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The Night We Called It a Day

  • 2003
  • R
  • 1h 37min
NOTE IMDb
5,8/10
1 k
MA NOTE
The Night We Called It a Day (2003)
BiographieComédieDrameMusique

Ajouter une intrigue dans votre langueBased on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues... Tout lireBased on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.

  • Réalisation
    • Paul Goldman
  • Scénario
    • Michael Thomas
    • Peter Clifton
  • Casting principal
    • Joel Edgerton
    • Rose Byrne
    • Dennis Hopper
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    1 k
    MA NOTE
    • Réalisation
      • Paul Goldman
    • Scénario
      • Michael Thomas
      • Peter Clifton
    • Casting principal
      • Joel Edgerton
      • Rose Byrne
      • Dennis Hopper
    • 14avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Photos1

    Voir l'affiche

    Rôles principaux50

    Modifier
    Joel Edgerton
    Joel Edgerton
    • Rod Blue
    Rose Byrne
    Rose Byrne
    • Audrey Appleby
    Dennis Hopper
    Dennis Hopper
    • Frank Sinatra
    Melanie Griffith
    Melanie Griffith
    • Barbara Marx
    Portia de Rossi
    Portia de Rossi
    • Hilary Hunter
    David Hemmings
    David Hemmings
    • Mickey Rudin
    Stephen O'Rourke
    Stephen O'Rourke
    • Jilly Rizzo
    David Field
    David Field
    • Bob Hawke
    Victoria Thaine
    Victoria Thaine
    • Penny
    Nicholas Hope
    Nicholas Hope
    • Phil
    Tony Barry
    Tony Barry
    • Ralph Blue
    George Vidalis
    • Vinny
    Peter Demlakian
    • Ruby
    Paul McDermott
    • Band Manager
    Richard Williams
    • Billy Thorpe
    Paul Nicholson
    • The Aztecs
    Richard Warne
    • The Aztecs
    Brett Cresswell
    • The Aztecs
    • Réalisation
      • Paul Goldman
    • Scénario
      • Michael Thomas
      • Peter Clifton
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    5,81K
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    10

    Avis à la une

    5Imnozy

    The Australian cultural cringe in all its glory

    This movie had fairly good reviews when it hit the cinemas here - and I frankly expected a lot more than it delivered.

    Having been around at the time, I wondered then why so much was being made of Sinatra's well known behaviour and his hatred of the press in general. I thought it was a predictable series of events blown up - mainly by Union intervention - into an imagined insult on Australia and all it stood for. A classic example of our cultural cringe. That the aforesaid cringe is still rampant is illustrated by the fact that anyone decided to make this movie.

    Itis totally impossible to cast anyone successfully as Frank Sinatra - the man was unique in so many ways. Dennis Hopper was I suppose a reasonable compromise, but his grating voice and total lack of charm spoilt much of the movie for me. Sinatra had a musical speaking voice, as well as his singing one - and his charm (when he chose to turn it on) was inescapable. Anyone unfamiliar with the Man, watching this movie would wonder what all the fuss was about. The ludicrous portrayal of Bob Hawke, a man who excelled in being ludicrous, was another disappointment. Tom Burlinson's delivery of the few songs was, as usual, competent and wooden - Hopper's "on-stage" lip-synching missed everything that was magical in a Sinatra performance. Melanie Griffith was - Melanie Griffith, the rest of the cast was competent and did their best with what in the end was nothing more than a fairytale wound loosely round an actual series of events.

    Not a totally bad movie - entertaining in parts - but on the whole a waste of time and money.
    7(M)Rated

    Blues Eyes vs Bob

    A surprisingly entertaining comedy about a young Aussie promoter (Joel Edgerton) who manages to convince Frank Sinatra and his crew to visit Australia for a few shows. All goes well until Frank Sinatra (Dennis Hopper) runs into a TV reporter (played by Ally McBeal's Portia de Rossi) who claims he spat on her at the airport. Frank won't apologise so in steps the ACTU led by a hilariously boof-headed Bob Hawke (wonderfully played by David Field of Two Hands fame) to bring Ol' Blue Eyes' tour to a stand-still, no room service, no phone, no water!

    The story follows the usual Hollywood style of story telling with the end of "act 2" being a big downer (everything just goes wrong) and of course it all comes good in the end. The acting is quite good across the board with cheeky Aussie comedy sitting alongside moving drama effortlessly.

    Frank Sinatra's music plays a big part in the film so if you're a fan you'll love the film, of course on the other hand if you can't stand his music then this may not be the film for you. The film makers did think to throw in a bit of 70s rock (think Led Zeppelin) and even an Elvis track to add a bit of variety to the mix.

    The only time in cringed during the whole film was when Frank's US-based secretary pronounced Australia with a fake American accent and put an "R" on the end, a common mistake made by Australian actors.

    3.5/5

    See it if:

    • you like Frank Sinatra


    • you'd like to visit Australia in the 1970s


    • you want to see a hilarious portrayal of a young Bob Hawke (Hazel Hawke included)


    • you like Rose Byrne (for the guys) or Joel Edgerton (for the girls)


    • you like knuckle busting fist fights


    • you don't think Melanie Griffith's top lip isn't too big


    Don't see it if:

    • you don't like Frank Sinatra


    • you can't stand the thought of Sydney in 1974


    • you think Bob Hawke was the best PM ever


    • you wince whenever you hear a meaty punch


    • you think Melanie Griffith's top lip should have its own post code
    totalfunk

    What's The Dealiyo Yo?

    I managed to catch Paul Goldman's "The Night We Called It A Day" the last time it was being shown in a Toowoomba cinema. I took my sister with me. The movie was about three minutes in when I realised that it was me, my sister and a man in a Top Gun-esque fighter jacket that were going to see it for the final time on a giant screen (well, not giant really. That cinema needs to be repaired). Anyway, three people were watching this movie, and I was p***ed off that no one else bothered. That emotion was countered, I guess, when I paid attention to what was being projected onto this dilapidated screen. Superb performances by Joel Edgerton and David Field and a fine looking Frank Sinatra by the guy (and let's not forget this) who was a frighteningly aggressive rule-breaker in "Easy Rider." I don't know why this movie was bagged to the high heavens by Australian critics and audiences (or lack thereof) alike. It's a great movie and those who don't appreciate it, even marginally, oughta see it again. Go to the Toowoomba cinema to see it, okay? There's nobody around that will talk over the trailers...
    4philpriestley

    Not a comedy, more a gentle date movie

    I watched this title billed as a comedy. It's not really because there aren't any laughs in it.

    This film gives a version of events from a notorious Frank Sinatra tour of Australia in the 70s. I'm not a big Sinatra fan - but I rented this film for a £1 from my satellite provider. You can afford to go wrong for a pound.

    Sadly it isn't a comedy on any level really. It just doesn't function in that way. It's a solid (solid to wooden) sentimental romance story though - gentle if somewhat uninvolving, take it or leave it affair. Roguish main character with straight-laced opposite number - will they or won't they chemistry (which never really becomes that compelling).

    A good solid performance can be found with pretty much every actor involved in this uninspiring, two dimensional script in a robust and professional fashion.

    Nobody really manages to lift the script with a standout display.

    If I would offer any criticism, it would be the lack of character development. The characters are incredibly under developed and shallow. We know that Audry Appleby is supposed to be intelligent because Rod Blue clumsily points out her degree certificate, and she stands next to it in shot a couple of times. We know that Rod Blue is a bit of an Aussie bloke because he gets into a couple of fights (you see the injuries, but generally not the fights). That's about the depth that you get offered.

    I would describe this as forgettable and bland. I wouldn't recommend it - albeit, it's far from awful. You never really care what the film is ultimately going to culminate in. It won't irritate you, you won't dislike it - there is nothing to be offended by here. They are remarkably delicate with the portrayal of Frank Sinatra himself - so even the fans won't be barbed.

    Watch it or don't watch it, but don't expect too much.
    8Kagegroo

    Frank Sinatra vs Australia

    i rented this movie, Did not make it to Icelandic theaters, not a great loss though this is a movie to watch at home, medium paced at first.Melanie Griffith did well here,playing a Marylin Monroe lookalike wannabe Frank Sinatra's Wife, Dennis Hooper on the other hand brings shame to Frank Sinatra's name with a dreadful performance and after seeing this one would think that Frank Sinatra was an total Bastard,egomaniac and surrounded by Members of the Italian Mafia.Joel Edgerton put's on a good show as Rod Blue easy going Aussie bloke who try's and succeeds in bringing Mr Sinatra over too sidney Australia and get's the ride of his life from this,learns some lessons on life and goes on. everything about this movie smells of Averageness,but after watching it and spendin sometime thinking about it and watching again well it's a good movie to rent if you want a feel good movie, it has Romance,comedy and a little adventure.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The voice of Frank Sinatra is dubbed by Australian actor Tom Burlinson, whose major debut was "The Man From Snowy River", 1982.
    • Gaffes
      There are a number of anachronisms in the Sydney backdrops, ostensibly set in the 1970s. The most obvious is the catamaran harbour ferry that crosses the screen, in an early night-time shot of the harbour bridge. These were not introduced until 15 years later in 1988.
    • Citations

      Frank Sinatra: I have an apology to make. I called this woman a $2 whore, I was wrong. She's not worth a buck and a half.

    • Connexions
      Featured in Getaway: Épisode #18.3 (2009)
    • Bandes originales
      One For My Baby (And One More For The Road)
      Composed by Johnny Mercer and Harold Arlen

      Performed by Tom Burlinson

      Used by permission of Harwin Music Co

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    FAQ18

    • How long is All the Way?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 août 2003 (Australie)
    • Pays d’origine
      • Australie
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • All the Way
    • Lieux de tournage
      • Disney Studios, Moore Park, Sydney, Nouvelle-Galles du Sud, Australie(Studio)
    • Sociétés de production
      • The Night We Called It a Day Pty. Ltd.
      • Icon Entertainment International
      • Ocean Pictures Pty. Limited
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 277 428 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37min(97 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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