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Monsieur Ibrahim et les fleurs du Coran

  • 2003
  • Tous publics
  • 1h 36min
NOTE IMDb
7,3/10
12 k
MA NOTE
Monsieur Ibrahim et les fleurs du Coran (2003)
Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
Lire clip1:45
Regarder Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
2 Videos
34 photos
ComedyDrama

A Paris, Momo, un garçon de 13 ans, se retrouve livré à lui-même. Il a un seul ami, Monsieur Ibrahim, l'épicier arabe et philosophe de la rue Bleue. Celui-ci va lui faire découvrir la vie, l... Tout lireA Paris, Momo, un garçon de 13 ans, se retrouve livré à lui-même. Il a un seul ami, Monsieur Ibrahim, l'épicier arabe et philosophe de la rue Bleue. Celui-ci va lui faire découvrir la vie, les femmes, l'amour et quelques grands principes.A Paris, Momo, un garçon de 13 ans, se retrouve livré à lui-même. Il a un seul ami, Monsieur Ibrahim, l'épicier arabe et philosophe de la rue Bleue. Celui-ci va lui faire découvrir la vie, les femmes, l'amour et quelques grands principes.

  • Réalisation
    • François Dupeyron
  • Scénario
    • François Dupeyron
    • Eric-Emmanuel Schmitt
  • Casting principal
    • Omar Sharif
    • Pierre Boulanger
    • Gilbert Melki
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    12 k
    MA NOTE
    • Réalisation
      • François Dupeyron
    • Scénario
      • François Dupeyron
      • Eric-Emmanuel Schmitt
    • Casting principal
      • Omar Sharif
      • Pierre Boulanger
      • Gilbert Melki
    • 57avis d'utilisateurs
    • 54avis des critiques
    • 69Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 8 nominations au total

    Vidéos2

    Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
    Clip 1:45
    Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
    Monsieur Ibrahim Scene: I'll Pay You Back
    Clip 1:15
    Monsieur Ibrahim Scene: I'll Pay You Back
    Monsieur Ibrahim Scene: I'll Pay You Back
    Clip 1:15
    Monsieur Ibrahim Scene: I'll Pay You Back

    Photos34

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    + 26
    Voir l'affiche

    Rôles principaux25

    Modifier
    Omar Sharif
    Omar Sharif
    • Monsieur Ibrahim Deneji
    Pierre Boulanger
    Pierre Boulanger
    • Moses 'Momo' Schmitt
    Gilbert Melki
    Gilbert Melki
    • Le père de 'Momo'
    Isabelle Renauld
    Isabelle Renauld
    • La mère de 'Momo'
    Lola Naymark
    Lola Naymark
    • Myriam
    Anne Suarez
    Anne Suarez
    • Sylvie
    Mata Gabin
    • Fatou
    Céline Samie
    Céline Samie
    • Eva
    Isabelle Adjani
    Isabelle Adjani
    • La star
    Guillaume Gallienne
    Guillaume Gallienne
    • Le vendeur voiture
    Guillaume Rannou
    • Le realisateur
    Manuel Le Lièvre
    • Le moniteur auto-école
    • (as Manuel Lelièvre)
    Daniel Znyk
    • Le gendarme
    Françoise Armelle
    • La maitresse d'école
    Sylvie Herbert
    • L'eximinateur
    Claude Merlin
    • Le notaire
    Pascal Vincent
    • Le bouquiniste
    Tessa Volkine
    • Myriam's Mother
    • Réalisation
      • François Dupeyron
    • Scénario
      • François Dupeyron
      • Eric-Emmanuel Schmitt
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs57

    7,311.8K
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    Avis à la une

    6btodorov

    religion of love and patience - explaining the plot to the evil-minded

    This is a reply to a couple of rather rash and inconsiderate comments above, done by people who apparently not only live in a world of hatred and mistrust but cannot even assess the obvious messages in an easy-going, unambiguous and outspoken story.

    This movie has nothing to do with RELIGIOUS PROPAGANDA! Mr Ibrahim does NOT at any point try to proselytize Moise. Moise does NOT change his name, does NOT change religion and does NOT deny his roots. He was adopted for personal, and not confessional reasons.

    The author of the novel upon which the movie is based is a French Jew by the same name as the main character. This quite easily explains why the boy had to be Jewish and not, let's say, Christian, for that matter. To see propaganda here is a proof of bad taste.

    Momo was poor and an obviously bad student - he had no bright future which to sacrifice, that is why he settled himself with the grocery store, not because he was proselytized to adopt Arab ways.

    Mr Ibrahim made it quite clear that his wisdom does not come from the Koran, but from life, he was a half-literate man, he led a secluded life, he attended no prayers, he did not speak of the Prophet or whoever. He quoted the Koran only on matters of love because this is what interested him. What Mr Ibrahim knew "was in his Koran", which apparently escaped the attention of the paranoic Muslim-haters above, were the two flowers (hey, they are part of the title of the movie!), a remembrance of his long-dead wife and love of his life.

    This was a movie about how religious messages may be perceived in a spirit of love and harmony with the world and not in terms of self-seclusion, mutual suspicion and hatred. Yes, the visits to the churches and mosques were a little too naively funny to be convincing, but the message was easy to grasp - there is A LEVEL OF PERSONAL RECEPTION of religious messages, the "inner religion" about which young Moise was wondering what it meant, which is equally easy to approach by all adepts to all confessions.

    I actually did not like the movie that much - the plot was partly lame and too fairy-tale-like for such a "show-life-as-it-is" kind of movie. But I felt obliged to write this comment in order to defend it against undeserved xenophobic slanders.
    7=G=

    Very nice

    "Monsieur Ibrahim" tells the tale of a Jewish boy coming of age in a poor Parisian neighborhood under the watchful eye of a kindly old Muslim who runs the local minimart (the title character, Sharif). A sort of easy going slice-of-life and coming-of-age flick in which a kindly old man shares his Islamic wisdom with a young boy who is mastering puberty in fine style as he takes on the local street walkers, learns than stealing is bad without losing a hand, and gets jilted by his kinda/sorta sweetheart, etc. Though the film isn't going to make cinema history, it does muster some warmth, poignancy, and charm with minimal subtitles and ample golden oldie pop music. Should make for a pleasant watch for those into foreign flix about people. (B)
    9Bob Pr.

    Charming and subtle; a fabric woven from childhood memories.

    "Monsieur Ibrahim"

    I'd read some user comments and external reviews; the view of some that it's anti-Semitic almost made me skip it. However, unless you'd see the sympathetic portrayal of a Muslim man (Ibrahim/Sharif) as being anti-Semitic, it's unlikely you'll be bothered.

    I don't know what the thrust of the book is, but movies rarely literally translate books; the book may suggest but the film moves in its own direction -- even, at times, contrarily.

    This film reminded me a great deal of "Le mari de la coiffeuse/The Hair Dresser's Husband") directed and co-written by Patrice Leconte. That film also has a coming of age boy; getting haircuts, he's enthralled at having his head pressed against the bosom of his female barber. When his father questions his son about what he wishes to do when he's grown up and is displeased with the answer, he sends him to bed without his supper. The rest of the film (without any clear transition) deals with the boy's fantasy about someday marrying a lady barber and what their life would be like. It's a realistic portrayal of an adolescent boy's fantasy.

    On the surface this film recounts the development of a mutually satisfying father-son type relationship that develops between a Turkish shopkeeper and a coming of age boy (MoMO/Boulanger) who is Jewish, by the way.

    I say "on the surface" because most films try to tell a story in a way that we experience, see and live the story from a fly on the wall perspective.

    Ahh-h, but not THIS film.

    While you COULD view it that way, it's really far better understood if viewed from a different perspective.

    Let's say you wandered in to the shop on this Parisian street one afternoon and heard the owner called "the Arab." You wonder why and also how he got into this particular trade. You start asking and he starts telling you the story of his life.

    And that's what this movie tells us -- HIS version of HIS story as experienced through HIS eyes and ears growing up. So it's a realistic portrayal of that collection of childhood memories, assumptions, distortions, and causes.

    As a child, do we see things the way we'd see them as an adult? Never, and so it is with this version. Everything is somewhat overdrawn, not quite a caricature but somewhat that way. All the streetwalkers are attractive, 21-31 years old, well dressed, and kind. None middle-aged, trashy, disturbed, or predatory. As we recount the story of our lives, we frequently expand the highs and lows and are liberal in delegating blame to those who disappoint us as well as credit to those who serve as heroes. And that's what this movie does.

    Seen from this frame of reference, not all events make logical sense. So we never know for sure what happened to his father, or mother, or brother. We have his sometimes conflicting memories and versions, his suppositions that substitute for reality and which leave us wondering, "Golly, I wonder what really happened?"

    Some things, of course, we'll never know. But it was fun finding out what we did. We had an interesting afternoon with the guy and he had a remarkable story to tell.

    One of the best pictures of all time? No. But a thoroughly entertaining one most especially for those of us interested in family dynamics.
    7Paolo_UK

    Nice Cheerful Little French Movie

    I went to see the movie after reading very good reviews during last Venice Film Festival. It was generally described as a fairytale about tolerance and friendship - ant that's what it is. A fairytale Paris quarter, with fairytale 'putaines', a wise middle aged shopkeeper, a smart teenager - everyday life goes on with a little happiness, a little tragedy, nice period music, simple happy philosophy. The second half of the movie goes on-the-road - in a fairytale Turkey, though definitely more realistic than Paris. Omar Sharif is good, and Pierre Boulanger is even better. This film is perfect to spend a cheerful evening and it is a little joyful lesson on religious tolerance and friendship.
    9EAKY

    Great inspirational film!!

    This film is a wonderful example of how one can choose to be a victim or a hero in life! The abrupt start to the movie lets one see the boy's situation immediately. Using the grocery money given to him by his father, he goes searching for his first sexual experience among the prostitutes he observes from the window of his apartment. He is unsupervised, self-sufficient, curious and in desperate need of guidance. The shopkeeper who has been in this boy's life longer than the boy realizes, steps in to be the uplifting and guiding force for him. Initially, I felt a little troubled by the use of the two religions and putting one in a less-kind light. However, I realized that the viewpoint had nothing to do with the religion, rather with the person and how they chose to deal with their life. I will recommend this movie to many people!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Having appeared in too many less than mediocre films, actor Omar Sharif had decided no longer to appear in films, because he didn't believe that he would be offered another meaningful role. He did, however, still read any scripts that were sent to him. And when he read the script for Monsieur Ibrahim, he immediately knew that he wanted to make the film.
    • Citations

      Monsieur Ibrahim: Slowness is the key of happiness.

    • Connexions
      Featured in The 61st Annual Golden Globe Awards (2004)
    • Bandes originales
      Sweet Little Sixteen
      Written by Chuck Berry

    Meilleurs choix

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    FAQ

    • How long is Monsieur Ibrahim?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 septembre 2003 (France)
    • Pays d’origine
      • France
    • Sites officiels
      • Official site (Germany)
      • Official site (Italy)
    • Langues
      • Français
      • Turc
    • Aussi connu sous le nom de
      • Momo
    • Lieux de tournage
      • Turquie(the temple of Athena in Behramkale)
    • Sociétés de production
      • ARP Sélection
      • France 3 Cinéma
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 823 890 $US
    • Montant brut mondial
      • 12 364 836 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital EX
    • Rapport de forme
      • 1.66 : 1

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