The Dust Factory

This film is not easy to understand. In fact, the viewer may not understand it at all save for basic concepts of life. The movie is saved by the excellent acting and the surreal sets and concepts. It's unusual, and holds attention throughout.

Hayden Panettiere carries the film as Melanie, an energetic girl who wants to live her life in an idealistic fantasy world. Ryan Kelly plays an excellent counterpart, a boy too grounded in the negatives of life to enjoy any of it. The fulcrum between the two is Ryan's grandfather, a wizened man who is trying to help both of them understand life a bit better. How they go about that however, is more than a little odd.

Don't look for a definite plot or smooth story line in this. I can't recommend it as a family film, as the circus and clowns, tentacle scenes (honest) and the casket scene may be frightening to younger children. Those who don't understand the concept of surreal films may miss the points entirely. Older teens and younger adults, as well as the aged are more likely to find it enjoyable. But those looking for neatly-tied strings are likely to be disappointed. There is much symbolism here and not all of it neatly packaged.

I give it 5 stars for maintaining interest, but it was too loosely symbolic and esoteric to woo mainstream audiences. I enjoyed the film, but probably would not have enjoyed it as much were the actors less skilled and charismatic... or might have enjoyed it a bit more if the plot and purpose were tighter.

The primary problem is that those old enough to understand the points, already know the points. Those who might benefit from the lessons taught probably won't understand the points being made. So the writing comes up short from the standpoint of actually reaching its goal audience-- younger teens.

Even so, those who rated this film as terrible (especially the person who said it's the worst film ever made)... I just have to wonder. I can understand a film not meeting someone's personal taste. But to be upset enough about it to post a rant shouting to the world, "I didn't understand a thing here and wish to express my ignorance to the world!" I mean, really? That seems to me far more strange than the film itself. ; }

Overall a decent film with nothing objectionable-- increasingly rare these days. Worth watching for the acting alone, and does have a moral to be learned, if one is willing to pay attention to the dialog.

This movie discusses topics that may not be understood by all ages, but are certainly suitable for all ages. The basic question of what is life's purpose is a central theme. The movie brings up the notion that life is not a problem to be solved, but rather something to be experienced; finding paradise and total bliss comes at a price, but must be paid. The movie's theme is something that is rarely touched on by most mainstream films, now dominated by empty action films.

The acting was superb. Armin Mueller-Stahl played the guiding, grandfather very well; and Ryan Kelley is easily identified with his character. The filming location in Oregon was beautiful, and fits the film perfectly. In addition, the soundtrack fits scenes well. The plot however at times seems slow, and there seems to be periods of confusion when the audience has to guess what is happening if they missed a single line.

Overall, this movie presents ideas that an entire family should consider, while at the same time presenting it in a new and innovative way. It definitely will reshape your view on life.

This was slow, overlong but carefully crafted film. Saw on the credits where it was financed by Oregon Lottery money. What's with that? Can I have some? Anyway the acting was a high point as each of the principal characters is capable of delivering tears, quivering chins, furrowed brows, etc and have a good range of emotions. They also have physical skills beyond the usual pretty face as demonstrated by the dance numbers, the skating and hockey sequences, the trapeeze and other physical scenes apparently not done by stunt doubles. It did have a foreign touch to it; Oregon isn't that far from Canada and the scenery and flavor matched several obscure Canadian films. 'Reflecting Skin' comes to mind, and a British film 'Paperhouse' matches it in having much of the film take place in a sort of dreamland. The plot was almost a match too.

Fantasies created by a child to cope with traumas and heartaches too young to understand (not that I know any better), but the film misuses the fantasy for a totally artificial sweetness. Nothing has an emotional grounding, nothing feels remotely genuine.

Hayden Panettiere is a charming ray of energy even if her quirkiness is constructed-in-a-lab-fake. Other than her however, the movie is unrelentingly desperate to be sweet, but is instead emotionally hollow and visually lifeless.

I'm sixteen and I just watched this movie. I didn't really understand the plot. It felt too slow and just had no point. In some ways, it was boring because everything was too perfect. I didn't really understand the whole thing with the circus and the black hole. The only thing I understood was that the grandpa lost his Alzheimer's when he was in the place between heaven and earth and he became friends with the girl. This movie made absolutely no sense. Someone reviewed that this movie was original, but I've seen ten million other movies like this. They go to a new world which is perfect, but they have to go back. There's also the "loss of a loved one" element in this movie. I'm hoping that one of these days the people writing scripts will create an understandable and original movie.