Sophiiiie!

It begins very funny. When Sophie enters a café full of heavy filthy stinking men she toys with one of them. Sophie is very wit and you can see she had fun, but laugh will make place for fear, for Sophie doesn't know she goes too far and gets herself into trouble.

When she gets deeper and deeper into trouble the movie gets harder and harder until it's slaps you in the face. The great thing about this movie is although Sophie keeps doing so many stupid things the director and/or the actress playing Sophie are doing such a great job that at the end of the film you still have sympathy for the girl! No matter what! Maybe that's because everyone can identify themselves with Sophie in one way or another, and it's mainly responsible for the slap in your face...

The director was present at the screening of this film in Istanbul Film Festival and said that this was a quite radical and intense film and encouraged us to bear with the "hard to bear" scenes because it would all be tied up in the end, which didn't. the audience didn't find it strong at all, and the question "why was it found so radical in Germany?" kept coming in the Q&A session.

Wwhat I have to say is that the acting is superb but the film is only "trying too hard" to be radical. It has no resemblance to "Irreversible" nor can it match the artistic depth of it. the director says you either love the film or hate it but just the opposite I left the film with almost no emotional residue. in short, bold scenes and good acting is not enough to make a strong film and the director seems to lack the real intensity which makes an auteur.

A low-budget German reality drama? Hand-held camera? Social issues including abortion, prostitution, binge drinking, and sexual harassment? It sounds like a recipe for disaster, but Michael Hofmann pulls it off. In a sense, he does it by the book, strictly adhering to the Aristotelian commandments of unity of action (Sophie's pub crawl), time (one night), and place (Hamburg). But more importantly, he wrote the script with Katharina Schüttler as Sophie in mind, and gets her to go all the way from coy seductress and precocious slacker to downright lost soul, suffering multiple breakdowns along the way. "Sophiiiie!" is a one-woman show, and Katharina Schüttler's shattering performance makes it believable and appealing. She displays a wide range of personality traits and mental states without making Sophie a showcase of her acting abilities. Thanks to her talent and courage, the idea of compressing her character's inner life into the encounters and emotions of a single night doesn't feel forced at all. It's hard on the audience though. Apart from minor acts of kindness by random strangers, life is dealing Sophie pretty shitty cards.

I saw it at Cinequest film festival in 2003. I don't usually do this, but I saw it three times then. I have since been hoping to see it again somewhere, or better yet, to buy it on DVD. I even tried to send some emails asking about it, and check for it from time to time.

It's a thrill ride that affected me and stays in my mind. In many ways, the story seems unbelievable, yet no more than many other films, I guess. Maybe it even reminds me of a few drunk and dangerous nights in my own life.

At one level it may be a parable about the dangers if women act too much like men. I can't find the right words for exactly why I like it, but I do.

I gave it a 7, but almost an eight when I saw it didn't reach that very average.

Katharina Schüttler is so huge as main character (she's 25 years old)I thought about Hanna Shygulla (R.W.Fassbinder's fetish actress), the comparison is by no means far-fetched.

The film is very well done, in the reality-drama genre, which is a difficult one as everything seems to have been done in that field. It makes plenty of room for the incredible actress (I understand it has been written with her in mind), but all other parts are excellent as well.

It's no happy movie, Sophie's destiny gets more terrible as time goes by. (So: not to watch if you're feeling down...)

But a very reassuring sign that Germany is beginning to have a Cinema and a generation of directors and actors/actresses that want to do tell stories in today's world, and who seem more and more capable to!

Recommended!