Le dernier cow-boy

This is remake from classic Western Monte Walsh (1970) by William A. Fraker based on Jack Schaefer's novel , author of Shane . Emotive and evocative film , including gorgeous landscapes , reflecting wonderfully the wide open spaces , they are splendidly photographed . The film starts at the ending XIX century when appears railway , big companies buy ranches and new technologies put difficult things for traditional cowboys who lost their jobs . It deals about a veteran cowboy (Tom Selleck in Lee Marvin's previous role) and his colleague (Keith Carradine) , they see declining the ending days of Wild West era and the transition to a new century where horses are left . As railway and barbed wire hardly eliminate the need for the cowboys who are yearning the freedom of the open prairie . Their lives are divided between months on the range and the occasional trip into town . They find themselves like dinosaurs in an old West that's dying out . Monte only lives his work and is enamored for a prostitute named Countess Martine Bernard (Isabella Rossellini , in Jeanne Moreau's former role). Monte Walsh and his partners are left with few options for survive, though new jobs opportunities are available . Monty has a long-term relationship with the French whore , while Chet has fallen under the spell of the widow who owns the hardware store . The cowboys (George Eads, William Sanderson , Rex Linn, among them) are commanded by a foreman named Brennan (William Devane, role of Jim Davis). Then , Monte embarks on mission to revenge best pal's death (Keith Carradine in Jack Palance role).

This melancholic picture results to be a magnificent TV western with action , a deep love story , shootouts , and spectacular scenarios . Sad , melancholic and dusty-looking Western with phenomenal protagonist duo , though the pace is too slow . Moving and sensitive Western where the cowboys must say goodbye to the lives they know and some of them attempt to make a new upright start and others way to crime . Great performances for all the main and support casting with excellent first roles from Selleck and Carradine . Special mention for Isabella Rossellini as an aging whore and James Gammon as a veteran cowboy with sad ending . However, the narration is too slow-moving to keep a fine grip on the interest . Breathtaking outdoors are well photographed by cameraman David Eggby , the movie was shot on location , including marvelous landscapes . Sensational directorial by noted filmmaker Simon Wincer , a Western expert , as he previously directed to Tom Selleck in ¨Crossfire trail¨ and ¨Quigley Down Under¨ and usually directs episodes for TV mini-series, such as : ¨Into the West¨, ¨The Ponderosa¨ and ¨Lonesome Dove¨, among others. Rating : Very good for the adequate direction and proficient film-making.

This re-make of the 1970 version is considered just as good, if not better, by a lot of people who have seen both. I've only seen this one.

I found it much slower than many westerns but still almost as interesting. What I liked best, I think, was the cast. It fascinated me, especially being a regular viewer of the CSI shows. There are two actors whom I've gotten to know well from those shows and they have roles in here: George Eads having a major part while Rex Linn (?) is in a lesser role. Tom Selleck as "Monte Walsh" is a natural for these westerns. He, like Sam Elliott, has that rugged cowboy appearance that make him look genuine. Isabella Rossellini is past her exotic days but she's always interesting as are the following: Keith Carradine, William Devane, James Gammon, Barry Corbin and Wallace Shawn. Yup, this is a very deep and diverse cast.

You also get one of the better directors doing this made-for-cable TV movie in Australian Simon Wincer, who directed "Lonesome Dove." Plus, the film is based on a book from perhaps the most famous western author of all- time: Louis L'Amour.

The story is not an upbeat one, but not overly depressing despite the fact that few people are left by the end of the film. Despite that sad content and a film that many might consider a bit slow or too talky, this film has enough going for it to recommend.

'Monte Walsh' is not just a western or a cowboy movie. It's a movie about cowboys and that point make all the difference.

In fact, 'Monte Walsh' tells a story that is universal in it's own theme; a story concerning the end of a time, the novelties of the beginning of the 20º century and the progressive death of a code of honor and a way of life.

The movie is beautifully directed by Australian director Simon Wincer. Tom Selleck is perfect in the title role and the support cast is good too, especially Keith Carradine and William Devane.

The only problem with the movie lies in some scenes, like the suicide of the veteran of the Civil War (in my opinion, a bit overacted) and the last scene, that brings a irony that sounds strange and dislocated with the rest.

But after all, this movie is a really standout among the most recent western movies.

I dearly loved the original "Monte Walsh" (1970), starring Lee Marvin, Jeanne Moreau and Jack Palance. That was one of the best westerns (and best movies) I've ever seen.

This version, a more modern telling of the same story, is also quite good, but I found it lacking in the "grit and dirt" of the earlier one. Tom Selleck is convincing enough as a cowboy, but unfortunately he still has that "just stepped out of the pages of GQ magazine" aura to him that I don't think he is ever going to shake. There is nothing wrong with being as handsome as Tom Selleck, it's just that I found it hard to feel totally convinced of his portrayal of an authentic, hard-scrabble cowboy of the dying Old West.

I felt that too much attention was devoted to making it all so "pretty pretty" instead of letting it gather a patina of cow dung, as must have been the case in the *real* old West. Here the cowboy costumes were a bit too gorgeous and hokey to be convincing, and the cinematography, while breathtakingly beautiful, seemed distracting, as if it were all a travel-documentary. It all seems to have been "made for TV" sanitized, giving it more style than atmosphere.

But I'm being too critical here, and I don't want to spoil a good film by being unnecessarily nit-picky. All said, it's really a good movie with a powerful, timeless story about people losing their way of life thanks to rapid technological progress and corporate cynicism. Sounds familiar, doesn't it? I would recommend this film to any die-hard western movie fan, but please try to pick up a copy of the earlier 1970 version, and watch that one as well. The West is the Best, bar none.

Best known for the novel "Shane," Jack Schaefer also wrote the novel "Monte Walsh," a depiction of the life of the itinerant cowhand. There's not a lot of plot, but a hugely detailed and wonderfully described slice of life, tough, tender, and comedic. The first film of "Monte Walsh" was a great little picture, with a nice uncharacteristic role for Jack Palance as Monte's pal Chet. But this TV remake may in fact be a better film. Tom Selleck is just grand as Monte--getting a bit old for bronco-busting, but still full of piss-and-vinegar. And Keith Carradine is swell as Chet, the cowboy who gives it all up to marry the hardware widow. Everything about this film is done extremely well. The costumes are superb--colorful and mythic while at the same time obviously useful and well-used work clothes. This is not a clean-hat Western, one of my pet peeves. The music is really touching and classic and romantic, and the cinematography is, to coin a cliche', stunning. All the performances are really quite good, and the movie left me with the feeling that I'd really spent a few months with a bunch of cowhands. What plot there is is realistic and uncontrived, and is ultimately moving. But "Monte Walsh" really earns its spurs by showing a 21st century audience how wonderful and horrible life on the 19th century range could be.