NOTE IMDb
5,9/10
43 k
MA NOTE
Une histoire d'amour entre une étudiante américaine et un prince danois qui décide de rompre avec la tradition.Une histoire d'amour entre une étudiante américaine et un prince danois qui décide de rompre avec la tradition.Une histoire d'amour entre une étudiante américaine et un prince danois qui décide de rompre avec la tradition.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Stephen O'Reilly
- Mike Morgan
- (as Steve O'Reilly)
Yaani King Mondschein
- Amanda
- (as Yaani King)
Avis à la une
You may look at the preview and think, "Great, they just basically ruined the ending for me." which is what I though when I saw it. However, I took a chance renting it, because I figured it would be an entertaining way to pass the time. I was right. I not only found it entertaining, but by the end, as corny is it may sound for a film like this, it did leave me guessing a little as to what would happen.
Although I don't usually care for Julia Stiles, I found her to be delightful in this piece, and the right person to play the part. The role of the handsome Scandanavian Prince, was also correctly casted, and was a heartthrob a minute. The two actors worked very well together, and I very much enjoyed the film, finding it sweet, romantic and just enough of light and heavy to balance it out nicely.
Ovearll it's a film that certainly wouldn't have been nominated for any big awards, but it's cute, and in the end a pretty predictable film. I recommend it to the ones out there who like the Cinderella-ish stories. It's kind of like that.
Although I don't usually care for Julia Stiles, I found her to be delightful in this piece, and the right person to play the part. The role of the handsome Scandanavian Prince, was also correctly casted, and was a heartthrob a minute. The two actors worked very well together, and I very much enjoyed the film, finding it sweet, romantic and just enough of light and heavy to balance it out nicely.
Ovearll it's a film that certainly wouldn't have been nominated for any big awards, but it's cute, and in the end a pretty predictable film. I recommend it to the ones out there who like the Cinderella-ish stories. It's kind of like that.
A nice easy watch. Very predictable but enjoyable.
Almost 20 years old, and i couldn't help but laugh at the uncanny similarities between what's going on in the film and currently with Meghan Markle. Perhaps she should have watched this film, and seen that joining a European royal family isn't without difficulties. Harry said in his book Meghan was upset as she was a hugger, the American in this film was a hugger and it was pulled up in a jokey context.
Would I watch again? No. Am I glad I gave it a go? Yes. Julia Stiles is lovely and loved all her films from back in the day, not sure how I've never seen this before.
Almost 20 years old, and i couldn't help but laugh at the uncanny similarities between what's going on in the film and currently with Meghan Markle. Perhaps she should have watched this film, and seen that joining a European royal family isn't without difficulties. Harry said in his book Meghan was upset as she was a hugger, the American in this film was a hugger and it was pulled up in a jokey context.
Would I watch again? No. Am I glad I gave it a go? Yes. Julia Stiles is lovely and loved all her films from back in the day, not sure how I've never seen this before.
I enjoyed this movie, but I think it has a lot to do with the fact that I'm a Dane myself. I found myself smiling on a few occasions, which involved Danish actors or mentions of other Danish things.
But there's many things that's not correct, obviously. Danish princes are practically always called Christian or Frederik, we currently don't have a king but a queen, we speak Danish and our newspapers are also in Danish, and monarchs are not allowed to be involved in politics. I'm sure there is more, but I can't remember.
But it's a cute story, predictable, but it's a romantic comedy, and those are predictable.
See it, enjoy it, but don't take it too literally.
But there's many things that's not correct, obviously. Danish princes are practically always called Christian or Frederik, we currently don't have a king but a queen, we speak Danish and our newspapers are also in Danish, and monarchs are not allowed to be involved in politics. I'm sure there is more, but I can't remember.
But it's a cute story, predictable, but it's a romantic comedy, and those are predictable.
See it, enjoy it, but don't take it too literally.
As transparent as it is absurd, "The Prince and Me" is nothing more than a regurgitation of the classic royalty-or-famous-person-meets--unsuspecting-commoner-and-they-fall-in-love- and-live-happily-ever-after fairytale that has been passed down from generation to generation. But thanks to the charms of the established young actress, Julia Stiles, and the new up and coming Brit, Luke Mably, mixed with the somehow amusing screenplay by the writers of the soon to come Kate Hudson picture "Raising Helen", "The Prince and Me," succeeds in its genre.
Set in Wisconsin, Paige Morgan (Julia Stiles) is a driven pre-med student who is determined not to be weighed down by a careless romance, and Prince Edward (Luke Mably) of Denmark is the restless king to be who is avoiding royal responsibility to be a rebellious college kid in the States. Despite his odd, self absorbed manner, and trailing assistant, nobody seems to guess his true identity, and Paige believes he is a foreign exchange student. The magnetism between Stiles and Mably cannot be denied, and when their two opposite characters attract, there are definitely fireworks. The cat and mouse chase exposition is much more interesting than the over the top finale, but it helps develop the story so you are still paying attention at the end.
And of course, Paige teaches Eddie about love and work ethic, while Eddie teaches Paige about poetry and the pains and pleasures of wealth and privilege. This dull, predictable, and recycled premise has been used many a time because with the right stars and right lighting, it easily reminds the audience of the innocence, joy, and surprises that are found in love. And that is truly the greatest story ever told, so why not tell it over and over and over and over again? Thus, an enjoyable cinema experience is practically guaranteed if you put the idea in capable hands.
Modest humor and sincere characters bring the story to life. The glimpse into Denmark royalty is intriguing and believable, and the film's characters are impossible to dislike. Stiles and Mably give equally thorough performances and I wouldn't mind seeing them pair up again for a more thought-provoking project.
Since the dialogue was satisfying, it is surprising the script at large wasn't a bit more realistic or original. But I assume that wasn't the aim, and am in a forgiving mood today.
In fact, I am glad that "The Prince and Me" didn't attempt to venture into more dramatic territory, for that would be unnecessary, and merely pretentious. Director Martha Coolige knows what "The Prince and Me" is and she doesn't try to make it anything more, so it stays on track with an obvious and clear goal in mind.
"The Prince and Me" won't change or challenge you, but it just may uplift you for the movie's duration plus two or three, maybe even five, minutes afterward, so why not pay the five to eight bucks? But if you seek more than temporary well wrapped candy, hunker in on the two leads or just avoid the picture completely.
Set in Wisconsin, Paige Morgan (Julia Stiles) is a driven pre-med student who is determined not to be weighed down by a careless romance, and Prince Edward (Luke Mably) of Denmark is the restless king to be who is avoiding royal responsibility to be a rebellious college kid in the States. Despite his odd, self absorbed manner, and trailing assistant, nobody seems to guess his true identity, and Paige believes he is a foreign exchange student. The magnetism between Stiles and Mably cannot be denied, and when their two opposite characters attract, there are definitely fireworks. The cat and mouse chase exposition is much more interesting than the over the top finale, but it helps develop the story so you are still paying attention at the end.
And of course, Paige teaches Eddie about love and work ethic, while Eddie teaches Paige about poetry and the pains and pleasures of wealth and privilege. This dull, predictable, and recycled premise has been used many a time because with the right stars and right lighting, it easily reminds the audience of the innocence, joy, and surprises that are found in love. And that is truly the greatest story ever told, so why not tell it over and over and over and over again? Thus, an enjoyable cinema experience is practically guaranteed if you put the idea in capable hands.
Modest humor and sincere characters bring the story to life. The glimpse into Denmark royalty is intriguing and believable, and the film's characters are impossible to dislike. Stiles and Mably give equally thorough performances and I wouldn't mind seeing them pair up again for a more thought-provoking project.
Since the dialogue was satisfying, it is surprising the script at large wasn't a bit more realistic or original. But I assume that wasn't the aim, and am in a forgiving mood today.
In fact, I am glad that "The Prince and Me" didn't attempt to venture into more dramatic territory, for that would be unnecessary, and merely pretentious. Director Martha Coolige knows what "The Prince and Me" is and she doesn't try to make it anything more, so it stays on track with an obvious and clear goal in mind.
"The Prince and Me" won't change or challenge you, but it just may uplift you for the movie's duration plus two or three, maybe even five, minutes afterward, so why not pay the five to eight bucks? But if you seek more than temporary well wrapped candy, hunker in on the two leads or just avoid the picture completely.
I've been reading the comments from everyone on the movie. I just wanted to say a couple of things. First off, if one turns off their analytical side and simply watch the movie, they might be surprised.
Every female, regardless of age, secretly wants to be loved like the classic 'princess' stories. It's not so much about a princess as it is about the real love between two people.
These kinds of stories still exist simply because we yearn for them, even if it is buried deep inside us.
The most important part of the movie is not location, government or royalty, it is the journey these two 'people' take after meeting. The setting for each before meeting sets up the movie and introduces them, flaws and all to us.
this is simply a love story that transcends time and age. Watch it with emotion instead of analyzing it.
Every female, regardless of age, secretly wants to be loved like the classic 'princess' stories. It's not so much about a princess as it is about the real love between two people.
These kinds of stories still exist simply because we yearn for them, even if it is buried deep inside us.
The most important part of the movie is not location, government or royalty, it is the journey these two 'people' take after meeting. The setting for each before meeting sets up the movie and introduces them, flaws and all to us.
this is simply a love story that transcends time and age. Watch it with emotion instead of analyzing it.
Le saviez-vous
- AnecdotesDuring a break from rehearsals in Toronto, Luke Mably (Eddie) and Ben Miller (Eddie's valet, Soren) went out while in character to the Four Seasons and convinced everyone that Mably was the Prince of Denmark. They were demanding tea and cake and had six waiters around them, bowing.
- GaffesEddie visits Paige's home at Thanksgiving in Wisconsin, yet it looks more like the middle of summer. By November, the trees would have dropped all their leaves and the average high temperature is in the mid 40s.
- Bandes originalesPresidente
by Ulises Lozano (as Joaquin Ulises Lozano Aguirre), Omar Góngora (as Juan Omar Gongora Rangel), and Carlos Cháirez (as Carlos Alberto Chairez Garcia)
Performed by Kinky
Courtesy of Sonic 360/Nettwerk America, LLC
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- How long is The Prince and Me?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El príncipe y yo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 28 176 497 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 406 378 $US
- 4 avr. 2004
- Montant brut mondial
- 37 666 766 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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