Hollywood Homicide

This movie is a lot of fun. Everyone seems to be doggin' this movie, but most negative critiques I've read sound like the person expected "Hollywood Homicide" to be bad. The movie has failings to be sure, but I laughed out loud many times and smiled throughout the whole film. All I wanted was to have a good time, and I did.

I'm a Harrison Ford fan so I had to see this movie even though the reviews were not that good. It was a perfect way to spend a hot Tuesday afternoon. As I watched the movie, I also watched the audience to get a sense of their reaction. Everyone laughed from beginning to end of the movie! Everybody was having a great time! To hell with the critics! This is a great summer movie and Harrison Ford and Josh Hartnett are a joy to watch! Harrison Ford admirably stretches himself to give a comedic performance as Joe Gavilon, a police detective who also moonlights as a real estate agent. I love the way Harrison Ford switches from cop mode to real estate agent mode at the drop of the hat and he was so funny being a slave to his cell phone. Josh Hartnett plays his rookie partner who has a part time job as a yoga instructor and who thinks of quitting the force to become an actor. Their interactions with each other and with the people around them are very funny. Never mind about the plot of the movie. The plot doesn't really matter. The plot has to do with the mystery of why these up and coming rappers were murdered in a club. There are guest stars galore in this movie and it was fun to spot Smoky Robinson doing a bit part as a cabbie. It's a funny movie! Everyone just sit back and enjoy the movie and forget about the critics! Harrison Ford is very funny and just to watch him is a real treat!

I went to see this movie not expecting much from a Star who you least expect to be funny, but Ford is funny, but I am not sure about Hartnet. The movie is gripping with some amazing car chases, courtesy of the Digital editors. I happen to be seeing Italian Job on the same day, I came out thinking it was well worth my money since I have squandered my earnings on hollywood decadance that started with Beutiful mind.

HOLLYWOOD HOMICIDE (2003) ** Harrison Ford, Josh Hartnett, Lena Olin, Bruce Greenwood, Isaiah Washington, Keith David, Dwight Yoakam, Lolita Davidovich, Martin Landau, Master P, Lou Diamond Phillips, Gladys Knight, Smokey Robinson, Kurupt, Dre, (Cameo: Eric Idle; Robert Wagner as himself). By-the-numbers cop/buddy flick with Ford and Hartnett as gruff and flaky (respectively) LAPD detectives on the case of a rap group assassination while attempting to juggle their moonlighting gigs as real estate broker and wanna be actor (respectively) with a more-miss-than-hit attempt in the laughs department sadly by the out-of-touch script by director Ron Shelton (who acquits himself however in the action sequences including a smash bang-up thrilling car chase along Hollywood Boulevard) and Robert Souza that may have worked 20 years ago with its punchy takes at how LA is a town of many colorful characters on the make at something other than their boring careers (in this case police work). Although it is nice to see Ford's natural humor break through his bristling scowly demeanor Hartnett is miscast and clearly has no knack for comedy; that's the real joke.

Taking another chance on L.A, on the streets and more specifically on the police, as in "Dark Blue", Ron Shelton, a man of multiple themes, brings a new project to the table, which is called "Hollywood Homicide". The difference between this one and the latter one is that this is Hollywood, precisely. And when the beginning credits roll, and we're shown fifty "Hollywood" signs; it's obvious that they want us to realize that. Why would it be?

The story about Ron Shelton meeting Robert Souza in the set of "Dark Blue" and them both getting together to write the script of "Hollywood Homicide", because Souza had been a cop before…Interesting. However, in the same vein, "Dark Blue" is the portrait of a cruel reality; "Hollywood Homicide" is the satire of a shallow but real reality in the end. It's Hollywood, and it was a good premise to put some fun in the crime scenes, probably to make it "more dramatic than anything seen in Hollywood".

The other elements the plot offers go from action to crime, or vice versa. They created the murderer of a rap band, so they could mess a little bit with the music business, too. There we see the producers, the groups, the "showbiz"…It's even related with theater and movies, because one of the main characters wants to be an actor; and in a decent comedic way, he's thinking about acting each time he's doing something; and he probably isn't that good.

I'm talking about K.C Calden; Josh Hartnett's character. He gives classes of movements to find the inner self. There, a lot of hot women assist and kiss him when they leave. In one scene, his partner tells him that he did for sex. "At first it was for sex, now it has become something spiritual", K.C answers, and at night, a hot woman is waiting for him in the "Jacuzzi". "How long has it been since the last time you got laid", K.C asks his partner. "It's not your business", the partner says. Then, he lets a man working as a prostitute into his car. When they discuss that, he says: "It was nothing, it was a man, a cop; a cop man".

This partner is Joe Gavilan, a pro in the police business played by a pro in the acting business. As he did with Kurt Russell in "Dark Blue", Shelton brings Harrison Ford back to the top of his game. With his character, based on writer Robert Souzas's own life, he has the best lines and he has a lot of fun. Antoine Sartain (Isaiah Washington) should be afraid of him; a man that has had sex, with Ruby (an over the top Lena Olin) and makes real estate business with producer Jerry Duran (the great Martin Landau) and Julius Armas (a correct Master P) while he's driving a car high speed. When he is told the composer of the rap group is still alive, he replies: "Somebody actually writes that s***?". He has had bad times, Bennie Macko (Bruce Greenwood) wants to get him, and in the best scene of the movie, he and K.C get interrogated. This scene is managed with camera changes between the two interrogating rooms, where in Joe's, his cell is always ringing; and in K.C's, he is "centering" himself spiritually. Joe's interrogator can't do anything, while K.C's interrogator (a woman) asks him to help her relax.

That scene stole the only laughs from me during the entire film. Keith David was also having fun in his Leo role, reprising some of the comic elements he gave to Lester Wallace in "Barbershop". More importantly, and if you were wondering, Shelton directs his actors perfectly, making a stupendous balance between the pro and the amateur, the old and the young; Harrison Ford and Josh Hartnett. Their chemistry is perfect, and one of the few reasons to watch the movie. In the end, their characters are nothing else but cops, in a film that leaves a lot of plot situations unresolved, is a bit long, not funny enough, but different from the gross humor that everyone finds easy to put on paper.