Normal

Normal is a funny, lovely, touching love story about a God-fearing rural small-town Midwestern couple--Roy and Irma Applewood--played by Tom Wilkinson and Jessica Lange. Shortly after their 25th anniversay, Roy goes public with the revelation that he has long felt that he is a woman trapped in a man's body, and with the Protestant determination to do something about it, no matter the consequences. Irma (Jessica Lange), an avid knitter and member of the church choir, naturally finds this a little disconcerting.

And so the fun begins. Roy gradually becomes a woman, and Irma, as well as the kids and the townspeople, all react.

Wilkinson is a curious transsexual, shattering virtually all of our myths, he evolves from an aging, non-descript man into a still-frumpy and hopelessly homely woman. While we may feel his pain, Anderson is much more interested in challenging our reaction to him than delving into his conflicted anguish. Nevertheless, she treats his change with a certain amount of whimsy. It is difficult not to warm to his smile when he dons his first earrings.

But it is Lange who is the star of the show. Demonstrating a surprising knack for dry comedy, she moves from frustration and resentment to acceptance and compassion. Surely drawing from her own Midwestern roots (some of the move could easily have been filmed in Cloquet, Minnesota!) Lange's character never wallows in self-pity, but searches for answers within, as she seeks to redefine her relationship to her husband.

Lange once again displays her extraordinary talent. (Truth be told, she was my first crush, and she is aging beautifully.) She portrays strength and vulnerability like few in her class. (Meryl Streep comes to mind.)

Hayden Panettiere is also quite good as the 13-year-old daughter.

Normal premiered at the Sundance Film Festival.

In "Normal", an HBO feature film, a middleaged midwestern farming community family man (Wilkinson) reveals his plans to change gender. The film spends the entire run examining the reactions and adjustments of his family, coworkers, and community as he begins the process of transforming himself from man to woman up to but not including the required surgery. The result is an even, well managed, and delicate drama in which all the characters are exquisitely understanding and empathetic though the guy-to-gal protag does become a bit of a pariah as he moves from aftershave to perfume and there are periodic flare-ups as folks work to get their heads around the notion of a transgender in their midst. Though well executed, there's nothing particularly surprising in the film making it a lukewarm watch for all but those with an interest in the subject. (B)

A beautifully written film, graced with a stunning, brave and transcendent performance from Tom Wilkinson, Normal proves that a sensitive subject can be handled tastefully, humorously, respectfully and with breathtaking subtlety. At the heart of this labor of love is the subject of the tediously restrictive and ultimately damaging nature of gender labels, but this is never depicted in a heavy-handed way; writer Jane Anderson instead creates genuine characters, human and struggling and all-too painfully real.

Tom Wilkinson has been hiding a very big secret from the world. Husband and father, during a marriage counseling visit with his local pastor, he comes out with the fact that inside he feels he was born a woman. That comes as a big shock to his wife of 25 years, Jessica Lange, and their minister, Randall Arney.

This revelation is quite a blockbuster for everyone all around. These are blue collar people, not terribly sophisticated and not well read into the world of transgender. Still most try to cope as best they can.

Tom Wilkinson and Jessica Lange give a pair of beautifully matched performances in Normal. Wilkinson is a decent man, a good husband and father, a good provider, who can't keep up the pretense any more. He starts to transition into a woman, but stays at home to be the parent to young Hayden Panettiere who is just entering puberty. In fact with the estrogen treatments that Wilkinson is taking is almost like him going through puberty a second time with his own daughter.

Lange is the housewife and mother, she does not in fact work, but during the course of the film does take a job for her own income. Her reaction is to castigate Wilkinson, but also to blame herself and in fact her pastor says something like that to her. His only solution is to come up with some scripture from Ephesians that he says covers the situation. Something about emasculating her man.

Arney is an interesting character, transgender is not something taught at the seminary. He's trying to figure it out, but can only think and operate from a very narrow framework. Eventually Wilkinson and Lange leave the church, a most gut wrenching experience for both since they are sincere Christians.

The key scene in this film is during a family reunion at Thanksgiving when Wilkinson's father, who's suffering from the beginnings of Alzheimer's. There is a deep focus shot of Wilkinson in the foreground as dad, Richard Bull, is talking about how as a kid with five daughters he was worried about having an effeminate son when he caught him trying on his mother's clothes. Bull relates he beat his son to get the effeminacy out of him..

The shot then switches to a closeup of Lange and it's worth more than ten pages of dialog as she now knows this is not either some whim of her husband's nor anything that is her fault. Excellent camera work and acting, especially for a TV movie.

Although they are married and stay married, my guess is that at some point Wilkinson and Lange will part amicably. During the film in fact she does begin an affair with her husband's boss, Clancy Brown. My guess is that though she does love Wilkinson very much, Lange will miss the physical intimacy of marriage.

Someone did some good research into transgender issues. There is a brief scene with Wilkinson trying to talk in a higher register now that he's transitioning. One thing I've learned from transgender friends is that one's vocal cords are set for life in puberty when one is male. There are vocal techniques to talk lower, but they have to be learned and presumably Wilkinson will learn them. People who are born female will have their vocal cords thicken with the testosterone treatment

There are very few people that out and out hate the man for transitioning to female. He does get some hate graffiti on his truck and he does get into a fight with one of his co-workers. Mostly they just can't understand. Interesting that Hayden Panettiere reports no problems in school with peers over her dad. It's sometimes the case that the young are the most tolerant indeed.

Normal is a sensitive treatment of transgender issues with some fine performances and a good story with no real ending in sight for this family.

There are things going on on the surface in this film that will be foreign, and even repellant to a lot of people. But hopefully those who are thoughtful will be able to look beneath that to find a message that we can all hopefully relate to..the idea of loving the soul of a person regardless of their appearance and loving someone selfishly and completely. I could not relate to Tom W's characters gender identity issue nor could I put myself in jessica lange's character's position of dealing with all that. But I was moved by how much these people truly loved each other. The actors did a great job handling a subject that could have easily slipped into the farcical or maudlin. Another good hbo movie product