I Am David

Pay close attention to young Ben Tibber, who portrays the central character of this film, I Am David. All throughout the film, the mood of the scene is defined just by the expression on his face, especially his eyes, and he can change it in an instant. I watched this young actor in total amazement. We follow David on his solo journey of escape from a brutal communist labor camp to a land very vague in his mind, Denmark. There are many beautiful scenes of colorful villages and towns, fields of sunflowers and sweeping vistas of the hills and valleys that we share with David, in sharp contrast to the horrifying memories of life in the labor camp, that haunts him. Those that helped him escape gave him one primary rule: don't trust anyone! As David travels along the roads to his destiny he meets many characters along the way and we wonder, will he, or should he, trust this person? As the viewer, we desperately want somebody to comfort and assist this wonderful boy. The veteran actress, Joan Plowright, splendidly portrays one of those characters that David encounters; but can he confide in her to help him on his way? The director and screenwriter, Paul Feig, doesn't rush the story, although it does move very quickly at the end. Mostly, he lets us observe David as the boy wisely and carefully analyzes each situation as it develops. The end of the film wraps up nicely with a very surprising and interesting revelation of the storyline. I watched this film at the Heartland Film Festival in Indianapolis and had great expectations upon going in to see it. I was not disappointed. I Am David, is an outstanding film.

This is the sort of film that claims merit in allowing you to see a bad situation work out in tear-induced happiness. Its a sort of enigma why there is a market for these; I suppose we all carry unresolved injustices in our hearts and like to see the promise of them resolved. In getting this, we gloss over the mechanics. For instance this has gotten an award from some morality institute though you'd be hard pressed to find anything or character in it that is actually an exemplar.

There's determination, and there's resolution, and somehow we superimpose admiration on the participants.

The really fascinating thing about this is that it really is two films: a long first part, followed by a quite different second part.

The first part follows a boy's escape. There actually is little to say other than this small bit, he escapes, and continues escaping.

The second part finds him with Joan Plowright and takes us to the resolution.

These two parts are from completely different cinematic worlds. It is true that many movies are remembered only for their ending and viewers will forgive all sorts of clunks in the journey if they recall the end fondly. But this first part clunks like old ball bearings in soup. There's one unnecessarily improbable escape after another. Each one adds nothing, except to underscore the difficulty of what our hero is doing. But that difficulty gets undermined at every turn. He never seems hungry, in pain, in the least uncomfortable. He always "gets away." None of the characters or places touch him in any way.

It seems as if the writer is putting us through this long process for only one reason, so that we can get a large number of flashbacks, each one revealing a little more of what becomes the real story. I'm prepared for indirect narrative; its an amazingly effective tool that I study. Here, we sort out the sense of the thing as he does.

But the container of this first part is so sickly sweet almost every viewer will give up, unless you live in a world of Sunday School cartoons.

The second part is as competent as the first is incompetent. Here, we harvest all the information we have been given in the flashbacks. Plus we have a real actor involved instead of folks who believe beatified shining is acting.

Here;s where we get three twists in the narrative, one large. And there's the hint that our boy is an illicit child, and the complications that brings. Its almost enough to make this watchable. But that first part puts us in a prison we cannot escape.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

In a day when few films are wholesome or uplifting, this film was a breath of fresh air. All those who have made negative remarks about Ben Tibber's performance - it is clear you have never met anyone from Bulgaria. His stoic and serious role was accurate and well done.

As I did not know anything about this movie when I watched it, it seemed slow and at times frustrating. However, I am extremely glad I watched the entire film, as the message of this film is outstanding.

It is unfortunate that many have forgotten that films can be educational as well as entertaining, and uplifting as well as meaningful. Children and adults alike can learn history through films such as I Am David, as they experience stories they may have forever been ignorant of if not for the makers of this film.

Europe is one of the most complicated places on Earth. There are good countries and there are some bad ones. Set in one notorious police state, is Anne Holm's touching story called " I am David. " He is a Dutch boy (Ben Tibbler) who's parents were arrested and imprisoned when he was too young to remember why. At the age of twelve he is befriended by Johannes (James Caviezel) a fellow prisoner who mentors' the boy in the enduring nature of man as he is growing up amid the cruel, barbarous, atmosphere of a harsh Bulgarian Prison camp. Thereafter he is instructed by 'the man' (Hristo Shopov) who is a sympathetic officer risking all to help the boy. With a knapsack containing a few essentials, the boy narrowly escapes and begins a harrowing thousand mile trek towards his homeland in Denmark. During the arduous journey, the boy reflects on the horrendous treatment he and the other prisoners suffered at the hands of guards. Then too, he slowly realizes the open kindness of others as he makes his way across Europe. Eventually, he meets Sophie (Joan Plowright) a lonely swiss woman who discovers who the boy really is and helps to send him home, but not before allowing her to find a bit of solace in his eyes. The film is a wonderful college of dark images, illuminated by the bright rays of hope and panoramic scenery. Easilly recommended as a movie dedicated to the spiritual humanity of all good people. ****

In 1952, the polyglot twelve year-old David (Ben Tibber), who was raised in the Communist Belene Prison Camp in Bulgaria, witnesses the death of his friend and protector Johannes (Jim Caviezel) and escapes from the concentration camp in the night. He is advised to mistrust everybody and together with a piece of bread, a compass, a piece of soap, a jackknife and a sealed envelope to be delivered in Denmark, he travels though Greece and Italy heading North. Along his journey, David discovers the beauty of the world and slowly he changes his behavior with people. When he meets Sophie (Joan Plowright), an old lady that lives in Switzerland and likes to paint as hobby, she asks David to paint his face; later she invites David to have lunch with her in her house, and David finally discloses his quest to her.

"I Am David" is a magnificent journey to the goodness of people. The expressive Ben Tibber has a stunning performance in the role of the boy David, who was raised confined in a concentration camp and surrounded by cruelties, that begins to smile and trust people along his travel through Europe. It is amazing how this young actor is able to transmit these sensations and emotions through his face and eyes. Joan Plowright performs a wise old woman that teaches David that most of the people are good and opens his heart. The direction, performances, cinematography, locations, pace, message etc., everything works perfectly in this great movie. Last but not the least, the conclusion is heartbreaking. My vote is nine.

Title (Brazil): Not Available