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L'occident

Titre original : Occident
  • 2002
  • Tous publics
  • 1h 45min
NOTE IMDb
7,5/10
2,8 k
MA NOTE
Anca Androne in L'occident (2002)
Regarder Trailer [OV]
Lire trailer1:44
1 Video
4 photos
ComédieRomance

Ajouter une intrigue dans votre langueOccident is a bittersweet comedy that focuses on the growing tendency of Eastern European youth to migrate west. When the amicable Luci (Alexandru Papadopol) and his beautiful lover Sorina (... Tout lireOccident is a bittersweet comedy that focuses on the growing tendency of Eastern European youth to migrate west. When the amicable Luci (Alexandru Papadopol) and his beautiful lover Sorina (Anca Androne) are evicted from their apartment, Sorina decides they must visit her father'... Tout lireOccident is a bittersweet comedy that focuses on the growing tendency of Eastern European youth to migrate west. When the amicable Luci (Alexandru Papadopol) and his beautiful lover Sorina (Anca Androne) are evicted from their apartment, Sorina decides they must visit her father's grave and ask for a "sign". Seconds later, Luci is hit in the head by a bottle and taken... Tout lire

  • Réalisation
    • Cristian Mungiu
  • Scénario
    • Cristian Mungiu
  • Casting principal
    • Alexandru Papadopol
    • Anca Androne
    • Samuel Tastet
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    2,8 k
    MA NOTE
    • Réalisation
      • Cristian Mungiu
    • Scénario
      • Cristian Mungiu
    • Casting principal
      • Alexandru Papadopol
      • Anca Androne
      • Samuel Tastet
    • 12avis d'utilisateurs
    • 12avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 7 victoires et 4 nominations au total

    Vidéos1

    Trailer [OV]
    Trailer 1:44
    Trailer [OV]

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux32

    Modifier
    Alexandru Papadopol
    Alexandru Papadopol
    • Luci
    Anca Androne
    Anca Androne
    • Sorina
    Samuel Tastet
    • Jerome
    Tania Popa
    • Mihaela
    Dorel Visan
    Dorel Visan
    • Politistul
    Julieta Strîmbeanu
    • Granny
    • (as Julieta Strâmbeanu)
    Eugenia Bosânceanu
    • Tanti Leana
    Ioan Gyuri Pascu
    • Gica
    Tora Vasilescu
    • Directoarea
    Michael Beck
    • The Dutchman
    Valeriu Andriuta
    Valeriu Andriuta
    • Nae
    Mihai Danu
    • Gabriel
    Constantin Ghenescu
    • Nea Jean
    Doru Ana
    Doru Ana
    • Directorul agentiei
    Jerome Nikolongo
    • Luigi
    Ion Chelaru
    • Generalul
    • (as Ioan Chelaru)
    Coca Bloos
    • Mihaela's mother
    Florin Grigoras
    • Administratorul
    • Réalisation
      • Cristian Mungiu
    • Scénario
      • Cristian Mungiu
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    7,52.7K
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    Avis à la une

    10liancu

    Visan is like the wine in this movie again

    I like this movie, I like its construction, a blurred image that becomes clearer. Visan is like the wine in this movie, it has something inside him magic, a another dimension. More it gets older better he is. Hope so see more other movies of this quality. Congratulations for the "mise en scene". The rest of the actors are good enough as well. The context, if you are not Romanian, harder to be understood and felt like a Romanian could feel. I've spend a nice evening watching this, it is something different from the Hollywood dozen movies that are winning Oscars. It is real art and real art should stay in time, I hope that one day those movies would be easier to be found and seen on numeric format. It deserves an A++ for sure.
    9alexbrie

    romanian style pulp fiction

    I really liked this movie, I laughed most part of it, although it isn't a real comedy, but rather a drama. Yet, Ioan Gyuri Pascu makes a really funny role as the typical friend, neighbour and jack of all trades. All in all, the movie's charm is based on the way we get various pieces of information during each of its episodes, and we make up a story of our own, only to discover in the next episode of the film that it wasn't entirely true; most like in "Memento", or "Pulp Fiction", but in a stronger way, as we have here more different stories to follow, mix and clue together (similar to "E pericoloso sporgersi). Each episode shows us the same line of action, but with other details each time. The various pieces of information link one with the other only to show us that we are much too used to drawing conclusions of our own, without waiting to hear the narrator's. If you have the opportunity, go watch the movie. Although it is funnier for romanian people, the more likely to get the jokes and irony regarding everyday's life, it is entertaining as well for foreigners, due to the simple and amusing stories. "Occident" is riding the same wave as "Filantropica"; we hope to see some more good romanian cinema in the future as witty, ironic, sparkling and amusing as those ones.
    8dromasca

    better than '4-3-2'?

    My friends in Bucharest recommended this film: 'you must see it, it's better than 4-3-2'. 4-3-2 is the short for '4 months, 3 weeks and 2 days', the film that made director Cristian Mungiu known in the West and brought him a 'Palme d'Or' in Cannes exactly one year ago. I tend to agree, but I would add 'yes, better, but mostly for Romanian viewers'.

    'Occident' deals with what has been in Communist Romania a national obsession and what became today a national and social phenomenon - the aspiration of the young generation to run away from a country where they cannot build a decent life and the mirage of the Occident. The story happens in the year 2000 and is told three times, from three different angles belonging each to a pair of characters, each time changing the perspective and revealing new angles of the story, changing its sense and even its ending. It is a smart story, in a style much more nervous than '4-3-2' which had a linear story telling, with long scenes giving the actors better opportunities for deeper performances.

    And yet 'Occident' tells a lot of harsh truths about the Romanian society, about its corruption, emptiness, lack of education. All these will be much better understood by Romanian viewers however. It is also a different time, the characters in 'Occident' may be desperate to run away, but the difference is that they can do it, while '4-3-2' characters have no place to run. This may be one of the reasons that '4-3-2' impressed more viewers out of Romania. What happened in the last years of the dictatorship of Nicolae Ceausescu was criminal and may be shocking for less initiated viewers, but is by no means news for most of the Romanians, excepting the very young ones. Ceausescu still sells better even after his death.
    10bikerc

    A realistic, bitter sweet rendition of what life in Romania is for young people without money and/or connections.

    A beautiful story about time, coincidences and happenstance. Three stories intertwine and characters influence one another's life without ever knowing it. Excellent and convincing performances from both veteran actors and newcomers. Even though it made me laugh a lot, after I finished watching it didn't taste like a comedy, but more like a sad love story. And even though love doesn't conquer all (love between man and woman, love between friends, love for one's country), the story doesn't feel hopeless and bleak, not even once. A must-see for anyone interested in Eastern European productions.

    PS: The version I saw had English subtitles, but they were sometimes incomplete and a couple of times rather badly translated. I felt they didn't do their best to do justice to the lines.
    8DanDV

    Mind boggling!

    I never expected a Romanian film to be so "occidental"!

    Yes, I'm a young movie fan, but Romanian films (or at least those that I've seen) just have that characteristic awkwardness which make them look like second-class movies.

    Well, Occident is different. It's radically different. It's different even from those American movies which had set the standards, but up to par with any of them.

    Occident is strongly non-linear, and you wonder whether the familiar scene you're seeing is a similar one or a remembrance. Occident is fascinating, intriguing, even mind-boggling, and it doesn't make use of any Romania-specific jokes. So, if you're not Romanian, it's no problem. Occident is universal. And, quite a rare thing, Occident is worth seeing again. And again. And again.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Cristian Mungiu's directorial film debut.

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    FAQ

    • How long is Occident?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 février 2008 (Belgique)
    • Pays d’origine
      • Roumanie
    • Site officiel
      • Official page (Romania)
    • Langue
      • Roumain
    • Aussi connu sous le nom de
      • Occident
    • Lieux de tournage
      • Bucarest, Roumanie
    • Sociétés de production
      • Centrul National al Cinematografiei (CNC)
      • Hubert Bals Fund
      • McCann Advertising
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 450 000 $US (estimé)
    • Montant brut mondial
      • 533 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 45 minutes
    • Couleur
      • Color

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