Des années 1920 à la ruineuse guerre civile espagnole et à la montée au pouvoir d'Adolf Hitler, les vies d'une institutrice irlandaise, d'une héritière provocatrice et de sa muse sont liées,... Tout lireDes années 1920 à la ruineuse guerre civile espagnole et à la montée au pouvoir d'Adolf Hitler, les vies d'une institutrice irlandaise, d'une héritière provocatrice et de sa muse sont liées, partageant le même destin et la même passion.Des années 1920 à la ruineuse guerre civile espagnole et à la montée au pouvoir d'Adolf Hitler, les vies d'une institutrice irlandaise, d'une héritière provocatrice et de sa muse sont liées, partageant le même destin et la même passion.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 5 nominations au total
- Undergraduate #3
- (as Michael Daniel Murphy)
Avis à la une
The title seems very appropriate - taken from the quip of 'Head in the clouds, Feet on the ground' - as the lead character Gilda (a radiantly beautiful Charlize Theron) seems to float above all of the reality of warring struggles in 1933, focusing her life on paramours, expensive clothes, and 'dangerous liaisons' with a varied assortment of men, all the while keeping a firm stance on needs of her strangely disjointed life. Indeed, the opening of the film finds Gilda in need of shelter from a night's fling with a Cambridge lover and she knocks on the door of a poor struggling Irish student Guy (Stuart Townsend), thus beginning a lasting affair that coasts through the entire story.
Guy eventually follows Gilda to Paris where she is a popular photographer living with her gallerist, but also living with her lesbian lover Mia (Penelope Cruz). Gilda, Guy, and Mia become a triptych and it is only the impact of the rise of fascism in Spain (Mia's home) that separates the ménage a trois: idealistic Guy and compassionate Mia are off to fight Franco while Gilda is left behind to admit to the encroaching threat of Nazis in France and enter into her own version of involvement.
How these three weather the war and resolve their varied degrees of complicity provides the film's finale. The cast is strong, the settings are gorgeous (in all three countries) as captured by cinematographer Paul Sarossy, and the musical score by Terry Frewer introduces a potential talent for film composition (while borrowing heavily from French cabaret songs, symphonic music by Edward Elgar, and pieces of Francis Poulenc). But the overall reason for enjoying this rather long film is the interplay of Theron, Townsend and Cruz in a variety of richly sensuous vignettes. Well worth watching. Grady Harp
9/10
The movie is a melodramatic love story that takes place in the years that preceded WW II and during the war. The story is rather predictable and quite boring sometimes.
But what makes this movie nice to see are some moments that are nicely portrayed by the main actors and that I find rather moving. And if something makes this movie special, is Stuart Townsend that gives a certain feeling to his character.
In the end, I liked the movie as I ignored some of its flaws (like most of the movies I see)and appreciated the overall atmosphere created, a couple of moving a memorable scenes and the beautiful chemistry between Charlize and Stuart. I think, it is underrated. It should be around 6.5-7. I give him an 8, as a balance.
Personally, I feel that Stuart Townsend is in over his head in trying to be the man that captivates the debutante of France as played by Miss Theron. He plays the part well but seems to be miscast in a role that needs a man that is stronger physically as well as mentally.
Penelope Cruz is outstanding as the lame Spanish beauty. She provides a excellent performance as the stereotypical cripple with a golden heart as she uses her earnings as a model to become a nurse.
The story provides little, if any, inspiration and needs a stronger hand at the screen writing duties.
I was well entertained by this movie and thought the total effect was to keep me interested although it did become predictable in some spots. Perhaps my rating of 7 is partly because I thought that Charlize should have held out for a stronger screenplay for her next movie.
Le saviez-vous
- AnecdotesHugh Grant was originally announced for the Stuart Townsend part.
- GaffesHitler's name is spelled in the end credits as "Hilter".
- Citations
Gilda Bessé: Beauty, bravery, and brains. What a catch. You also have a nice willy, and I hope to dream about it.
- ConnexionsFeatured in Cinemania: I anodos kai i ptosi tou Nazismou (2008)
Meilleurs choix
- How long is Head in the Clouds?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Head in the Clouds
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 398 278 $US
- Week-end de sortie aux États-Unis et au Canada
- 46 133 $US
- 19 sept. 2004
- Montant brut mondial
- 3 664 858 $US
- Durée
- 2h 12min(132 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1