The Sea

Douglas Sirk spends a family weekend in an Icelandic outport. Tyrannical father, dissipated children, conspiracy, destruction, alcohol, incest, and as a contemporary touch some spray painting. No Rock Hudson, though.

There is not one performance in this film that isn't well done and captivating. The unusual rustic settings and photography are constantly engrossing. The direction is excellent and the editing keeps the film moving at a good pace.

So what's wrong? I've seen it before. The dysfunctional Scandinavian family film is a genre unto itself. You get kung fu films from China, you get Bollywood musicals from India and you get dysfunctional family films from Scandinavia.The problems in this film are unique but the whole story arc that leads to a climatic blow-up is typical of the genre.

That all said, I enjoyed the film and recommend it with the warning that you might have seen it all before.

It's great to go into a film knowing nothing about it before hand. This was the case when I saw "The Sea." While you can easily see it was adapted from a play the themes are consistent and handled cinematically for the most part.

The first thing that is apparent is that the casting in this film is ridiculously perfect. No actor feels out of place. Speaking of which neither are any of the scenes. It is rare to watch such a multi-character film and never be left confused about who's who. All the characters are sharply defined and they all illustrate the struggle amongst family, between the generations and the joining or avoidance of a globalized world.

The scenes in the pool and the scenes with the black sheep are accessible symbolism that serve comedic or story functions such that the audience is never lost. Another amazing thing is that even though all the characters have undesirable traits they're all funny and identifiable. The only place the film falters in anyway is that the father has a speech that's a little too long at the end. With the way the film cuts the framing of the story is very surprising.

The acting all around is great but those who stand out are Gunnar Eyjólfsson, Hilmir Snær Guðnason, Hélène de Fougerolles, Guðrún Gísladóttir and Elva Ósk Ólafsdóttir.

Whenever watching a foreign film, especially one from a culture I'm not that familiar with, I always look for two things: 1. does it seem indigenous and not overly influenced by Hollywood? 2. While being indigenous does it communicate a universal message and/or theme. "The Sea" succeeds in both cases.

Greetings again from the darkness. No "Happy Days" here. The best compliment I can pay this movie is that I stayed interested despite the pathetic individuals and families portrayed. Very little human redeeming value in any of the characters with the possible exception of the french girlfriend and the daughters husband, Mortin, played by Sven Nordin (who was excellent in last year's "Elling"). Sad, desperate, isolated. These describe not only the characters, but Iceland as portrayed in the movie. What kind of airport is that? There is sufficient biting humor among the family that one initially believes that there might be some deeply buried love, but as the movie progresses we begin to understand why this is really not a family - just a bunch of loose cannons connected by fate. Wonderful camera work and sharp dialog make this one worth seeing, just be prepared for an emotional challenge.

Reasonably well acted and written, and it had what I went to it for, namely Iceland, but otherwise it was the same old dysfunctional family melodrama I've seen 500 times before. It was occasionally interesting to note parallels to the old sagas - Icelandic writers seem to be constitutionally incapable of not referring to them, but I guess if you have a living 1000 year old literary tradition, you might as well use it.

If it was set in New York, I wouldn't have wasted my time on it though. If you've seen a lot of movies, you'll probably be thinking things like "not the freaking dinner-table meltdown scene again" as you watch it go through all the standard dysfunctional-family plot devices.