Consequence

Without top caliber acting by Assante and Shroder I would characterize this as a poor man's Soderbergh film. It just can not seem to decide its identity. Some scenes (I suppose shot early when the money was plentiful) have a jazzy soundtrack and innovative photography (a la Out of Sight), while most have a distinctly Made-For-TV feel (Think of most films from Rob Lowe, Craig Scheffer, or Eric Stolz made in the past decade). In fact, I would say that watching this on TV, for free, is the only venue in which this film can be enjoyed. 5.5 / 10 stars.

This isnt a bad watch! Armand Assante puts on a good show; I enjoy his work. If you have seen his 2002 film "Last Run" and enjoyed that as I did then you will enjoy this flick...... The direction is superb with great action scenes to fill in any gaps. Out of ***** (5 stars) I give this film *** 3/4 stars, good Saturday evening film.

I found myself liking this movie much more than I thought I would. It seems to be a basic B-movie thriller with a couple of aging, no-longer-in-demand stars. As it turns out it is highly entertaining, despite a few plot holes, and a smidgen of predictability. You'd think he would mail it in on something like this, but Armand Assante really gets a chance to show his chops in this one. Rick Schroder comes across as sufficiently menacing. Nadia Kretschmer was good enough in a semi-small part. I was just about blown away Lola Glaudini. I had never heard of her before, but she is awesomely beautiful, and totally nailed her role, a character that was not particularly likable. The director, one Anthony Hickox, nearly ruined the film with show-off directorial effects. I am sure he will sink further into well-deserved obscurity. If you can get past the directing, though, I think you might enjoy this movie.

There are actions and there are consequences.

Nice thriller with average cast. A normal man with a brother with a past needs to change his life before his wife separates him and takes all his money.

It's always nice to see Armand Assante. He has a certain roughness and wildness, which combined with his smart thinking roles usually end up coming across well.

His co-actors and -actresses in this movie don't really live up to his standards - their acting here is limited to looking good, looking bad or looking crazy.

An OK flick, though, which you shouldn't go to the cinema to watch.

This one keeps you stuck in your seat with enough twists and turns and sudden swerves -- I think of Pulp Fiction with more blood -- plus an absolutely delightful VW Beetle escape drive at one point. The deadpan Assante signature works this time.