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Monsieur Ibrahim et les fleurs du Coran

  • 2003
  • Tous publics
  • 1h 36min
NOTE IMDb
7,3/10
12 k
MA NOTE
Monsieur Ibrahim et les fleurs du Coran (2003)
Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
Lire clip1:45
Regarder Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
2 Videos
34 photos
ComedyDrama

A Paris, Momo, un garçon de 13 ans, se retrouve livré à lui-même. Il a un seul ami, Monsieur Ibrahim, l'épicier arabe et philosophe de la rue Bleue. Celui-ci va lui faire découvrir la vie, l... Tout lireA Paris, Momo, un garçon de 13 ans, se retrouve livré à lui-même. Il a un seul ami, Monsieur Ibrahim, l'épicier arabe et philosophe de la rue Bleue. Celui-ci va lui faire découvrir la vie, les femmes, l'amour et quelques grands principes.A Paris, Momo, un garçon de 13 ans, se retrouve livré à lui-même. Il a un seul ami, Monsieur Ibrahim, l'épicier arabe et philosophe de la rue Bleue. Celui-ci va lui faire découvrir la vie, les femmes, l'amour et quelques grands principes.

  • Réalisation
    • François Dupeyron
  • Scénario
    • François Dupeyron
    • Eric-Emmanuel Schmitt
  • Casting principal
    • Omar Sharif
    • Pierre Boulanger
    • Gilbert Melki
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    12 k
    MA NOTE
    • Réalisation
      • François Dupeyron
    • Scénario
      • François Dupeyron
      • Eric-Emmanuel Schmitt
    • Casting principal
      • Omar Sharif
      • Pierre Boulanger
      • Gilbert Melki
    • 57avis d'utilisateurs
    • 54avis des critiques
    • 69Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 5 victoires et 8 nominations au total

    Vidéos2

    Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
    Clip 1:45
    Monsieur Ibrahim Scene: How Do You Manage To Be Happy?
    Monsieur Ibrahim Scene: I'll Pay You Back
    Clip 1:15
    Monsieur Ibrahim Scene: I'll Pay You Back
    Monsieur Ibrahim Scene: I'll Pay You Back
    Clip 1:15
    Monsieur Ibrahim Scene: I'll Pay You Back

    Photos34

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    + 26
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    Rôles principaux25

    Modifier
    Omar Sharif
    Omar Sharif
    • Monsieur Ibrahim Deneji
    Pierre Boulanger
    Pierre Boulanger
    • Moses 'Momo' Schmitt
    Gilbert Melki
    Gilbert Melki
    • Le père de 'Momo'
    Isabelle Renauld
    Isabelle Renauld
    • La mère de 'Momo'
    Lola Naymark
    Lola Naymark
    • Myriam
    Anne Suarez
    Anne Suarez
    • Sylvie
    Mata Gabin
    • Fatou
    Céline Samie
    Céline Samie
    • Eva
    Isabelle Adjani
    Isabelle Adjani
    • La star
    Guillaume Gallienne
    Guillaume Gallienne
    • Le vendeur voiture
    Guillaume Rannou
    • Le realisateur
    Manuel Le Lièvre
    • Le moniteur auto-école
    • (as Manuel Lelièvre)
    Daniel Znyk
    • Le gendarme
    Françoise Armelle
    • La maitresse d'école
    Sylvie Herbert
    • L'eximinateur
    Claude Merlin
    • Le notaire
    Pascal Vincent
    • Le bouquiniste
    Tessa Volkine
    • Myriam's Mother
    • Réalisation
      • François Dupeyron
    • Scénario
      • François Dupeyron
      • Eric-Emmanuel Schmitt
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs57

    7,311.8K
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    Avis à la une

    8movieguy1021

    Monsieur Ibrahim: 8/10

    Every once in a while, a movie comes along that's so simple in nature, so kind in its intentions that it can't be American. One of those select movies is Monsieur Ibrahim, a simplistic, realistic story that takes place in a lower-income area in Paris, where prostitutes roam the street, the streets are overcrowded so much that it's quicker to walk than drive, and two unlikely people meet to form an unlikely but lasting friendship.

    Moses (Pierre Boulanger) is a sixteen year old boy who uses the previously mentioned prostitutes often, as his father is too busy making ends meet to really have an impact in Moses's life. When he's caught shoplifting in Ibrahim's (Omar Sharif) store, they soon bond and become friends. Ibrahim teaches Moses many things about life, the universe, and everything. Soon, Moses is basically forced to flee from his home, so the two of them go off on a road trip.

    The one thing that sold me about Monsieur Ibrahim was the genuine relationship that seemed to be shared between the two characters. It wasn't anything that seems to be prevalent in cinema now, such as pedophilia or loneliness or the young person teaching life lessons to the older person. It's just like the relationship that many people have with their friends. There were a few times where I felt that it was a little too close for comfort, but other than that, it's just a simple friendship, nothing more.

    Ibrahim always had something to say about one thing or another. I especially agreed with his views on money, although some of the dance sequences (and his mediations on dance) seemed a little too heavy (and untrue) for a movie like this. A movie like this switches successfully between comedy and drama (I especially love the piggy-bank analogy), and works. At the end, though, it was predictable, but the final turn worked well. Overall, Monsieur Ibrahim works very well overall, and is one of the most surprising movies I've seen so far this year.

    My rating: 8/10

    Rated R for some sexual content.
    8rainking_es

    Saint Ibrahim

    Paris, France. Late 50's/early 60's. Momo is a teenager who lives alone with his father in some poor and decadent neighborhood, full of prostitutes and where people of any race and religion live together. He's a jew but he doesn't care that much about religion and what it means. In fact, he can only think about girls and sex; but he girls of his same age wouldn't have sex with him; so he hires a prostitute (and he gets keen of that -so much that he'll become close friends of some of the hookers of his street-). However, his life ain't easy at all: her mother went away years ago, his father doesn't love him ... and it's getting harder everyday; but he finds comfort and friendship in Ibrahim, a Turkish shopkeeper that will become the most relevant figure in Momo's life.

    "Monsieur Ibrahim" is a movie about tolerance, about friendship, about real commitment. Every sentence that Ibrahim says to Momo is full of wisdom and simplicity; they're just like darts to be stick in the eye of every single fanatic, racist, and intolerant person in this world. It's a movie about kicking out prejudices. A Jew and a Muslim who love each other, who respect each other, who listen each other. Too wonderful to be true.

    The story is constructed in two parts: the inner/initiative trip of Momo, his discovering of sex and love, his discovering of the huge wisdom that Ibrahim and wants to share with the young boy; and the car trip to Turkey together with Monsieur Ibrahim in which he'll learn about different cultures, and religions, and the different ways of life here and there, all along Europe till they get to Ibrahim's birthplace: some little village in the mountains of Turkey.

    The film it's been filmed with the same simplicity that Ibrahim shows in his personal philosophy, with a sober and rather neo-realistic style. Young Pierre Boulanger (Momo) gives the perfect reply to Omar Sharif (Ibrahim), an outstanding actor in state of grace. It's a pity that Mr. Sharif had made too many bad films in the last 30 years. His talent has no limits, and this calm serene and tender Ibrahim proves it. I dare to say this is his best performance (and maybe his best film) since Doctor Zhivago.

    My rate: 8/10
    9EAKY

    Great inspirational film!!

    This film is a wonderful example of how one can choose to be a victim or a hero in life! The abrupt start to the movie lets one see the boy's situation immediately. Using the grocery money given to him by his father, he goes searching for his first sexual experience among the prostitutes he observes from the window of his apartment. He is unsupervised, self-sufficient, curious and in desperate need of guidance. The shopkeeper who has been in this boy's life longer than the boy realizes, steps in to be the uplifting and guiding force for him. Initially, I felt a little troubled by the use of the two religions and putting one in a less-kind light. However, I realized that the viewpoint had nothing to do with the religion, rather with the person and how they chose to deal with their life. I will recommend this movie to many people!
    9Bob Pr.

    Charming and subtle; a fabric woven from childhood memories.

    "Monsieur Ibrahim"

    I'd read some user comments and external reviews; the view of some that it's anti-Semitic almost made me skip it. However, unless you'd see the sympathetic portrayal of a Muslim man (Ibrahim/Sharif) as being anti-Semitic, it's unlikely you'll be bothered.

    I don't know what the thrust of the book is, but movies rarely literally translate books; the book may suggest but the film moves in its own direction -- even, at times, contrarily.

    This film reminded me a great deal of "Le mari de la coiffeuse/The Hair Dresser's Husband") directed and co-written by Patrice Leconte. That film also has a coming of age boy; getting haircuts, he's enthralled at having his head pressed against the bosom of his female barber. When his father questions his son about what he wishes to do when he's grown up and is displeased with the answer, he sends him to bed without his supper. The rest of the film (without any clear transition) deals with the boy's fantasy about someday marrying a lady barber and what their life would be like. It's a realistic portrayal of an adolescent boy's fantasy.

    On the surface this film recounts the development of a mutually satisfying father-son type relationship that develops between a Turkish shopkeeper and a coming of age boy (MoMO/Boulanger) who is Jewish, by the way.

    I say "on the surface" because most films try to tell a story in a way that we experience, see and live the story from a fly on the wall perspective.

    Ahh-h, but not THIS film.

    While you COULD view it that way, it's really far better understood if viewed from a different perspective.

    Let's say you wandered in to the shop on this Parisian street one afternoon and heard the owner called "the Arab." You wonder why and also how he got into this particular trade. You start asking and he starts telling you the story of his life.

    And that's what this movie tells us -- HIS version of HIS story as experienced through HIS eyes and ears growing up. So it's a realistic portrayal of that collection of childhood memories, assumptions, distortions, and causes.

    As a child, do we see things the way we'd see them as an adult? Never, and so it is with this version. Everything is somewhat overdrawn, not quite a caricature but somewhat that way. All the streetwalkers are attractive, 21-31 years old, well dressed, and kind. None middle-aged, trashy, disturbed, or predatory. As we recount the story of our lives, we frequently expand the highs and lows and are liberal in delegating blame to those who disappoint us as well as credit to those who serve as heroes. And that's what this movie does.

    Seen from this frame of reference, not all events make logical sense. So we never know for sure what happened to his father, or mother, or brother. We have his sometimes conflicting memories and versions, his suppositions that substitute for reality and which leave us wondering, "Golly, I wonder what really happened?"

    Some things, of course, we'll never know. But it was fun finding out what we did. We had an interesting afternoon with the guy and he had a remarkable story to tell.

    One of the best pictures of all time? No. But a thoroughly entertaining one most especially for those of us interested in family dynamics.
    9Ihad

    Witty, melancholic, funny, full of love and life

    Seldom do I buy the book because I saw the movie. I did this time around and the book is even better than the movie albeit a bit too short, although throughout the book, you will always see Omar Sharif as Ibrahim.

    I went to see this without knowing too much about it and from the very beginning it succeeded in drawing me right into Rue Bleu, it was as if I could almost smell it, feel it, touch it. Why? Because we care for the characters, we feel with them, through them. Omar Sharif is just stellar as Monsieur Ibrahim and carries the story with such an ease that it is a delight to watch.

    One of the most powerful scenes for me was when Ibrahim confronts Momo about the stealing. There are more but I do not want to spoil it for you. "Ibrahim" is an emotional journey that you have to be willing to make. If you do you will be well rewarded.

    Highly recommendable. 9/10

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Having appeared in too many less than mediocre films, actor Omar Sharif had decided no longer to appear in films, because he didn't believe that he would be offered another meaningful role. He did, however, still read any scripts that were sent to him. And when he read the script for Monsieur Ibrahim, he immediately knew that he wanted to make the film.
    • Citations

      Monsieur Ibrahim: Slowness is the key of happiness.

    • Connexions
      Featured in The 61st Annual Golden Globe Awards (2004)
    • Bandes originales
      Sweet Little Sixteen
      Written by Chuck Berry

    Meilleurs choix

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    FAQ

    • How long is Monsieur Ibrahim?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 septembre 2003 (France)
    • Pays d’origine
      • France
    • Sites officiels
      • Official site (Germany)
      • Official site (Italy)
    • Langues
      • Français
      • Turc
    • Aussi connu sous le nom de
      • Momo
    • Lieux de tournage
      • Turquie(the temple of Athena in Behramkale)
    • Sociétés de production
      • ARP Sélection
      • France 3 Cinéma
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 823 890 $US
    • Montant brut mondial
      • 12 364 836 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital EX
    • Rapport de forme
      • 1.66 : 1

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