Rhinoceros Eyes

I took time out from university and work and made a special journey to see this movie. I chose it as it had Gale Harold in the cast. I went to the movie expecting it to be boring when Gale Harold was not on the screen. This aside I was pleasantly surprised, the acting talent put in by lead character Michael Pitt definitely kept my interest. The shyness bordering on mental health issues this character explores showed real growth through the film, as he dealt with each character through the story. This film to me has that quirky feeling about it like Edward scissorhands or Fried GreenTomatoes. I felt it did round out nicely. I think its worth a look Cheers Chris

This movie is a definite psychological thriller. You really have to think about it. I just recently finished watching it and I thought that Michael Pitt's performance was classic. He did such a good job. Gale Harold as well made an amazing performance. Who knew that boy could dance? Although it's definitely a thinker and it's like you have to be in a certain mood to watch it, it's definitely worth the money. There's really not anything like it out there. One of a kind. The timing and the camera angles were perfect. It was clear and sharp. If you like thriller and suspense movies then this is one for you. It gets you to the point of confusion and wonder. Almost like as if you need to pay close attention or you'll miss it. I loved it and I think you will too.

The movie follows a young man who lives in a prop store; he is the one who goes to fetch every obscure prop that a film maker or theater worker could want. From the first minute, strange props are being requested and our protagonist knows exactly where each one is in the store. His employers are a crew of misfits and hangers on who don't seem to find any of it strange, even when a detective shows up to investigate the theft of odd props; the thought that a real policeman would waste his time looking for these worthless items is a laugh in itself.

In any case, the film is funny in that bizarre, otherworldly type of way. It's not the normal comedy, that's for sure. No one in the movie has a normal reaction to anything, and predictability is thrown out the window. You never know where this will go next, from talking dolls to fanboy detectives, strangeness is the word of the day.

It all hangs together, from one scene to the next, without losing it's basic deadpan portrayal. None of the characters see anything strange going on, and that's one of the most enjoyable parts of the movie.

If you like your comedy bizarre, this one's for you. Fans of Fargo, Svidd Neger, any of the Kaurismaki movies, or cult films like Repo Man will enjoy this.

From the first frame to the last I was completely caught up in the unique visual world created by first time director Aaron Woodley. The dark, cluttered prop house where the majority of the film takes place is a nostalgic and otherworldly cave of magic and threat. It is the home to childlike Chep, an employee who rarely leaves except to immerse himself in old films at the local cinema. When a production designer named Fran enters the prop house looking for a pair of genuine rhinoceros eyes, Chep is instantly smitten.

This film is rich in mood and atmosphere. It also has some great laughs and offbeat characters that are genuinely intriguing and not just annoyingly "quirky". The film is amazing to look at and there is even some creepy stop animation. But it is Chep who is the heart and soul of the film. Proving that he is more than just a pretty face, Michael Pitt delivers a heart breaking performance as the sweet and self conscious, reclusive who becomes increasingly desperate to please Fran and increasingly delusional about the nature of their relationship.

Being cool, funny, creepy and touching all at once can't be easy but Rhinoceros Eyes is all of those things and more - a cult classic for the future.

As one of the 6 films I had a chance to see at the 2003 Toronto International Film Festival, it would have to be at the bottom of my list of recommendations. Slow doesn't begin to describe this somewhat "inspired" tale of a prop-shop worker named Chep (Pitt). Chep himself is a bit slow and experiencing some fantastical delusions. I felt like most of the movie, revolving around the search for some bizaar props, was filmed in ultra slo-mo. The dialouge was poorly timed, the acting was so muted it became painful (with the exception of supporting player Victor Ertmanis as "Sweets") to watch and the end so anti-climatic and directionless, I wondered how I would get those 90 minutes of my life back. I have read it compared to "Donnie Darko" and after seeing it, the only way that comparison works is that both carry a emotionally tortured lead characters. Pitt seems to summon more of a Giovanni Ribisi in "The Other Sister" (quietly endearing), than Jake Gyllenhaal in "Donnie Darko" (emotionally complex).

Without being to harsh, Paige Turco as the object of Chep's affections is a total casting zero. It's not terrible, but not memorable. Hopefully first time director Aaron Woodley will step back a bit from his attempts to be so "indie profound" in his next project.