Catwoman
- 2004
- Tous publics
- 1h 44min
NOTE IMDb
3,4/10
129 k
MA NOTE
Une femme timide, avec la vitesse et les réflexes d'un chat, est à la fois criminelle et héroïne. Un inspecteur la traque avec acharnement, fasciné par les deux facettes de son personnage.Une femme timide, avec la vitesse et les réflexes d'un chat, est à la fois criminelle et héroïne. Un inspecteur la traque avec acharnement, fasciné par les deux facettes de son personnage.Une femme timide, avec la vitesse et les réflexes d'un chat, est à la fois criminelle et héroïne. Un inspecteur la traque avec acharnement, fasciné par les deux facettes de son personnage.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 13 victoires et 8 nominations au total
Avis à la une
Oh my, where do I begin? Well I could tell you that this is a well made action movie, but obviously I would be lying my head off. So instead, I want to tell you the truth. Are you ready? Here it comes
"DON'T SEE THIS MOVIE" Let me tell you why. If you see this movie and are over the age of 16, you will end up hating yourself for letting yourself rot for 104 minutes without getting anything back, except an increased feeling of wanting to get revenge on Hollywood. They say that it is very hard to get your script into a movie. Well, after seeing this movie, I think a one legged monkey could write a better script, without either pen or paper. The fact that Halle Berry even uses a male stunt double, makes me loose all respect for both her and this movie. Besides the stunt double thing, the movie still sucks. The dialog sucks, the acting is not even present and the action looks sloppy and poorly thought through. This movie actually made me like The Core better, which is pretty much impossible. I rate this movie 1/10
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Patience Phillips (Halle Berry) is a pathetically meek graphic designer at a cosmetics firm who's also so utterly f*cking thick she does such idiotic things as risking her life by climbing onto a building to rescue a cat!However,one day she inadvertently learns that her bosses are planning to release an addictive anti-ageing cream (?!?) onto the shelves,and finds her life coming to a premature end.Or,is that beginning,as she finds herself turning into Catwoman,heroic defender of law and bringer of justice.
There is a distinctly cruel irony whereby a film can end up receiving so many bad reviews (which are meant to deter people from watching the film!) people end up watching it anyway...just to see how bad it is.I suppose on the basis of that,I should seek out 1998's The Avengers sometime.I'd like to give Showgirls a go sometime too (I missed it when they showed it on Channel 4 recently.) Yep,in terms of 2004's most major cinematic disaster,Catwoman was,well,not to put too fine a pun on it,the cat that got the cream.Opening to abominable reviews,from everyone from Empire to Zoo magazine,it was ushered out of cinemas during the 'summer blockbuster' period almost as quickly as it was released.It then placed it's lead star in the embarrassing position of accepting a razzie award having earned an Oscar for her devastating turn in Monster's Ball only a few years earlier.
It is a pretty dreadful film,but there are arguably a lot worse.It's main problem is the story,which is so uninteresting,but the same could be said of the action on display.Also,this is a film that's managed a pretty notorious achievement.It makes Halle Berry look unsexy.The first suit we see her strutting around in is okay and fairly pleasing to the eye,but the main one (the one she's in on the poster) is really unsexy and unflattering.
If you want to engage your curiosity value,go right ahead,but I hope you know what you're letting yourself in for.**
Patience Phillips (Halle Berry) is a pathetically meek graphic designer at a cosmetics firm who's also so utterly f*cking thick she does such idiotic things as risking her life by climbing onto a building to rescue a cat!However,one day she inadvertently learns that her bosses are planning to release an addictive anti-ageing cream (?!?) onto the shelves,and finds her life coming to a premature end.Or,is that beginning,as she finds herself turning into Catwoman,heroic defender of law and bringer of justice.
There is a distinctly cruel irony whereby a film can end up receiving so many bad reviews (which are meant to deter people from watching the film!) people end up watching it anyway...just to see how bad it is.I suppose on the basis of that,I should seek out 1998's The Avengers sometime.I'd like to give Showgirls a go sometime too (I missed it when they showed it on Channel 4 recently.) Yep,in terms of 2004's most major cinematic disaster,Catwoman was,well,not to put too fine a pun on it,the cat that got the cream.Opening to abominable reviews,from everyone from Empire to Zoo magazine,it was ushered out of cinemas during the 'summer blockbuster' period almost as quickly as it was released.It then placed it's lead star in the embarrassing position of accepting a razzie award having earned an Oscar for her devastating turn in Monster's Ball only a few years earlier.
It is a pretty dreadful film,but there are arguably a lot worse.It's main problem is the story,which is so uninteresting,but the same could be said of the action on display.Also,this is a film that's managed a pretty notorious achievement.It makes Halle Berry look unsexy.The first suit we see her strutting around in is okay and fairly pleasing to the eye,but the main one (the one she's in on the poster) is really unsexy and unflattering.
If you want to engage your curiosity value,go right ahead,but I hope you know what you're letting yourself in for.**
I'm tempted to write a long piece explaining why this film was so bad, but I can all too easily summarise by saying "Everything".
It was poorly acted, predictable, unenthralling, clichéd nonsense. And that was just the first half hour, at which point, for the sake of my brain and stopping it melting with the sheer tedium, I walked out of the cinema.
If you're genuinely sad enough to believe that paying good money to see Halle Berry in a PVC suit is good enough reason to spend time gawking at this trash, then fine. Who am I to try to persuade you to try and do something more valuable with your time, like base-jumping without a parachute?
Utterly abysmal
It was poorly acted, predictable, unenthralling, clichéd nonsense. And that was just the first half hour, at which point, for the sake of my brain and stopping it melting with the sheer tedium, I walked out of the cinema.
If you're genuinely sad enough to believe that paying good money to see Halle Berry in a PVC suit is good enough reason to spend time gawking at this trash, then fine. Who am I to try to persuade you to try and do something more valuable with your time, like base-jumping without a parachute?
Utterly abysmal
Oh, where to start...imagine all the intellectual depth of Showgirls, plus all the excessive and ridiculous special effects of Charlie's Angels, and then throw in some dialog crafted by whomever wrote for Governor Schwarzenegger's Mr. Freeze in the fourth Batman movie, and only then are you even close to a movie as awful as this.
I suppose one should not expect much from a director who actually refers to himself as Pitof. But let's come back to that. Let's move on to Halle Berry. Note to Halle Berry: Letting Billy Bob Thornton ream you endlessly on camera is certainly degrading, but it was also a good career move--and you won an Oscar; feverishly eating catnip and licking people's faces on camera, however, is not a good career move--and you'll probably win a Razzie this time. They make you return Oscars for movies like this. Oh yeah, as for the supernatural explanation for Patience Phillips/Catwoman's superhero status--she gets CPR from an immortal Egyptian cat--I am not kidding.
And then there is Benjamin Bratt, who happens to be a pretty solid actor, but could have very likely damaged a good career. If his participation in this movie isn't enough to stigmatize him, then I'm sure he had to pass up a lot of good roles because of all the time he spent having his foot surgically removed from his former agent's rectum. There is a scene in this movie--probably the worst, and that's no small achievement--that is reminiscent of that ridiculous scene in Daredevil where Jennifer Garner/Elektra and Ben Affleck/blind superhero have a Kung Fu fight at a playground in broad daylight; in this movie it's Halle Berry and Ben Bratt playing one-on-one hoops and her doing Catwoman flips and yet no one appears to be too amazed by this, much less pants-soiling surprised, and on top of that it has a sort of VH1/Color Me Bad/early New Edition video feel to it. And I'm really not sure what city this is all supposed to take place in--Gotham, Metropolis, the land beneath the whole in the cutting room floor--but apparently this place only has one detective, the unfortunate Bratt. No matter what the crime is--burglary, murder, domestic disturbance, interrupted ballet performance--he's always there.
As for the rest of the cast, that annoying woman from Mad TV--I know that's not specific enough; I mean the most annoying one who plays what I guess is supposed to be some bizarre Asian lady--well, she plays Catwoman's annoying and sort of slutty co-worker comic relief since Rosie O'Donnell was apparently unavailable.
And then we come to Sharon Stone. Now I know her career is going down the crapper with all deliberate speed, but it's still hard to understand this one. The only thing I can guess is that the opportunity to break into silly, pseudo-feminist diatribes made this a role she couldn't turn down. Of course Sharon has often lamented the lack of good roles for older women in Hollywood, and she's absolutely right about that, but this is not the best way to lodge a complaint, and plus that's always been a little peculiar coming from an actress whose greatest cinematic achievement is the conspicuous exposure of her labia.
Briefly back to this Pitof character--I thought that pretentious one-named idiot who did the Charlie's Angels movies--McG, I believe--was bad enough, but this guy is even more shameless and obviously lacking in talent. What's with these guys who've never made a movie and are already going by only one name? Don't you have to work up to that? I mean if is Scorsese wants to go by Marty, fine; if Tarantino wants to be just Quentin, or even just Q, whatever, but where does a hack like this get off using one name? This movie deserves every Razzie it receives, and while some reviewers may say it's not really that bad, remember, it took a lot of money to make this godawful thing, and if people don't speak out about how dreadful it really is, they just might make Catwoman 2. Can you live with that?
I suppose one should not expect much from a director who actually refers to himself as Pitof. But let's come back to that. Let's move on to Halle Berry. Note to Halle Berry: Letting Billy Bob Thornton ream you endlessly on camera is certainly degrading, but it was also a good career move--and you won an Oscar; feverishly eating catnip and licking people's faces on camera, however, is not a good career move--and you'll probably win a Razzie this time. They make you return Oscars for movies like this. Oh yeah, as for the supernatural explanation for Patience Phillips/Catwoman's superhero status--she gets CPR from an immortal Egyptian cat--I am not kidding.
And then there is Benjamin Bratt, who happens to be a pretty solid actor, but could have very likely damaged a good career. If his participation in this movie isn't enough to stigmatize him, then I'm sure he had to pass up a lot of good roles because of all the time he spent having his foot surgically removed from his former agent's rectum. There is a scene in this movie--probably the worst, and that's no small achievement--that is reminiscent of that ridiculous scene in Daredevil where Jennifer Garner/Elektra and Ben Affleck/blind superhero have a Kung Fu fight at a playground in broad daylight; in this movie it's Halle Berry and Ben Bratt playing one-on-one hoops and her doing Catwoman flips and yet no one appears to be too amazed by this, much less pants-soiling surprised, and on top of that it has a sort of VH1/Color Me Bad/early New Edition video feel to it. And I'm really not sure what city this is all supposed to take place in--Gotham, Metropolis, the land beneath the whole in the cutting room floor--but apparently this place only has one detective, the unfortunate Bratt. No matter what the crime is--burglary, murder, domestic disturbance, interrupted ballet performance--he's always there.
As for the rest of the cast, that annoying woman from Mad TV--I know that's not specific enough; I mean the most annoying one who plays what I guess is supposed to be some bizarre Asian lady--well, she plays Catwoman's annoying and sort of slutty co-worker comic relief since Rosie O'Donnell was apparently unavailable.
And then we come to Sharon Stone. Now I know her career is going down the crapper with all deliberate speed, but it's still hard to understand this one. The only thing I can guess is that the opportunity to break into silly, pseudo-feminist diatribes made this a role she couldn't turn down. Of course Sharon has often lamented the lack of good roles for older women in Hollywood, and she's absolutely right about that, but this is not the best way to lodge a complaint, and plus that's always been a little peculiar coming from an actress whose greatest cinematic achievement is the conspicuous exposure of her labia.
Briefly back to this Pitof character--I thought that pretentious one-named idiot who did the Charlie's Angels movies--McG, I believe--was bad enough, but this guy is even more shameless and obviously lacking in talent. What's with these guys who've never made a movie and are already going by only one name? Don't you have to work up to that? I mean if is Scorsese wants to go by Marty, fine; if Tarantino wants to be just Quentin, or even just Q, whatever, but where does a hack like this get off using one name? This movie deserves every Razzie it receives, and while some reviewers may say it's not really that bad, remember, it took a lot of money to make this godawful thing, and if people don't speak out about how dreadful it really is, they just might make Catwoman 2. Can you live with that?
Directing 0/10, Writing 0/10, Cinematography 0.5/10, Editing 1/10, Acting 0.5/10, Overall Satisfaction 0/10
Final- 0.5/10
One word is brought to mind when thinking back to my viewing of, Catwoman- Crap. It might be inspired by my estimation of the film's display of only 12 minutes of living, breathing actors (which I will get into more below). Or it could possibly be inspired by the many errors that there wasn't even an attempt to cover, i.e.- Patience becomes Catwoman after wandering into a restricted area. How did she get into this restricted area, you ask? By walking through the door marked 'RESTRICTED AREA,' in bold, red text, which was simply unlocked and didn't even have a significant locking device on it. You know, I might've also hated the movie (not worthy of the word 'film') because of the pointless-undeveloped story line. And, really, it's not possible to look beyond the disgustingly audacious 'style' of one-named director, Pitof, which can only be described as the style of a headless chicken running through a maze of landmines. Oh, yes, said headless chicken is also being chased by angry natives wielding machetes.
I mentioned above that I estimated that only 12 minutes of living, breathing actors were shown during the entire 140 minutes of film. Almost every sequence of the movie featuring an actor seemed to be butchered by the insertion of CGI's. I'm dead serious. I'm not just talking high-flying, sucky action sequences- I'm talking scenes of Catwoman walking to a motorcycle and calmly getting on it, and the other one that immediately comes to mind is a sequence where a man (a baddie) is simply walking. Yeah, walking. It seems agents and managers are really watching over their clients these days.
Now, two questions I'm asking-
1) What is the point of Catwoman? What the [expletive] does she do?
It's explained in the film that Midnight, the 'magical' cat, chose Patience to become Catwoman, but something is wrong here- CATWOMAN HAS NO PURPOSE!! Every other superhero out there has a purpose- They save people! It seems Catwoman's only purpose is to kill the people who attempted to kill her and chase a cricket or two. There's nothing else to her!
2) Where is the REAL back story?
It sure as [expletive] wasn't in the film! Why wasn't she shocked and attempting to reason and deal with the emotional ass-kicking that would come with the revelation? She's told she's Catwoman by the cliché cat lady, she buys a mask and nails and the result is the 'superhero.' It's adds up, but not into anything of any value whatsoever. Shame on you terrible writers!
Halle Berry is a good actress. I'm not doubting or denying that. She fully deserved her Academy Award nomination and win for 2001's Monster's Ball, but something bad happened here. Her acting started awful and ended awful. I'm hoping the talents and reputation of Berry won't be harmed by her inadequate performance.
Now, My request to Halle Berry- Ms. Berry, I want my money back. I never thought I could see such a terrible performance from an Oscar winning actress. Maybe you were just doing your best with the material? But, you know, that really is not a valid excuse. After reading the screenplay, you should've thrown it in the face of the agent who dared display it to you. How could you not notice how awful it was? Make some better choices and hopefully your career won't plummet as so many others have.
I recall an interview with Ashley Judd, the original casting choice for Catwoman, who said something along the lines of, 'Turning down the role of Catwoman is one the things I regret the most.' Ashley, never say that again. You have only been saved by not appearing in this hilariously terrible film.
Listen people, don't waste your money on this glorified..er um..crap. It's not worth the $6-$15 bucks!
So now you ask, why not just give it a zero? Why the zero-point five? Well, The editing was sufficiently bad; the acting of Alex Borstein could've possibly taken some effort, appropriately placed CGI's were okay, and I like cats.
Directing 0/10, Writing 0/10, Cinematography 0.5/10, Editing 1/10, Acting 0.5/10, Overall Satisfaction 0/10
Final- 0.5/10
Final- 0.5/10
One word is brought to mind when thinking back to my viewing of, Catwoman- Crap. It might be inspired by my estimation of the film's display of only 12 minutes of living, breathing actors (which I will get into more below). Or it could possibly be inspired by the many errors that there wasn't even an attempt to cover, i.e.- Patience becomes Catwoman after wandering into a restricted area. How did she get into this restricted area, you ask? By walking through the door marked 'RESTRICTED AREA,' in bold, red text, which was simply unlocked and didn't even have a significant locking device on it. You know, I might've also hated the movie (not worthy of the word 'film') because of the pointless-undeveloped story line. And, really, it's not possible to look beyond the disgustingly audacious 'style' of one-named director, Pitof, which can only be described as the style of a headless chicken running through a maze of landmines. Oh, yes, said headless chicken is also being chased by angry natives wielding machetes.
I mentioned above that I estimated that only 12 minutes of living, breathing actors were shown during the entire 140 minutes of film. Almost every sequence of the movie featuring an actor seemed to be butchered by the insertion of CGI's. I'm dead serious. I'm not just talking high-flying, sucky action sequences- I'm talking scenes of Catwoman walking to a motorcycle and calmly getting on it, and the other one that immediately comes to mind is a sequence where a man (a baddie) is simply walking. Yeah, walking. It seems agents and managers are really watching over their clients these days.
Now, two questions I'm asking-
1) What is the point of Catwoman? What the [expletive] does she do?
It's explained in the film that Midnight, the 'magical' cat, chose Patience to become Catwoman, but something is wrong here- CATWOMAN HAS NO PURPOSE!! Every other superhero out there has a purpose- They save people! It seems Catwoman's only purpose is to kill the people who attempted to kill her and chase a cricket or two. There's nothing else to her!
2) Where is the REAL back story?
It sure as [expletive] wasn't in the film! Why wasn't she shocked and attempting to reason and deal with the emotional ass-kicking that would come with the revelation? She's told she's Catwoman by the cliché cat lady, she buys a mask and nails and the result is the 'superhero.' It's adds up, but not into anything of any value whatsoever. Shame on you terrible writers!
Halle Berry is a good actress. I'm not doubting or denying that. She fully deserved her Academy Award nomination and win for 2001's Monster's Ball, but something bad happened here. Her acting started awful and ended awful. I'm hoping the talents and reputation of Berry won't be harmed by her inadequate performance.
Now, My request to Halle Berry- Ms. Berry, I want my money back. I never thought I could see such a terrible performance from an Oscar winning actress. Maybe you were just doing your best with the material? But, you know, that really is not a valid excuse. After reading the screenplay, you should've thrown it in the face of the agent who dared display it to you. How could you not notice how awful it was? Make some better choices and hopefully your career won't plummet as so many others have.
I recall an interview with Ashley Judd, the original casting choice for Catwoman, who said something along the lines of, 'Turning down the role of Catwoman is one the things I regret the most.' Ashley, never say that again. You have only been saved by not appearing in this hilariously terrible film.
Listen people, don't waste your money on this glorified..er um..crap. It's not worth the $6-$15 bucks!
So now you ask, why not just give it a zero? Why the zero-point five? Well, The editing was sufficiently bad; the acting of Alex Borstein could've possibly taken some effort, appropriately placed CGI's were okay, and I like cats.
Directing 0/10, Writing 0/10, Cinematography 0.5/10, Editing 1/10, Acting 0.5/10, Overall Satisfaction 0/10
Final- 0.5/10
Le saviez-vous
- AnecdotesA rough cut of the trailer was put online a few months before the film's release, and drew such heavy criticism that it was quickly pulled. It was soon replaced with a new trailer which didn't feature any dialogue.
- GaffesOphelia refers to her cat Midnight as 'she' and 'he' in different scenes.
- ConnexionsFeatured in HBO First Look: The Making of 'Catwoman' (2004)
- Bandes originalesSame Direction
Written by Douglas Robb, Daniel Estrin, Chris Hesse and Markku Lappalainen
Performed by Hoobastank
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
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Détails
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 40 202 379 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 728 411 $US
- 25 juil. 2004
- Montant brut mondial
- 82 402 379 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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