Suit la vie et les amours d'un petit collectif de lesbiennes vivant à Los Angeles, ainsi que les amis et les membres de la famille qui les soutiennent ou les haïssent.Suit la vie et les amours d'un petit collectif de lesbiennes vivant à Los Angeles, ainsi que les amis et les membres de la famille qui les soutiennent ou les haïssent.Suit la vie et les amours d'un petit collectif de lesbiennes vivant à Los Angeles, ainsi que les amis et les membres de la famille qui les soutiennent ou les haïssent.
- Nommé pour 1 Primetime Emmy
- 5 victoires et 24 nominations au total
Avis à la une
This show is EXCELLENT. Nuance, subtext, the characters (particularly Jenny - like her or not) are so real... they breathe! I've read a lot of comments in different forums about how these women don't look like "lesbians". I'm not sure what "lesbians" they've been looking at but the ones that I know look a lot like these women. Progressive, professional, feminine, sexy and proud of it. Keep up the good work Chaiken and crew!
Speaking of the show's success, one cannot overlook its artistic merits, which are extraordinary as a TV show's. Many incidents are interwoven into one compelling story; a lovable ensemble cast that consists of a variety of personas engages in acting; and the director of photography Robert Aschmann takes full advantage of his skills and creativity in amazing long takes, aggressive crane shots, and illuminative lightings. There is inconsistency among episodes on writing, directing, and editing due to the fact that several different artists have worked on each episode; this drawback may be inevitable for a TV series. Among writers and directors, Rose Troche, the legendary director of Go Fish, writes believable dialogues and directs intimate scenes with crafts, while Lenka Svab stands out among editors, dazzling and mesmerizing the viewers with a deliberate disorientation. Some writers make homage to historic filmmakers such as Godard, Cassavetes, and Soderbergh by having the characters refer to them; this is a tiny detail but certainly amuses film fans.
that said, obviously I'm a huge fan of the show. While it does have a somewhat shaky start (and what doesn't?) the show really hits it's stride during the middle of the season as the characters and, I'm led to believe, actors really begin making and displaying the bonds they share.
While it may a lesbian show, an hour long, a drama, a comedy, a creative reflection of real life, it is ultimately a television show and I personally think it's brilliant for what it is. Some argue that the characters aren't believable, the plots too 'out there', the lesbian characters too beautiful or glamorous and I don't agree with any one of them for the simple reason that it's a TELEVISION SHOW, television itself being the epitome of glamour and idealization, and a damn good television show at that. Television is, as I said above, a creative reflection of real life, it's not meant to actually be real life.
Erin Daniels, in particular, is amazing as Dana Fairbanks. She has you laughing hysterically one minute and in sympathetic tears the next. Not to mention the rest of the cast, who neither under or over play their characters and sort of allow their characters to come through them instead of being forced. It's hard to explain, but there's something about the dynamic of this cast, of this show, that just draws you and doesn't let you go.
I recommend you give it a watch, and a chance and if at the end you still don't enjoy it than it's fair enough, at least you tried. However, I do believe the show is strong enough and that well put together that you can't help but like it, you can't help but care what becomes of these characters, and you can't help but want more.
on a side note, Lauren Lee Smith who plays a guest character called Lara is so adorable it's not even funny. As Leisha Hailey. And Jennifer Beals. (who are both mains)
(as you can see, the show also makes it hard to have and hold onto a favourite character, they're all appealing and all wonderful)
this is a top shelf, highbrow, a-class, quality show for intelligent people almost exclusively. the characters are well-developed, and backed by nuanced performances. the dialogue rings true, never TV-like at all. and the story arcs are present without that pesky soap-opera feeling.
on top of that, the shot selection and cinematography are freewheeling and experimental(sometimes to a fault-as in the rotating camera in the Chinese restaurant-but no matter). the show is more than worth an hour out of my week.
that damn theme song however is the worst. so ham-handed and silly, ugh. it practically undoes all the subtlety of the show when it wails "this is the way that we live!!" not to mention that awful list of verbs in the middle. and such a long song too! that and the sometimes equally obtuse selection of music for the soundtrack is the worst bit.
Le saviez-vous
- AnecdotesShane, played by Kate Moennig, is sometimes seen wearing a t-shirt bearing the word "gush". Leisha Hailey, who played Alice Pieszecki, was in a band called Gush.
- Citations
Kit Porter: Let me talk to Tina.
Bette: What would you say?
Kit Porter: That my sister is a pootie chasin' dog, who deserves to be tied down and whupped upside the head, but it doesn't change the fact that she loves you more than she loves her own life. And that you should finish punishing her and get back to figuring on how to live with one another for the next 50 years or more.
Bette: You could give it a try.
[Goes to take a bite of food, and stops, looking as if she's about to cry]
Kit Porter: Now don't you go and pull a Marina on me now.
- ConnexionsFeatured in Class Dismissed: How TV Frames the Working Class (2005)
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The L Word
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro