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7,4/10
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Les sœurs jumelles Lotte et Anne ont grandi très différemment après la mort de leurs parents. En tant qu'adultes, ils souhaitent se réunir, mais la Seconde Guerre mondiale et leurs différenc... Tout lireLes sœurs jumelles Lotte et Anne ont grandi très différemment après la mort de leurs parents. En tant qu'adultes, ils souhaitent se réunir, mais la Seconde Guerre mondiale et leurs différences socio-économiques compliquent les choses.Les sœurs jumelles Lotte et Anne ont grandi très différemment après la mort de leurs parents. En tant qu'adultes, ils souhaitent se réunir, mais la Seconde Guerre mondiale et leurs différences socio-économiques compliquent les choses.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 4 victoires et 8 nominations au total
Avis à la une
I read the book to this film about 6 years ago, back when I was in high school and was so impressed by it that I bought the book for my bookcase three years ago or something. I haven't read the book since and I'm not some kind of purist, heck I don't even remember the specifics of the book. At best that makes me as biased as someone who didn't read the book at all...or at worst it means that I'm not a 'purist'.
Translating a book into film, the visible medium, there are so many stages at which it can go wrong. Luckily it didn't with this one. The casting is perfect. I especially liked how Lotte and Anna spoke believably broken German and Dutch. Not as it sometimes happens in American productions, when they for instance speak Dutch and say it is German. This was very well done indeed and added to the films worth. What touches me most about De Tweeling though is the fact at heart, that you get shaped partly by your environment. It is worked out very well in this film and my favorite part is that the film distances itself (as does the book) from pointing out one of the two sisters as 'the bad guy'. The film just shows the horror, the desperation and the pain on the common man from both sides; the aggressor and the wrongfully invaded. It is a truly great theme and it is one of the few films I guess in which you actually get to feel sympathy for the Germans (or at least some of them). Maybe that is understandable. Maybe it is logic that most films portray the Germans as gruesome and despicable as quite a lot of them maybe were. But every once in a while a film comes along that shows us that they are human too, that they suffered losses; that German lives lost shatter German families as they shatter American, Dutch, Polish, Jewish, English and so on. This is one of those films. It strays from the cliché, which is what I liked about it as I did like Stalingrad (1993) and Die Brücke (1959).
8 out of 10
Translating a book into film, the visible medium, there are so many stages at which it can go wrong. Luckily it didn't with this one. The casting is perfect. I especially liked how Lotte and Anna spoke believably broken German and Dutch. Not as it sometimes happens in American productions, when they for instance speak Dutch and say it is German. This was very well done indeed and added to the films worth. What touches me most about De Tweeling though is the fact at heart, that you get shaped partly by your environment. It is worked out very well in this film and my favorite part is that the film distances itself (as does the book) from pointing out one of the two sisters as 'the bad guy'. The film just shows the horror, the desperation and the pain on the common man from both sides; the aggressor and the wrongfully invaded. It is a truly great theme and it is one of the few films I guess in which you actually get to feel sympathy for the Germans (or at least some of them). Maybe that is understandable. Maybe it is logic that most films portray the Germans as gruesome and despicable as quite a lot of them maybe were. But every once in a while a film comes along that shows us that they are human too, that they suffered losses; that German lives lost shatter German families as they shatter American, Dutch, Polish, Jewish, English and so on. This is one of those films. It strays from the cliché, which is what I liked about it as I did like Stalingrad (1993) and Die Brücke (1959).
8 out of 10
When their parents die, both twin sisters Lotte and Anna are seperated by their family. One of them is raised by a wealthy Dutch family and the other one by a German farmer family. They are not allowed to see or even write each other. Because they live in two different worlds they become two different women. The dutch girl is going to marry a Jew, while the German one falls in love with a SS-soldier. When they finally contact each other it turns out that they have grown apart too far, and a definite break seems inevitable. Will it ever be possible to become reconciled with each other?
Twin sisters is a beautiful movie that fully deservs the oscar nomination. It's not really another WWII movie as much people think, but more a touching story behind the actual events of the war.
Twin sisters is a beautiful movie that fully deservs the oscar nomination. It's not really another WWII movie as much people think, but more a touching story behind the actual events of the war.
Twin Sisters is a truly excellent film detailing how social and war experiences influence lives and drive people apart. It is a vein in Dutch film making which has already resulted in other critically acclaimed films like The Assault (1985). The central premise of separated twins growing up under different circumstances in different social circles has been explored in literature before, for example in the novel "Kronprinsarna" (1972) by Swedish author Lars Ardelius, but the novel "Twins" (1993) by Tessa de Loo has the added element of the Second World War and all the suffering that it entailed. The film follows the novel quite closely which has resulted in a richly layered drama in which nothing is as black and white as history may make us believe. The SS-officer is a reluctant soldier and a loving husband, while the culture-loving Dutchman hiding Jews in his house is a reluctant hero and a petty man. Through the eyes of the twin sisters we are able to appreciate the war experience of German and Dutch people and understand how it drove people apart and how hard it was for them to reconcile. The attempts of the German sister to reach out to her twin even at a very advanced age make for some very moving drama that will leave no one indifferent.
Little prepares Lotte and Anna, twin sisters living happily with their beloved father, for what life had in store for them. After the girls' father dies, they are left alone at the mercy of relatives who separate them in an act of sheer cruelty. Lotte and Anna go through a lot in life, not knowing, at times, about one another, and spend most of their lives apart.
Lotte fares better of the two sisters. She was a frail girl growing up and her relatives dote on her since they regard her as an invalid. Lotte writes to Anna letters during the first years of being apart, but those letters are never sent. Anna, on the other hand, is made a slave, practically, as she is made to help in the family farm and is never given the opportunity to attend school until the kind priest discovers how she has been severely beaten.
The other encounter of the sisters occur too late in life. Lotte, who when first visits Anna at the place where she is employed as a maid, by a wealthy Nazi sympathizer, is appalled by the way Anna has turned out to be an anti Semite. This puts a barrier between them not to be broken until both are too old and too stubborn to recognize how wrong they both have been about the past. Their last reunion is a bitter experience, especially for Anna, who is in poor health.
This excellent Dutch film directed by Ben Sombogaart, is based on a novel by Tessa DeLoo, which was published in this country as "Twins", gets a magnificent treatment in a lavish production that covers several decades. The action is set in Holland and in Germany.
The basic reason for watching the film is the great acting the director got from Thekla Reutins and Nadja Uhl, who are seen as the young Lotte and Anna. Both these young actresses are perfect as the twins in their youth. Ellen Vogel and Gudrum Okras, on the other hand, are also effective as the older sisters have a final confrontation at a spa where both have gone for cures.
The film shows a talented director, Ben Bombogaart, doing an excellent job in this richly layered tale of sisterly love and missed opportunities.
Lotte fares better of the two sisters. She was a frail girl growing up and her relatives dote on her since they regard her as an invalid. Lotte writes to Anna letters during the first years of being apart, but those letters are never sent. Anna, on the other hand, is made a slave, practically, as she is made to help in the family farm and is never given the opportunity to attend school until the kind priest discovers how she has been severely beaten.
The other encounter of the sisters occur too late in life. Lotte, who when first visits Anna at the place where she is employed as a maid, by a wealthy Nazi sympathizer, is appalled by the way Anna has turned out to be an anti Semite. This puts a barrier between them not to be broken until both are too old and too stubborn to recognize how wrong they both have been about the past. Their last reunion is a bitter experience, especially for Anna, who is in poor health.
This excellent Dutch film directed by Ben Sombogaart, is based on a novel by Tessa DeLoo, which was published in this country as "Twins", gets a magnificent treatment in a lavish production that covers several decades. The action is set in Holland and in Germany.
The basic reason for watching the film is the great acting the director got from Thekla Reutins and Nadja Uhl, who are seen as the young Lotte and Anna. Both these young actresses are perfect as the twins in their youth. Ellen Vogel and Gudrum Okras, on the other hand, are also effective as the older sisters have a final confrontation at a spa where both have gone for cures.
The film shows a talented director, Ben Bombogaart, doing an excellent job in this richly layered tale of sisterly love and missed opportunities.
Normally I don't see movies as good as this one. I happened across this film one night when I had nothing to do. I saw the title and thought it would be a mushy story about twin sisters...all rainbows and glitter. I was pleasantly surprised and thought the whole concept behind the story was genius. Not only is the story wonderful the movie quality is wonderful. It is now ranked among my favorite films. This movie truly embraces what it was like to be on both sides of the war. I found myself sympathizing with Anna even though I feel as negatively as I do about Hitler and Nazi Germany. I also deeply sympathized with Lotte and the suffering she and her fiancé went threw. In the end I wanted them to put it all behind them and embrace each other again.
Le saviez-vous
- AnecdotesThekla Reuten initially showed interest in playing Anna, but director Ben Sombogaart thought she would be better suited to play Lotte.
- GaffesThe BM sailing boat used by Lotte and David has sails with transparent plastic windows. These did not exist before the war.
- ConnexionsFeatured in The 76th Annual Academy Awards (2004)
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- How long is Twin Sisters?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Twin Sisters
- Lieux de tournage
- Spa, Belgique(forest scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 563 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 207 $US
- 8 mai 2005
- Montant brut mondial
- 5 938 165 $US
- Durée2 heures 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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