Cela se passe vers la fin de la Seconde Guerre mondiale, 500 soldats américains sont enfermés dans un camp depuis 3 ans. Commençant à perdre espoir de pouvoir être sauvés, un groupe de range... Tout lireCela se passe vers la fin de la Seconde Guerre mondiale, 500 soldats américains sont enfermés dans un camp depuis 3 ans. Commençant à perdre espoir de pouvoir être sauvés, un groupe de rangers entreprend une dangereuse mission pour tenter de les sauver.Cela se passe vers la fin de la Seconde Guerre mondiale, 500 soldats américains sont enfermés dans un camp depuis 3 ans. Commençant à perdre espoir de pouvoir être sauvés, un groupe de rangers entreprend une dangereuse mission pour tenter de les sauver.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
I'd recommend this movie to anyone. Major criticisms seem to be that there's no deep complex characters and no protagonist. I think that is a positive for this movie because the POWs are the main characters themselves. The men and women just did what needed to be done for their countrymen and their country. There was deep motivation because someone had been scarred when they were 15 and thus acts this way. Most of the characters are real life people and you can't focus on one or two characters like in a fictional story that someone wrote.
It's too bad this movie won't do well at the office because it doesn't cater to the teens and their expendable income. The limited wide release also won't help it but I know for those who watch it they'll be touched. They'll know that there were and are sacrifices being made to ensure that the country they live in are safe and protected.
Some people commented on how slow the movie is during the beginning, and although that is true, it is there to give you time to develop a story and actual care about the characters. This is definitely not a movie for people with near zero attention spans from the MTV Generation.
This movie also doesn't rely on gimmicks such as CGI or what I call "shaky camera syndrome" where the filmmakers insist on making the audience nauseous by running around with handy-cams (ala Bourne Supremacy).
I really enjoyed the story and thought all the roles were well acted. The final raid scene is amazing. They did a really good job of explaining exactly what they wanted to do beforehand and when it actually happened, you understood where everyone was running to and what they were trying to accomplish.
Excellent movie, and highly recommended. Definitely one of the best movies so far of the year, I'm just sad that almost no one has heard about it and the movie has received so little promotion. I doubt this picture will even make $20 million here.
And one more thing, I thought it was a very tasteful and respectful thing to do at the end during the credits where they showed archival footage of the real soldiers being rescued.
In fact, only a handful of motion pictures have touched on the subject over the last two decades, namely Steven Spielberg's "Empire of the Sun," Terrance Malik's "The Thin Red Line," and the Nicolas Cage bomb, "Windtalkers." The best film in this genre was probably 1957's "Bridge On The River Kwai," which won Oscars for David Lean and Alex Guinness, among others, but that was almost 50 years ago.
Now John Dahl ("Rounders," "Joyride," the TV series "Tilt") has shed some light on a little-known rescue attempt in the waning days of the conflict in the Philippine Islands. "The Great Raid" is a fine little film, smart, patriotic and fairly historically accurate.
The film begins with a crisp narration (accompanied by actual film footage) of the quick successes of the Imperial Japanese Army in the days following Pearl Harbor. Gen. Douglas MacArthur - thanks to Roosevelt's decision to devote more to the European effort through the Lend-Lease to Churchill program - is forced to evacuate the Philippines and retreat to Australia.
Meanwhile, thousands of American troops are trapped by the swift-moving Japanese forces on the islands of Bataan and Corrigidor and are compelled to surrender. While WWII German brutality is everywhere in motion picture, few have addressed the stark horrors of the Bataan Death March. Even this movie skirts the terror with a simple voice-over in filling in the background story of a group of surviving prisoners held for over three years.
Receiving word of mass killing of American POWs by the Japanese, top brass in the Pacific orders a raid on a camp still behind enemy lines, led by Army Ranger Lt. Col. Mucci (Benjamin Bratt, "Law & Order) and Capt. Prince (James Franco, "Spiderman," "Spiderman 2").
Military minutia abounds with the planning and execution of the assault, which pits a handful of rangers against over 200 battle-hardened Japanese troops, led by sadistic Maj. Nagai (Motoki Kobiyashi).
The movie also shows the strong relationship between the Americans and Filipinos which was not the greatest in the years after the Spanish-American War, but was cemented against the common Nipponese enemy. Nice composition between rangers, prison camp and the occupied capital of Manilla, where civilian nurse Margaret Utinsky (Connie Nielson, "Gladiator," "One Hour Photo")is working with the Filipino underground resistance.
This is no "Saving Private Ryan," and the acting sometimes leaves a bit to be desired, but the strength of the story, the fact it was inspired by true events, and the historical importance of the film, make this one a must-see, even for casual fans of the genre. It will not make much money, but it was very important that it was made.
Le saviez-vous
- AnecdotesRichard Joson plays his own grandfather.
- GaffesIn the film the plane that flies over the camp to distract the guards is a Lockheed Hudson. In reality the plane used was a P-61 Black Widow. However, there are only five P-61s still in existence, none of which are airworthy. Therefore the filmmakers were forced to make the substitution.
- Citations
General Kreuger: Henry, I'll be honest with you. This mission appeals more to my heart than to my head.
- Crédits fousThe first part of the end credits are superimposed over actual footage of the American prisoners following their liberation.
- ConnexionsReferenced in Hannity & Colmes: Épisode datant du 12 août 2005 (2005)
- Bandes originalesYou Go To My Head
Written by Haven Gillespie and J. Fred Coots
Performed by Victoria Hamilton
Published by Toy Town Tunes, Inc. (ASCAP) and Gillespie Haven Music (ASCAP)
Produced by Sourcerer
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El gran escape
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 167 373 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 376 009 $US
- 14 août 2005
- Montant brut mondial
- 10 777 375 $US
- Durée2 heures 12 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1