Twin sisters

This is a beautiful Dutch movie. It is about two twin-sisters, around six years old, separated in 1926 because their real parents are dead. One of them (Lotte) lives in The Netherlands, she has a good and rich life. The other (Anna) lives in Nazi-Germany with Germans who do not take good care of her. They want to reach each other but the 'parents' make sure that does not happen.

In the beginning of the movie we switch from 1926 to the present a couple of times. Two old ladies in a Spa meet. The Dutch one is called Lotte and doesn't want to speak with the German one, Anna. What has happened? The movie shows us what happened. It is a sad story, a beautiful story as well. It could have been a very true story.

The lead actresses are great. Thekla Reuten and Nadja Uhl make sure that the sisters are lovely characters, you will like both of them and you feel sorry for both of them. They play the sisters when they are around 25 years old. The little girls playing the twins when they are six years old are amazing and lovely too. As the old ladies they are very touching. It is just beautiful.

With the perfect cast and its nice acting, a fine direction, a great cinematography and a very beautiful score this is one of the best Dutch films I have seen. I loved it and it is definitely worth watching it.

Twin Sisters is a truly excellent film detailing how social and war experiences influence lives and drive people apart. It is a vein in Dutch film making which has already resulted in other critically acclaimed films like The Assault (1985). The central premise of separated twins growing up under different circumstances in different social circles has been explored in literature before, for example in the novel "Kronprinsarna" (1972) by Swedish author Lars Ardelius, but the novel "Twins" (1993) by Tessa de Loo has the added element of the Second World War and all the suffering that it entailed. The film follows the novel quite closely which has resulted in a richly layered drama in which nothing is as black and white as history may make us believe. The SS-officer is a reluctant soldier and a loving husband, while the culture-loving Dutchman hiding Jews in his house is a reluctant hero and a petty man. Through the eyes of the twin sisters we are able to appreciate the war experience of German and Dutch people and understand how it drove people apart and how hard it was for them to reconcile. The attempts of the German sister to reach out to her twin even at a very advanced age make for some very moving drama that will leave no one indifferent.

Little prepares Lotte and Anna, twin sisters living happily with their beloved father, for what life had in store for them. After the girls' father dies, they are left alone at the mercy of relatives who separate them in an act of sheer cruelty. Lotte and Anna go through a lot in life, not knowing, at times, about one another, and spend most of their lives apart.

Lotte fares better of the two sisters. She was a frail girl growing up and her relatives dote on her since they regard her as an invalid. Lotte writes to Anna letters during the first years of being apart, but those letters are never sent. Anna, on the other hand, is made a slave, practically, as she is made to help in the family farm and is never given the opportunity to attend school until the kind priest discovers how she has been severely beaten.

The other encounter of the sisters occur too late in life. Lotte, who when first visits Anna at the place where she is employed as a maid, by a wealthy Nazi sympathizer, is appalled by the way Anna has turned out to be an anti Semite. This puts a barrier between them not to be broken until both are too old and too stubborn to recognize how wrong they both have been about the past. Their last reunion is a bitter experience, especially for Anna, who is in poor health.

This excellent Dutch film directed by Ben Sombogaart, is based on a novel by Tessa DeLoo, which was published in this country as "Twins", gets a magnificent treatment in a lavish production that covers several decades. The action is set in Holland and in Germany.

The basic reason for watching the film is the great acting the director got from Thekla Reutins and Nadja Uhl, who are seen as the young Lotte and Anna. Both these young actresses are perfect as the twins in their youth. Ellen Vogel and Gudrum Okras, on the other hand, are also effective as the older sisters have a final confrontation at a spa where both have gone for cures.

The film shows a talented director, Ben Bombogaart, doing an excellent job in this richly layered tale of sisterly love and missed opportunities.

De tweeling is the best dutch film up until this point. It was surprisingly well made for a dutch production. With more votes it would become a top 250 movie and I think it deserves to be. A few years ago I almost cried because of the Green Mile. This movie almost brought to tears too. It takes very much for my cold hart to be touched. Not only was I touched by the story but also the quality of this production.

Unfortunately the government wants to stop funding the dutch movieindustry. That'll be the end great dutch movies like de tweeling.

I read the book to this film about 6 years ago, back when I was in high school and was so impressed by it that I bought the book for my bookcase three years ago or something. I haven't read the book since and I'm not some kind of purist, heck I don't even remember the specifics of the book. At best that makes me as biased as someone who didn't read the book at all...or at worst it means that I'm not a 'purist'.

Translating a book into film, the visible medium, there are so many stages at which it can go wrong. Luckily it didn't with this one. The casting is perfect. I especially liked how Lotte and Anna spoke believably broken German and Dutch. Not as it sometimes happens in American productions, when they for instance speak Dutch and say it is German. This was very well done indeed and added to the films worth. What touches me most about De Tweeling though is the fact at heart, that you get shaped partly by your environment. It is worked out very well in this film and my favorite part is that the film distances itself (as does the book) from pointing out one of the two sisters as 'the bad guy'. The film just shows the horror, the desperation and the pain on the common man from both sides; the aggressor and the wrongfully invaded. It is a truly great theme and it is one of the few films I guess in which you actually get to feel sympathy for the Germans (or at least some of them). Maybe that is understandable. Maybe it is logic that most films portray the Germans as gruesome and despicable as quite a lot of them maybe were. But every once in a while a film comes along that shows us that they are human too, that they suffered losses; that German lives lost shatter German families as they shatter American, Dutch, Polish, Jewish, English and so on. This is one of those films. It strays from the cliché, which is what I liked about it as I did like Stalingrad (1993) and Die Brücke (1959).

8 out of 10