Any Way the Wind Blows
- 2003
- 2h 7min
NOTE IMDb
7,1/10
2,5 k
MA NOTE
Ajouter une intrigue dans votre langueMultiple unconnected lives in Antwerp, including siblings Natalie and Chouki, Walter, his ex Lara, a teacher, gallery keeper, and others converge at one party on a summer evening.Multiple unconnected lives in Antwerp, including siblings Natalie and Chouki, Walter, his ex Lara, a teacher, gallery keeper, and others converge at one party on a summer evening.Multiple unconnected lives in Antwerp, including siblings Natalie and Chouki, Walter, his ex Lara, a teacher, gallery keeper, and others converge at one party on a summer evening.
- Récompenses
- 2 victoires et 2 nominations au total
Avis à la une
This Belgian film, directed by Tom Barman, singer of the well-known group dEUS, will not be favoured by everyone. For the simple reason that there isn't a clear story or even a plot. This movie just shows 24 hours in "a city" (here Antwerp) and allows you to watch and truly enjoy the dialogues, the directing, the humorous (Dario!, the osteopath Bruno!, ...) and tragic (Windman, Paul Garcin, ...) characters.
There are several memorable scenes: the Windman on the beach, the dance party at the end, the KISS-fan, Windman visits the osteopath,...
Clearly some other viewers didn't understand what's so beautiful and interesting in this movie. They complain that this movie has no story, etc. But it's the atmosphere that keeps you watching and that will drag you into it.
If you didn't watch it yet, be sure to listen carefully to the music. The soundtrack is extraordinary just like Tom Barman and his group dEUS.
And "ssst, mondje dicht hé." (don't tell anyone)
There are several memorable scenes: the Windman on the beach, the dance party at the end, the KISS-fan, Windman visits the osteopath,...
Clearly some other viewers didn't understand what's so beautiful and interesting in this movie. They complain that this movie has no story, etc. But it's the atmosphere that keeps you watching and that will drag you into it.
If you didn't watch it yet, be sure to listen carefully to the music. The soundtrack is extraordinary just like Tom Barman and his group dEUS.
And "ssst, mondje dicht hé." (don't tell anyone)
Barman just wanted to make a movie because he wanted to. Just as simple as that, and he succeeded. Not only in his goal, but also in making a wonderful movie, especially visually. He knows how to use pans, slow-motion sequences, tracking shots, crane shots, etc. in a beautiful, smooth way. This gives the movie a very relaxing feel to it.
The story is about the lives of 8 very different characters who have nothing in common except one thing: a party that they all attend to, which also is the turnpoint of this movie. The beauty of this picture lies not in the question how the characters have effect on eachother (in comparance with a similar, of course better movie like Magnolia). I simply don't think that that was Barman's idea. The beauty lies in the different details of experiences that people go through which makes or breaks their lives. Barman is very successful in telling those little stories that describe little experiences. He knows people..... and Antwerp.
The soundtrack of the movie is also excellent, but not a surprise as we know that Barman is also a very succesful songwriter and musician with his band dEUS. The music is sometimes hot and at the same time relaxing which contributes to the sunny, smooth feel of the movie. Other times we hear funky pop/rock-melodies which give some scenes the strength that they need.
There's only one flaw, and that's the last half an hour. Was it the runtime, which was breaking me up? Or weren't the last scenes that fresh and accurate than the scenes until then? I can't figure it out...
All in all a beautiful sunny movie which lifts the Belgian cinema up.
8 out of 10!
(It's the breeze that flows through a girl's hair on a sunny afternoon making her even more beautiful; it's the fresh breeze that makes you relax when it passes you at a crowded party when someone opens the door; it's the breeze that carries the perfume from that beautiful girl sitting next to you in the park who you just met a week ago; it's the breeze.....)
The story is about the lives of 8 very different characters who have nothing in common except one thing: a party that they all attend to, which also is the turnpoint of this movie. The beauty of this picture lies not in the question how the characters have effect on eachother (in comparance with a similar, of course better movie like Magnolia). I simply don't think that that was Barman's idea. The beauty lies in the different details of experiences that people go through which makes or breaks their lives. Barman is very successful in telling those little stories that describe little experiences. He knows people..... and Antwerp.
The soundtrack of the movie is also excellent, but not a surprise as we know that Barman is also a very succesful songwriter and musician with his band dEUS. The music is sometimes hot and at the same time relaxing which contributes to the sunny, smooth feel of the movie. Other times we hear funky pop/rock-melodies which give some scenes the strength that they need.
There's only one flaw, and that's the last half an hour. Was it the runtime, which was breaking me up? Or weren't the last scenes that fresh and accurate than the scenes until then? I can't figure it out...
All in all a beautiful sunny movie which lifts the Belgian cinema up.
8 out of 10!
(It's the breeze that flows through a girl's hair on a sunny afternoon making her even more beautiful; it's the fresh breeze that makes you relax when it passes you at a crowded party when someone opens the door; it's the breeze that carries the perfume from that beautiful girl sitting next to you in the park who you just met a week ago; it's the breeze.....)
What we have here is a classic case of TOO much patriotism. This is what happens when you live in a small country with very little (next to none, even) cinema history. Whenever somebody does come up with a slightly more ambitious film project other than the usual dramas about struggling farmer families or long feature slapstick movies of local comedians everybody feels obliged to love it and even responsible to spread favorable reviews across the countries' borders. This is especially the case when the writer/director of this particular film is already a nation's sweetheart, because he's also the founder and lead singer of a popular rock band. "Any Way The Wind Blows" is by no means a bad film, but it's definitely overrated (if that is even possible within the boundaries of a small country) and has absolutely nothing new or even remotely original to offer. This is basically the Flemish version of classic movies such as "Short Cuts" and "Magnolia" and illustrates a mosaic of characters whose daily lives initially appear to be unrelated but eventually come together in the end. The only thing that seems to unite the eight protagonists at first is the city of Antwerp, where they all live and work, but gradually the deeper relationships between them become transparent and near the climax they all gather for a party. The main problem with "Any Way The Wind Blows", at least according to yours truly, lies with the characters. They really are random, uninteresting and honestly don't experience anything that could be considered out of the ordinary. It was presumably writer/director Tom Barman's intention to depict the average & regular inhabitant of Antwerp but then, seriously, what is the point? One of the characters gets fired from his film projectionist job, another one is a failed novelist struggling with a marriage crisis, two siblings recently lost their father and the most "mysterious" one of them all is followed by the wind wherever he goes. There are a couple of more characters regularly walking through the screen, but they're even less worth mentioning. These people simply drivel on and on about very random topics (like life in the 80's, dates and each other's bowel motions) and philosophy about matters nobody cares about. Some of the dialogs do evoke mild chuckles, especially the interactions between the two twenty-something guys from Ghent, but still nothing extraordinary or even memorable. The film actually works best as a touristy video to promote the city of Antwerp and as an extended & versatile music documentary. There are several stylish & nifty sightseeing images of Antwerp and there's always beautiful music playing, whether really loud or subtly in the background. Generally speaking "Any Way The Wind Blows" is a competently made and stylish effort, but too mundane and slightly boring, and I honestly wonder most of its fans would even had bothered to watch if it weren't a Flemish production.
Barman directed Any Way the Wind Blows as he would sing a dEUS song. Anarchy rules over a logical and common strain of thoughts. The story behind this movie just goes any which way the wind blows. And that can truly be refreshing to watch, if you are prepared and willing that is. Viewers who state that there is nothing to keep the story-lines together are right. Who the hell is that Wind-man anyway? Still, I really enjoyed this movie. Antwerp is a beautiful, bustling, happening place and Any Way captures that feeling. It also captures the silliness, the racism, the bureaucracy, the addictions and the violence that reveals a new character of a seemingly friendly city. The movie is entertaining, funny and yes, a little shallow. Barman's screen debut will not make as heavy an impact as his music debut. In that light some might be disappointed. But then again, 'Worst Case Scenario' (the title of dEUS groundbreaking debut album) would be a apt subtitle for Any Way the Wind Blows.
Any Way the Wind Blows is Tom Barmans (who is also know as front man of the rock formation 'dEUS') debut movie. Entirely shot in Antwerp (Belgium), the movie starts on a sunny friday morning and skips rather superficially between the events that fill the day of a dozen of main characters. When the movie ends, you have a lot of stuff to think about, because most of the different story-lines are left wide open.
The movie has a (purely instrumental) sound track that will rock your socks off. In most scenes, the music truly enhances the general atmosphere and feel, really making the movie hallucinating to watch at certain points of time. The main scene in the film, the party, is very well shot.
The director didn't hesitate to use video clip techniques, having his main characters dancing on one of the best sound tracks I've heard lately.
The screenplay is great stuff. Camera angles and colors are very well chosen. The 'costumes' are very hot and very 'seventies' too. And I loved (most of the) acting.
The thing I liked most about the movie, are the subtle touches of absurd, surreal, very dry or even cynical humor that interleave.
Without claiming to be a comedy (this movie certainly is not a comedy but rather an alternative piece of art), it still manages to have its audience giggling and even burst into laughter at some times.
This is one more directors' debut that shouldn't be an ending. I hope to see more Tom Barman movies in the future because I had a good time. Cheers.
The movie has a (purely instrumental) sound track that will rock your socks off. In most scenes, the music truly enhances the general atmosphere and feel, really making the movie hallucinating to watch at certain points of time. The main scene in the film, the party, is very well shot.
The director didn't hesitate to use video clip techniques, having his main characters dancing on one of the best sound tracks I've heard lately.
The screenplay is great stuff. Camera angles and colors are very well chosen. The 'costumes' are very hot and very 'seventies' too. And I loved (most of the) acting.
The thing I liked most about the movie, are the subtle touches of absurd, surreal, very dry or even cynical humor that interleave.
Without claiming to be a comedy (this movie certainly is not a comedy but rather an alternative piece of art), it still manages to have its audience giggling and even burst into laughter at some times.
This is one more directors' debut that shouldn't be an ending. I hope to see more Tom Barman movies in the future because I had a good time. Cheers.
Le saviez-vous
- AnecdotesThe ring tones of the character's mobile phones are songs from dEUS (Director of the movie is Tom Barman, front man of dEUS).
- Crédits fousIn the opening credits, 'Windman' has to dodge the credits dancing around him.
- Bandes originalesSummer's Here (theme)
Performed By Magnus
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Any Way the Wind Blows?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 600 000 € (estimé)
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Any Way the Wind Blows (2003) officially released in India in English?
Répondre