why I admire directors like Todd Solondz, Lars von Trier, Pedro Almodóvar and Gregg Araki, just to name a few, who know how to provoke without being shallow, unlike Cláudio.

People like Tata Amaral, Jorge Furtado, Beto Brant (and let's not even mention the internationally acclaimed Hector Babenco, Walter Salles and Fernando Meirelles), have made thought-provoking, intelligent films, without being gratuitous or shallow. They are the real provocateurs in Brazilian cinema, something that Assis and Sérgio Bianchi haven't proved to be, yet. There's more to a provocateur than "sex and stomach": wit is essential to the mixture, Mr. Assis. 3/10.

I went to see this film based on the favourable comments from other Imdb users but I hated it. I am a foreigner living in Brazil and I can tell you that if I saw Brazil the way the director does, I would be on the next plane out of here. I thought the film was insulting, showing the misery in the most degrading and despising way. I am not denying of course that this misery exists but I don't think that the lower class is as repugnant as the film wants to portray it. Religious beliefs, which probably helps a lot of poor people cope with a harsh reality, is shown as a superficial veneer on top of some badly repressed bestiality. In the middle of a film which portrays all its characters as a bunch of near animals, there is a shot where a man is reading a book by Nietzsche. Was this irony? A "clin d'oeil" of the director to his middle class audience? I didn't know what to make of this.

There have been some really good brazilian films lately (eu,tu,eles, central do Brasil,...) but this is not one of them. In fact it seems like a return to the really crap 70s brazilian films where compulsive swearing, unrealistic emotional intensity from beginning to end and any excuse to show a woman's pubic hair were the main ingredients.