NOTE IMDb
4,8/10
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MA NOTE
Un couple accepte de faire cloner leur fils décédé, sous la supervision d'un médecin énigmatique, mais des choses bizarres commencent à se produire plusieurs années après sa renaissance.Un couple accepte de faire cloner leur fils décédé, sous la supervision d'un médecin énigmatique, mais des choses bizarres commencent à se produire plusieurs années après sa renaissance.Un couple accepte de faire cloner leur fils décédé, sous la supervision d'un médecin énigmatique, mais des choses bizarres commencent à se produire plusieurs années après sa renaissance.
Rebecca Romijn
- Jessie Duncan
- (as Rebecca Romijn-Stamos)
Jenny Cooper
- Sandra Shaw
- (as Jenny Levine)
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What can I say about Godsend that hasn't already been said? Probably not much. It was just so...blah. I'm convinced that there could have been a good movie here. I mean Greg Kinnear, Rebecca Romijn, and Robert Deniro! Come on! This should have been a much better film. The premise was good: a couple lose their only son and are given a chance to bring him back through the possibly amoral process of cloning. If they would have listened to Jud Crandall they would have realized that "sometimes dead is better." It was just terribly hard to sit through and the ending was really lame. I have to blame the writer. You know why? Because there are 4 alternate endings on the DVD and they all suck too. Either he just didn't know how to end it or perhaps the studio wasn't pleased. Either way, it's completely avoidable.
This film to me was pretty good. The performances were strong, it had enough jumpy parts to have me screaming, and the plot was surprising. This is one of the few horror movies I've seen lately that, instead of slashing and slicing its way through a pointless gore fest (which are fun by the way, just not great movies), is one that you may actually still be talking about by next week.
Starring Rebecca Romijn-Stamos, Greg Kinnear, and Robert DeNiro, Godsend is the chilling thriller about cloning. Jessie (Stamos) and Paul (Kinnear) Duncan are a happily married couple with an 8 year old son. One day their son is tragically killed when he is hit by a car. The devastated couple are then approached by Dr. Richard Wells (DeNiro), who claims he can help them by cloning to make an exact copy of their late son. Months later the Duncans are a family again with their new baby. Everything is going fine- until Adam reaches his 8th birthday, the time when the original Adam was killed. Suddenly it is a race to help their son while trying to survive before it's too late.
This gripping thriller is a fun yet interesting film to watch with your friends. I thought it was overall a good movie with a great cast.
*** out of 4
Starring Rebecca Romijn-Stamos, Greg Kinnear, and Robert DeNiro, Godsend is the chilling thriller about cloning. Jessie (Stamos) and Paul (Kinnear) Duncan are a happily married couple with an 8 year old son. One day their son is tragically killed when he is hit by a car. The devastated couple are then approached by Dr. Richard Wells (DeNiro), who claims he can help them by cloning to make an exact copy of their late son. Months later the Duncans are a family again with their new baby. Everything is going fine- until Adam reaches his 8th birthday, the time when the original Adam was killed. Suddenly it is a race to help their son while trying to survive before it's too late.
This gripping thriller is a fun yet interesting film to watch with your friends. I thought it was overall a good movie with a great cast.
*** out of 4
I guess this film didn't really grip me. You knew from the start where the film was heading, but it seemed to take its sweet time about getting there. Perhaps that's why I found myself nodding off several times, only to be awoken by the obligatory, and repeated use of, shock tactics throughout the film.
I can't really think of anything positive to say about this film, but neither can I say anything greatly negative. It was neither good, nor bad. In fact, watching it was very much like being trapped in limbo. There was little to stimulate the audience's minds through most of the movie.
It's also irritating to see Hollywood moralising about the evils of cloning through the use of film. I'd hesitate to say it was right, but the last thing reasoned debate on the subject needs is idiot screenwriters cashing in on public fears (and fears that are generated by media misrepresentation, at that) and adding more fuel to the fire. What next, a movie about people turning into flies because they ate genetically modified food crops?
This film isn't very good and you won't be seeing it twice even if you do have the foolishness, like me, to watch it once. Lets just hope that this is one film that Hollywood decides NOT to clone in the future.
I can't really think of anything positive to say about this film, but neither can I say anything greatly negative. It was neither good, nor bad. In fact, watching it was very much like being trapped in limbo. There was little to stimulate the audience's minds through most of the movie.
It's also irritating to see Hollywood moralising about the evils of cloning through the use of film. I'd hesitate to say it was right, but the last thing reasoned debate on the subject needs is idiot screenwriters cashing in on public fears (and fears that are generated by media misrepresentation, at that) and adding more fuel to the fire. What next, a movie about people turning into flies because they ate genetically modified food crops?
This film isn't very good and you won't be seeing it twice even if you do have the foolishness, like me, to watch it once. Lets just hope that this is one film that Hollywood decides NOT to clone in the future.
Paul and Jessie Duncan live in a rough part of the city but are happy with their lives and their young son Adam. However tragedy strikes when Adam is killed in a car accident right in front of Jessie, leaving the couple broken and lost. At their lowest point they are met by a former tutor of Jessie's, enigmatic doctor Richard Wells. Infamous for this genetic work, Wells claims that he can use DNA from the dead Adam to essentially produce a clone. With Jessie no longer able to have children, the couple agree to the illegal and experimental procedure (which also involves moving to a big empty house) and the new born is soon with them. All is great until Adam reaches eight years old and suddenly the nightmares starts and Adam's behaviour changes.
A few years ago cloning became a hot topic and produced several interesting debates over the moral and ethical issues surrounding it. There were no easy answers and it was/is a topic that is hard to hold a clear view on unless you happen to have it decided for you by your religion. Writer Bomback takes this interesting hotbed of ethical debate and churns out a modern twist on the Omen with few original ideas and nothing of any real interest. The plot just tries to engineer plenty of "creepy" moments with the thinnest of ideas behind them and, as a result I didn't really care that much about any of it. Hamm's solid direction is OK but he can't add much in the way of real chills.
Kinnear and Romijn make for an unlikely couple and they don't have a very convincing relationship. Neither of them have much to work with; they do the basics with the script but they can't raise it and don't even suggest that they would produce the sort of emotions you'd expect from a couple seeing their dead son recreated in front of them. Bright is suitably creepy and he does what is asked of him the rest isn't his fault. De Niro phones in his performance; he isn't terrible but you can't help feel that he is worth more than this and that he surely can't need the money that much.
Overall then a roundly poor chiller that offers very little other than unimaginative and unoriginal ideas. Not chilling in the least and it just plods its way towards a pointless and annoying conclusion.
A few years ago cloning became a hot topic and produced several interesting debates over the moral and ethical issues surrounding it. There were no easy answers and it was/is a topic that is hard to hold a clear view on unless you happen to have it decided for you by your religion. Writer Bomback takes this interesting hotbed of ethical debate and churns out a modern twist on the Omen with few original ideas and nothing of any real interest. The plot just tries to engineer plenty of "creepy" moments with the thinnest of ideas behind them and, as a result I didn't really care that much about any of it. Hamm's solid direction is OK but he can't add much in the way of real chills.
Kinnear and Romijn make for an unlikely couple and they don't have a very convincing relationship. Neither of them have much to work with; they do the basics with the script but they can't raise it and don't even suggest that they would produce the sort of emotions you'd expect from a couple seeing their dead son recreated in front of them. Bright is suitably creepy and he does what is asked of him the rest isn't his fault. De Niro phones in his performance; he isn't terrible but you can't help feel that he is worth more than this and that he surely can't need the money that much.
Overall then a roundly poor chiller that offers very little other than unimaginative and unoriginal ideas. Not chilling in the least and it just plods its way towards a pointless and annoying conclusion.
Aside from a modestly effective twist near the end of the movie regarding the real identity of the child "Adam," this was a bland movie pretty much the whole way through. "Adam" applies to two characters, actually. The first being the child killed in a car accident near the beginning of the movie, and the second being his "replacement." After the first Adam's death, his parents are approached by a famous doctor (played by Robert De Niro in one of his more forgettable performances) who offers to use the knowledge that he's gained through laboratory experiments to clone Adam. The result is pretty much what you'd expect in this kind of movie. The new Adam seems to have memories of his previous life and seems from the beginning just a little "off." You realize that there's more going on here than meets the eye - the figure of Zachary (the boy in Adam's dreams) really doesn't seem to connect with the story, but to me the disconnect was so great that I settled for remaining confused rather than even trying to connect Zachary with anything. The movie tries to frighten with assorted chills, but never really succeeds in that regard. The twist (as I mentioned above) is modestly effective (I hadn't seen it coming) but everything that came before was so bland that I really didn't care by the time the twist came out. The ending was too open ended - there were at least two possibilities left open for continuing the story in a sequel that just seemed too wide open. Fortunately, the sequel never came. I'd have appreciated a bit more closure to this.
This is a mediocre movie at best. I always give a bit of extra credit for a twist that catches me off guard, but it's still mediocre.
This is a mediocre movie at best. I always give a bit of extra credit for a twist that catches me off guard, but it's still mediocre.
Le saviez-vous
- AnecdotesRobert De Niro had originally planned on merely providing a brief cameo for the film. However, after Director Nick Hamm heard De Niro would be interested in his project, he asked De Niro to participate in a few more scenes that were all filmed within a week. De Niro later regretted this because his name was "splashed over all the advertisements".
- GaffesWhen Paul Duncan is driving, a Canadian flag is just about visible in the background.
- Citations
Adam Duncan: Dad, did I die?
- Bandes originalesPredictable
Written by Norman Jones
Performed by Norman Jones and Duane Neillson
Published by Music NV Publishing (ASCAP)
Courtesy of 2003 Music NV
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- How long is Godsend?Alimenté par Alexa
- What is 'Godsend' about?
- Is 'Godsend' based on a book?
- How does cloning work?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Godsend
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 379 751 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 900 000 $US
- 2 mai 2004
- Montant brut mondial
- 30 120 671 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Godsend : Expérience interdite (2004) officially released in India in English?
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