Un psychologue pénètre dans l'esprit des tueurs et des victimes pour aider la police à résoudre les horribles meurtres en série dans le nord de l'Angleterre.Un psychologue pénètre dans l'esprit des tueurs et des victimes pour aider la police à résoudre les horribles meurtres en série dans le nord de l'Angleterre.Un psychologue pénètre dans l'esprit des tueurs et des victimes pour aider la police à résoudre les horribles meurtres en série dans le nord de l'Angleterre.
- Récompenses
- 1 victoire et 6 nominations au total
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I was lucky enough to have a copy taped from BBC America (cheers, Mom!) -- if you're a Robson Green fan, it's a fantastic showcase for his acting. Not as cavalier as his "Touching Evil" series; his "Wire in the Blood" character of Tony Hill is much more reserved, quirky, and, being a criminal profiler, is more internalized with his processing of information. Even if you're not a Robson Green fan, this will surely garner him new followers. There were three full-length movies: "The Mermaid's Singing", "Shadows Rising", and "Justice Painted Blind". The first two, "Singing" and "Shadows" are adaptations of author Val McDermid's books;
"Justice" is an original script based off of McDermid's work, but closely follows her style and she was directly involved with its creation, so I think it's a respectful homage to her work as a whole, so I don't think her fans will be disappointed. All three deal with strange and grisly serial killings, the profiling of possible suspects, and the drama involved with tracking down the unique killers. Set against the backdrop of the bleak, lonely hills of the north of England, the movies are all gritty and disturbing (but not overly-so), and they really show the darker side of human nature and the lengths at which a profiler like Tony Hill is willing to venture to capture the killer. The supporting cast is brilliant; Hermione Norris as D.I. Carol Jordan is just wonderful to watch. Intelligent, sincere, and admirably professional, it's as much her story as it is Tony Hill's. The chemistry they have is marvellous to watch and not at all contrived. Personally, I think "Mermaids" was the best; it was the first, it clearly had the most detailed characterizations and plot complexity, and was definitely the most vicious -- some scenes definitely not for the faint of heart. But still compelling and highly recommended. The other two are still great, well-plotted and suspenseful, but slightly less edgy as the first. I recommend seeing the series in its proper order, to catch little references to past storylines.
"Justice" is an original script based off of McDermid's work, but closely follows her style and she was directly involved with its creation, so I think it's a respectful homage to her work as a whole, so I don't think her fans will be disappointed. All three deal with strange and grisly serial killings, the profiling of possible suspects, and the drama involved with tracking down the unique killers. Set against the backdrop of the bleak, lonely hills of the north of England, the movies are all gritty and disturbing (but not overly-so), and they really show the darker side of human nature and the lengths at which a profiler like Tony Hill is willing to venture to capture the killer. The supporting cast is brilliant; Hermione Norris as D.I. Carol Jordan is just wonderful to watch. Intelligent, sincere, and admirably professional, it's as much her story as it is Tony Hill's. The chemistry they have is marvellous to watch and not at all contrived. Personally, I think "Mermaids" was the best; it was the first, it clearly had the most detailed characterizations and plot complexity, and was definitely the most vicious -- some scenes definitely not for the faint of heart. But still compelling and highly recommended. The other two are still great, well-plotted and suspenseful, but slightly less edgy as the first. I recommend seeing the series in its proper order, to catch little references to past storylines.
Brilliant series. The third episode not quite as strong a story as the first two, perhaps has something to do with the fact that it was not based directly on the books of V. McD. Robson Green is a great talent, in spite of what his fellow Newcastleian had to say above. I've enjoyed his first rate performances in two other series I've seen, and can't wait to see how his character's flirtation with D.I. Jobson develops in future episodes. Comparisons with "Cracker" seem off the mark to me. Although its one of my favorites, the only things in common with "Wire..." are forensic psychologists profiling murderous sickos, and helping the police catch 'em. Note to the producers: Have Robbie Coltraine guest as "Cracker" character in a future episode assisting Hill and Jobson! Imagine all the fun they could have conflicting professionally, not to mention romantically, vying for Jobson's attention and favors! Brilliant!
10qv1879
I started watching this show in series 1. It was edgy and gritty, with strong performances from everyone. It still is. "Wire in the Blood" is the story of Dr.Tony Hill (Robson Green), a slightly eccentric clinical psychologist who works part time with the police force of Bradford, England. He has a reputation of taking small seemingly unconnected facts puzzling them together and providing a profile for the police to follow. The show is bases on the books written by crime novelist Val McDiarmid. In series 1-3, Hermione Norris played Detective Inspecter/Chief Inspecter Carol Jordan of Bradford CID, who managed to rein Tony's scattered abilities and make sense of them. In series 4, Ms Norris has left the show and Simone Lahbib as Inspecter Alex Fielding has the dubious job of reining in Hill. Green is, of course, the lead of the show and he is brilliant. He mixes in just enough idiosyncrasies to make Hill human, endearing and sometimes down right aggravating. Norris brought an adult, feminine, vulnerability to her role as Carol Jordan. Brought up to believe in hard case police work, her world was turned upside down by Tony's presence. In the end, she asks for a transfer. Enter DI Alex Fielding, Simone Lahbib. Ms. Lahbib is an unknown entity to me, but as I finished watching series 4, I felt a bit queasy. When one actor leaves a show and is replaced. It is important to give the newcomer a distinctive identity. Fielding is a single mother with a son and a cat, yet in the second episode of s4, "Torment", the writers were able to slide her easily into the role that would have been Norris'. The "Jordan" character was specific to the McDiarmid book "Torment of Others", of which the episode was derived. The Jordan/Fielding character played a large part. The writing is exceptional, especially for the episode, "Torment". The acting is exceptional. This statement is meant to include: Mark Letheren(DI Kevin Jeffries); Emma Handy (DC Paula McIntyre) and Peter Sullivan (ACC Paul Eden). When there is an ensemble cast and crew that work their hardest to put out the best product possible, it makes viewing a very satisfying activity. Note: this show is designated TV-MA, because of some intense or violent scenes. I would not recommend this show for anyone under the age of 16.
Wire in the Blood, is first of all a showcase for the excellent acting skills of the charismatic Robson Green. For a mystery/suspense,thriller this show easily surpasses virtually all shows in the genre. The shows all involve murder and this is the focus of the plots. The plots, moreover, are taut and well-written. The setting and actors are British. For non-British viewers the British actors provide something faintly exotic and alluring, which works fine to subtly draw the viewer into the action of this suspense show. It is our not insignificant loss that more shows weren't filmed
The acting overall is fine; Green's outstanding acting seemingly makes all of his fellow actors elevate their performances. The stories are quite compelling, but the real interest is in the way Green solves the murders, using his training as a psychologist who teaches at a university and in at least one episode is seen acting as a therapist. His credentials are present just to make him initially credible. He has the intelligence, training, and experience to solve complex crimes.
For a t.v. show, there an unusually high level of tension and suspense, often only seen in movies. All in all, this show rewards close viewing, while the violent/gruesome scenes are few, they are minimally sanitized, and are contextually justified. In fact the reality of violence and destructive sexuality reflect quite accurately what homicide detectives see in the real world on a regular basis. This is a show about evil--so don't expect extenuating circumstances, except for brief views in some of the shows of the past of the criminals, usually childhood, that help explain why they commit their heinous crimes.
The acting overall is fine; Green's outstanding acting seemingly makes all of his fellow actors elevate their performances. The stories are quite compelling, but the real interest is in the way Green solves the murders, using his training as a psychologist who teaches at a university and in at least one episode is seen acting as a therapist. His credentials are present just to make him initially credible. He has the intelligence, training, and experience to solve complex crimes.
For a t.v. show, there an unusually high level of tension and suspense, often only seen in movies. All in all, this show rewards close viewing, while the violent/gruesome scenes are few, they are minimally sanitized, and are contextually justified. In fact the reality of violence and destructive sexuality reflect quite accurately what homicide detectives see in the real world on a regular basis. This is a show about evil--so don't expect extenuating circumstances, except for brief views in some of the shows of the past of the criminals, usually childhood, that help explain why they commit their heinous crimes.
Green's vulnerability, intensity and flexibilty in his craft is a complete pleasure. He displays tremendous potential; one can hope that he will continue to create performances that are filled with the humanity, compassion and insight that "Tony Hill" shows us. Brilliant!
Le saviez-vous
- AnecdotesThe plastic "blue bag" that Tony Hill is often seen with was gleaned from Robson Green's research for La fureur dans le sang (2002), which involved spending time with revered criminal psychologist Julian Boon, who Green describes in part as an "extraordinary, intelligent, nice guy who carried his life in a blue bag and traveled on a double-decker bus. No-one looked at him twice."
- ConnexionsFeatured in Drama Trails: 'Coronation Street' to 'Kingdom' (2008)
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- How many seasons does Wire in the Blood have?Alimenté par Alexa
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