Intermission

I'm quite surprised that this film hasn't got a higher rating. This really is a gem of movie. Well-written, well-acted, witty and brutally black dialog makes this a modern Irish classic. The acting is excellent. Colin Farrell is well cast as the stereotypical Dublin scumbag which he seems to have great fun portraying. Cillian Murphy is great as the lovelorn rogue John while David Wilmot steals the show from his more famous co-stars as unlucky in love Oscar. Kelly MacDonald, Shirley Henderson, Deirde O' Kane and Colm Meany add more weight to a highly talented cast.

The film follows the lives of several different characters in contemporary Dublin and how their lives intersect. The violence and coarse language is matched by the tender and honest scenes. The fast pace of the movie holds the viewers attention fantastically well as we follow the lives of these highly likable characters(well maybe not Farrell but he is still compelling and hilarious to watch) while they search for love, happiness and the answers to life's complicated dilemmas. A true original. Even though its not much of an achievement, by far the best Irish movie ever made. Perfect stories. Perfect writing. Perfect characters. Perfect acting. Perfect film.

Well, if you loved "Crash" (no not the David Cronenberg version, but the Academy Award winning Paul Haggis film) you'll love this Irish version of everyday Irish folk in everyday life, living everyday life interchanging and interacting, kind of like a Irish "six degrees" thing. Speaking of acting, what acting...Everyone is so "real" almost like a documentary, Oscars for All! Great camera work, it just flows so well together, great cast nice to see Scottish actress Kelly MacDonald (Trainspotting, Gosford Park) again. Colin Ferrell is as intense as always, he is such fun to watch he's a great "on-the-edge-of-your-seat" actor. So if you enjoy great acting, a good story with some twists and turns check this one out. Other great Irish films are: Omagh(2004), Veronica Guerin(2003), Bloody Sunday(2002), The Commitments(1991), Waking Ned Divine(1998) and The Field(1990).

Slainté

You may develop a slight case of whiplash while watching "Intermission," but it will be a small enough price to pay for the pleasure of the experience. This is a fascinating film that ingeniously weaves together a myriad of overlapping stories whose common thread is life among the Irish working class.

The screenplay focuses on a group of seemingly unrelated people whose lives crisscross and intersect in so well crafted a way that, as the story develops, a fully connected narrative soon emerges. Through a carefully thought-out structure and pattern, writer Mark O'Rowe and director John Crowley create order out of seeming disorder, and the overlaps never feel pre-fabricated or contrived - until the end that is, and then the contrivance is used for comic effect. The overarching theme of the piece is an examination of the subtleties and complexities that make up human interactions and human relationships. There are people here from all walks of life, yet they are basically united in their desire for love, commitment and acceptance from their fellow man. A few of them veer towards the criminal and/or violent side of life but most are just ordinary Joes (and Janes) trying to make the best of the lives they've been handed. This is one of those films in which the good people triumph over their failings, the not-so-good ones get the chance to make things right, and the irredeemable ones get their richly deserved comeuppance in the end.

Colin Farrell, playing a violent, two-bit hoodlum, is the only "name" member of the cast, but the film boasts a whole gallery of fine actors and actresses who deliver heartfelt, winning performances. The film is filled with humor and sentiment and just enough action and violence to keep the whole thing contemporary and cutting edge (with the usual nod to "Pulp Fiction," of course).

The real joy of the film lies in putting yourself in the hands of the filmmakers and letting them take you wherever it is they want you to go. The trip, I promise you, will be a rewarding one.

And you'll barely feel that whiplash.

I guess the fact that it has a great cast and a lot of black humour is what makes it so fun. But it has a good script, nice sound and that thick accent is funny as hell.

As some other guy here said, movies that show a lot of interconnected subplots that elevate the level of intimate knowledge about the characters is unlikely to get old, at most it is in danger of being done to death.

Bottom line: this is an Irish "Crash". I found it well done and funny, although a bit slow at times and you have to strain your ears a bit if English is not your mother tongue. However, I advice against translations, as you risk getting something an illiterate 10 year old thought he heard, like I did :(

Intermission is one of those modern multiple storyline films in which a group of characters lives intertwine. And, as per usual involves a car crash. These factors tie it to the likes of Magnolia, Amores Perros, 21 Grams, Crash, 13 Conversations About One Thing and many more films I'm sure that escape me at this point. So what does Intermission have to offer that these films do not? For one, the acting talent involved is pretty much a who's who of Irish (and Scottish) actors at present. Colin Farrell, Cillian Murphy, Colm Meaney, Shirley Henderson and Kelly Macdonald. The other main factor in the quality of Intermission lies in it's script, which comes across as funny, engaging and despite the comparisons made above is fairly original. It is most definitely a lighter affair than some of it's contemporary rivals listed above, and though not groundbreaking by any means, is a well-made and engaging piece of work.