Shelter Island

I am sorry I wasted my time watching this film, with all due respect, there is NOT one positive thing I can say about it. Acting is terrible, plot is as equally lousy, there is no cinematography involved in the production of this "film". You better off watching TV. I don't know who is the "director" but I think world would be a better place if the money spent on the production of this "thing" would go to someone with bit of talent and innovative thinking, because this film provides ZERO entertainment. All that "corporate" brands we are being preached about, have nothing to do with plot, I really failed to find a concept behind the storyline, moreover, don't have a slightest clue what the director was suppose to achieve with this so-called "movie". Its so painful to see such a waste of money...

Other reviews on IMDb give an accurate enough summary of the plot. But they seem to have been expecting something like The Usual Suspects. Direct-to-video movies are usually inferior, with respect to production values and acting, than theatrical releases (poor as the latter generally are). So we shift into different critical gear when we watch a non-theatrical release. And by these standards, Shelter Island is not bad at all.

The movie is by no means a "lesbian skin flick," and the scenes of (partial) nudity are few and brief in duration. The story line is entirely coherent, and the twists -some maybe predictable, some not- are quite entertaining. The acting is far above average for the kind of film we are talking about. Ally Sheedy puts more into her character than the writing would suggest, and in fact all the actors acquit themselves more than competently.

Shelter Island moves along at a brisk pace, is snappily photographed and offers a few fun twists. This is what you'd call "a good popcorn movie." The movie gets 8 out of 10.

I might have a partial spoiler here, but maybe not.

What's the matter with Ally Sheedy, taking a role like this? The movie's plot and ending would do well in an 11th grade creative class, but gee, we paid money to see this. It's impossible for anything like this movie to happen. In a crime scene, the same gun was used on every person in the room, which would make forensics people lick their chops.

I've always liked AS, but she must have a lousy agent. She's a pretty good actress, and needs to be tested a bit. The Dancer Upstairs was okay, but another mediocre writer ruled.

I felt duped, and to call this movie a thriller was mislabeled.

2 out of ten.

Caught this tonight on cable and have to say it surprised me - didn't figure out what was really going on, even though I knew that what was being shown wasn't the entire story, and I have seen so many films like this, where what you see isn't exactly what you get, where you can't take anything at face value, so it shouldn't have fooled me. But it did. It's the sort of movie that leaves you shaking your head at the end, wondering why you didn't see it coming (no pun intended).

Sheedy, Baldwin and Kensit turn in clever performances, with enough eroticism to keep you watching and wondering where the heck it's actually going. I don't know if it would be as enjoyable in a movie theater, but seeing it at home from the perspective of my couch was a decent experience.

Whatever happened to Eighth Wonder singer Patsy Kensit after she appeared in the high voltage, high energy thriller 'Lethal Weapon 2'? Well, she went on to appear in a number of okay pictures (the acclaimed 'Twenty-One' and the sweet romantic comedy 'Does This Mean We're Married') and some truly terrible TV-movie-type fodder such as 'Kill Cruise.' Unfortunately, this crass production falls into the latter camp and, despite some good talent and a serviceable script, the movie is betrayed and let down with an overabundance of (blatently obvious) body-double nudity (that would seem more in place in a soft porn production) and a (supposidly) "surprise twist' that is telegraphed early in the movie. Kensit plays the lesbian girlfriend Alex, to Alley Sheedy's motivational speaker character, who persuades her girlfriend to escape the big city after she is brutally attacked. The two seek the solitude on an island and tension arises with the arrival of an injured man, a violent storm that knocks out the phone lines and ferry services to the mainland and the almost voyeuristic fascination with the girls displayed by the local sheriff. Kensit was the reason why I picked up this movie, that and the promise of an okay suspense thriller, but her talent is once again squandered in a movie that fails to deliver any real tension.