La gorge du diable

Naturally the only reason to watch this for me was the fact that it had Sharon Stone in it. Unfortunately, though I was expecting absolutely nothing, I somehow got less.

The movie takes place within the rustic country side, in the world of the rednecks, the folksy, "The Real America. The Small Town America". Thusly it must belong to the "city idiots move to the country side and get buggered, either literally or figuratively, by hicks" -genre. This is not merely flogging of the dead horse anymore, but waving your whip over the nearest glue factory. Yes, Deliverance was and is a brilliant film, but it also contained such elements as a plot, some common sense, mood and characters you didn't hope to die from the word go.

The story is, in all of it's generic depression, this: Sharon Stone and her husband, a documentary movie director guy, move out of the city since their children are either bred wrong or it's just natural selection that makes them run in front of cars like it's going out of style. They manage to find a huge Wayne's Manor with it's own forest, the yard the size of a golf course and a swimming pool for about $3,50, since "it's foreclosed, yo, so the bank sells it real cheap like". But who would have know, the former owner shambles in looking for a job.

I hated this character from his very first scene. And I don't mean that he is written to be a hateful character; I mean I am amazed how it is possible to write such a generic, pointless, irritating and uninteresting main antagonist. Of course also the dad starts to immediately hate this newcomer and this feeling is mutual. The audience merely hates everybody, since they are all equally boring, pretentious, over reacting bunch of monkeys.

My very favourite series of events begins when the redneck dude saves the children from a snake that is in the pool. When he himself gets fired, the whole house is suddenly full of snakes. And every family member magically places their hands on the slimy buggers at the exactly same moment. I can hardly imagine the mountain of Oscars that must adorn the window sills of the responsible parties' trailers. And somehow the horrendous musical score manages to make this embarrassing mess even stupider than it already is. Which is an considerable effort.

Of course the movie is also eternally long. After 30 minutes I had spent all my hospitality, but the thing just keeps chugging along. To my peer Sharon Stone fans: let it be known, that she does what she can with the stuff she is given, but her role could just as easily be played by a marionette made out of dead rats. Juliette Lewis is also present, wasted like everything else.

In the name of honesty I have to report that there were few rather decent scenes near the end, and they bothered to even pay off some of the things that are set in motion. This is good, because almost an hour and a half is used to nothing but these preliminaries. Also, the ending is so sickly anticlimactic and the zenith of predictable, that even the makers of silent movies would have laughed it out of the room. You could easily foretell everything that happens, and usually it looked better made and more visionary in your mind.

So, this was, in a word, wretchid. I was lucky I saw it on the television and didn't pay a dime. Even though I would like to urinate on my audiovisual equipment just to make sure no remnant of it remains within my apartments threshold.

I've seen way flakier movies that were smash hits. Most Hollywood thrillers & action movies have to be viewed with a willing suspension of disbelief anyhow. People do things they'd never do in real life. They ask stupid questions & accept answers that no one with a high school education and an IQ in even low triple digits would accept in real life. They walk away from falls, car crashes and burning buildings that would kill real human beings. They *split up* to look for the ghost/axe murder/evil demon! So, what's wrong with this one? I got involved. I got tense. I was on the edge of my seat.

I liked it.

The tension was built up without any reference to gory scenes, just creepy camera angles, shadows, the wind blowing curtains, the increasing feeling that Something Really Bad was just around the corner.

You get to see Sharon Stone looking almost like an ordinary human being. Dennis Quaid is his usual edgy self. Stephen Dorff does a great slide into madness.

If I'd believed everything I read about it, I never would've picked up the DVD. It's not Hitchcock, but it's definitely worth watching. Check it out.

Could definitely be better but not as bad as some have said! Dennis, Sharon Stone, and Stephen Dorff are pretty good despite the sloppiness! I love Juliette Lewis in almost anything, her personality seems similar in all the movies she's been in. If the city isn't good enough the country side can be a bit brash with creeps and unfortunate things to deal with; just my creative thought.

Reviews and reputation be damned: I enjoyed Cold Creek Manor and it's chilly, mean spirited thrills at the expanse of a family entwined in nasty decades old secrets. I know it's not the greatest flick, and doesn't quite deliver the freaky effect promised by both trailer and cover art, but it's still a lurid little freak show of backwoods danger and sweaty menace. Dennis Quaid plays Cooper Tilson, relocating his family to the country, where they have purchased a run down mansion which used to be a grand estate. Problem is, the manor has a dark and sordid legacy of danger, the overgrown property hiding a murder already years old. The family's arrival awakens long buried demons among the roughneck locals and gradually starts to threaten them with mounting unease. Sharon Stone is reliable as Quaid's wife, and a very young Kristen Stewart plays their daughter. It's ragged edged Stephen Dorff that gives the film life in his intense portrayal of local lowlife Dale Massie, who grew up in the manor and provides a hanging presence of unease for the Tilson family. Juliette Lewis plays yet another snarky rural skank, and there's an unnerving cameo from a barely coherent Christopher Plummer as well. Sure it's cheap thrills and doesn't contain much substance to flesh out its doom laden style, but it's it's a lot of fun and I revisit it quite a bit.

The director and producer of documentaries Cooper Tilson (Dennis Quaid) and his wife, the executive Leah Tilson (Sharon Stone) have a stressed life with their two children in New York. After a minor accident with their son Jesse (Ryan Wilson), they decide to move to the country. They find a huge old house with furniture and a large field for a bargain and decide to buy it. They make a garage sale to get rid of the possessions of the former owner, and a couple of days later, Dale Massie (Stephen Dorff) visits them, introducing himself as the previous owner, who lost the house for the bank after being sent to the prison for three years for accidentally killing a man. He asks for a job in the repair team, and Cooper accepts to hire him. The life of the Tilson family changes after the arrival of Dale, and deep secrets about the former family are disclosed.

"Cold Creek Manor" is a Mike Figgis' thriller, having names such as Dennis Quaid, Sharon Stone, Julliete Lewis and Stephen Dorff in the credits; therefore I expected a great movie. Most of the time, I kept saying to myself: "-Surprise me, surprise me". Indeed this film surprised me, in a bad sense: it is nothing but a standard and bureaucratic thriller, full of clichés and incredible situations. For example, who would hire a weird man, former owner of a property and that has just left the jail? Or when Cooper is threatened, why he stays alone in the isolated house, with doors and windows completely open? Or when Leah and Tilson are threatened, why do they look for refugee in the house, climbing to the higher floors, after seeing their car on fire? This movie is a typical commercial product, broadcast on Saturday night by the largest Brazilian open network: shallow, predictable and full of stars. My vote is five.

Title (Brazil): "Garganta do Diabo" ("Devil's Throat")