Ajouter une intrigue dans votre langueIn this documentary on the life of Joan Crawford, it is learned why she should be remembered as the great actress she was, and not only as the "Mommie Dearest" caricature she has become. Fri... Tout lireIn this documentary on the life of Joan Crawford, it is learned why she should be remembered as the great actress she was, and not only as the "Mommie Dearest" caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and... Tout lireIn this documentary on the life of Joan Crawford, it is learned why she should be remembered as the great actress she was, and not only as the "Mommie Dearest" caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silent movies to bad science fi... Tout lire
- Réalisation
- Scénario
- Casting principal
- Self
- (images d'archives)
- Self - Key MGM Hairstylist
- (images d'archives)
Avis à la une
Still, I'd be lying if I wrote that I was bored while watching. Ms. Crawford was just too interesting and contradictory a person for ennui to set in. And this doc captures all her various permutations, including neurotic, diva, hellcat, seductress, shrewd businesswoman, abusive mom and great acting talent. If only it had had delved more into the last. Give it a B minus.
Crawford's only self-identification seems to have been that of a film star, and her self worth was tied to it as well. She was smart, hard-working, glamorous, and, with the exception of her daughter, those who knew her and appeared in this documentary admitted there was something likable and even vulnerable about her. Ultimately, though, her life played out like a bad B movie. You could see the end coming from a mile away.
Angelica Huston narrates this made for Turner Classic Movies film. It combines her nice voice with some lovely interviews, photos and film clips to talk about her life from birth to death. You get a discussion of her major films as well as her personal life--and this is where the film shines. While it does talk quite a bit about her abuse of her children and affairs (and there were many), it tried to explore WHY--what about her caused her to be so screwed up and out of place off-camera. And, it seemed less angry in doing so. So, despite many clips of Christina Crawford discussing her mom, it did not come off as a recapitulation of "Mommy, Dearest". Plus, it balanced this with genuine respect and admiration for her talents and tenacity. Together, all these factors create a rich tapestry--and make it a must-see of fans of the genre. See this one.
By the way, as Bette Davis and Joan Crawford had a bit of a rivalry, I should point out that the TCM biography of Crawford was superior to the one they produced on Davis. It was longer, more complete and more interesting--warts and all.
I do have to take issue with this comment from the review below, though:
<< I noticed Christina seemed all too eager to bring forth the darker side of Joan -- how she forced the children to do the cleaning, the wire hanger incident, taking over her role in "The Secret Storm" and all I sense from Christina is an incessant need to repeat to the public how nasty Crawford was. The damage has been done already with the book and MOMMIE DEAREST, isn't it time to move on?...It's the only headache in the entire documentary >>
We don't know how much tape the producers shot with Christina Crawford or what else she was asked, all we know is what they finally chose to use. To say that Christina is "still" focusing on that aspect of Crawford's life and should "move on" is like saying that Cliff Robertson is "still" focusing on AUTUMN LEAVES and should do likewise.
When the 20th Anniversary edition of her memoir MOMMIE DEAREST was released, Christina gave many interviews in which she praised her mother's career and effective performances. Those professional issues have never been in dispute, though, and what Crawford's daughter has to offer that's unique is insight into what the star's home life was like at specific periods of time.
Again, this is an extremely well done documentary, giving an excellent overview of Joan Crawford's life.
I love that she did things her way. As one of the guests said, "She wouldn't be directed." She didn't NEED to be directed, she had great instincts.
The info re: her movies and the clips were fun to watch, but it is almost as though the producers were looking to produce a hatchet piece.
Considering what a major movie star and fine actress she was, I was disappointed that her resentful daughter got so much air time to voice allegations that could not be proven or disproven. Some of the stories the men told were better left untold - if they were true, also. Joan deserved better than unsubstantiated rumors treated as fact.
TCM blew it on this one, as far as I am concerned.
Le saviez-vous
- AnecdotesCrawford's initial contract with MGM in January 1925 was for $75/week. That equates to about $1300/week in 2023. After 10 weeks, if MGM decided to keep her on, her salary would rise to $125/week (nearly $2200/week in 2023).
- Citations
Carleton Varney - Interior Designer: Joan had a pink bedroom and it was built with a big terrace around it, all glass, facing Central Park. Walls of dresses. Walls of hats. And everything coordinated. There was more clear plastic on that furniture than was on the meat in an A&P.
- ConnexionsFeatures La dame de la nuit (1925)
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Détails
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1