A Is for Acid

I saw this TV-made film for the first time last night. I know "sociopath" and "psychopath" are labels and that everyone is an individual and no label, even attached to a mass-murderer such as Haigh could really explain his actions which can only be described as destructive and evil. Martin Clunes was clearly relishing the role and I have to say, I found him completely convincing in it. Whilst the adaptation does suggest the strict religious sect his parents adhered to was a strong influence in his development into a psychopathic murderer, I think this film interpretation of his character indicated he had a sense of entitlement to taking what he wanted in life and he had no boundaries, no conscience, saw no reason why he could not do what he wanted to do to get it all. He would appear to be one of those people who believes their own lies to the extent they can successfully convince many others. I think the reason he committed the murders was because he could and he seems to have committed them for personal gain. He had none of the normal moral and ethical boundaries in place to prevent him. He was unable to understand or foresee the consequences of his actions. Since the explanation he was influenced by his religious background came from Haigh himself, who was a practised and pathological liar, I leave it to the experts to determine whether such people as Haigh are the products of nature or nurture or a tragic combination of many contributing influences.

A Is For Acid, 2002, 2 hrs. Based on a true story. Martin Clunes is solid as the serial killer. I thoroughly enjoyed this British drama. I can't call it a thriller because it was not tense. This murder mystery can be seen at night before bedtime without getting nightmares. I really appreciated the way the director told this story with his camera in a clear, understandable and simple fashion. The camera went from point A to point B to point C, following the action of the story. Clunes was a murderer but not a menace. Pleasant, in fact. I loved the smart brother who saw right through this mysterious murderer.

Martin Clunes has an amazing range as an actor; he has attempted everything from Mr Chipps in "Goodbye Mr Chipps" to Garry the Slob in "Men Behaving Badly". In this TV film scripted by Glenn Chandler, creator of "Taggart", he impersonates a dapper, cheerful, sport car driving type who is also an accomplished pianist called John Haigh who turns out to be a diabolical serial killer who disposes of his victims in acid baths.

. It is a nice performance and the production values are splendid – seldom has England in the 1940s been better evoked, but there is something missing. What happened is clearly conveyed. How it was done is depicted as graphically as most audiences could reasonably take. But, the question of "why" is left hanging, as it were. Was it for the money? Did Haigh, like Dr Shipman, just get a kick out of killing? Or, despite the opinion of the dozen or so experts the prosecutors and the Home Office consulted, was Haigh crazy? At the trial, not shown in this film, Haigh, represented by top-flight counsel paid for by "The News of the World", pleaded insanity. Only one psychiatrist gave evidence for the defence, to such little effect that the prosecutor didn't bother to cross-examine him.

Well, it's not the film-makers' fault that Haigh was one of those bland serial killers who defy understanding. In line with his own account, Haigh's Yorkshire Plymouth Brethren parents are depicted as strict and narrow, but not as unloving. He turned to crime at an early age and had quite a record of petty dishonesty offences. For him, prison was Crime University and he hatched the idea for his body disposal method, the acid bath, while inside. He was capable of conducting an emotional relationship with the youthful "Gillian" (Keely Hawes) while luring his victims to their deaths.

For what it's worth I think Haigh's train of thought went something like this: "I am an outsider, society does not value my true worth, I will be good to people who do really appreciate me (like my parents and Gillian), and the rest are fair game." At least it makes more sense than the vampire theory. Haigh is also one of those criminals who were bound to be caught sooner or later (his arrest was not a miracle of detection), which makes one ask: did he think he was invincible or did he really want to be caught? The film doesn't help us with this, but it's a good reconstruction and a fine piece of acting by Martin Clunes.

This is a TV dramatization of the life of Acid Bath Murderer, John George Haigh. Starring Martin Clunes and Keeley Hawkes in headline roles. I came across the film on terrestrial free-view and really enjoyed it. Far from his "Men Behaving Badly" days Martin Clunes plays a role with vast emotional ranges in a beautifully recreated 1940's. Occasionally out right charming he is able to turn on a creepy and sadistic persona with ease. I don't normal like his acting but he seemed ideal for this role. Despite the films grizzly content matter it comes of as beautifully created piece of work, authentic to it's era with attention to detail. There is a maybe a heavier touch of violence compared to other TV dramatizations, but that goes with the territory when you base a film on one of the UK's biggest serial killers. Definitely worth a watch.

I have just seen a repeat of this TV film and was very impressed. I had the opportunity of doing some gardening work for the Sgt Inspector Heslin (Ret'd) before he died, when he lived in Torbay. As one of the detectives who interviews Haigh and discovered his gun, he showed me photographs which very much resembled the film set of Haigh's workhouse.

I also specialized someone in the RAF when, as a medic, I saw just what Sulphuric acid can do. Now I am a prolific author and wish I had taken more notes about this case. Heslin and I enjoyed good conversation and he was very proud to have been one of the main detectives to interview Haigh.

Peter Carroll