Spinning Boris

Released in the US at the time of another Russian Presidential election, "Spinning Boris", is a humorous, fact-based dramatization of the 1996 Russian Presidential election, directed by Roger Spottiswoode (who also directed the Bond film, "Tomorrow Never Dies," and the bio-pic "Noriega: God's Favorite").

The first post-Soviet election in Russia pitted Boris Yeltsin, a man once considered a hero but now, after five years of attempted coups, hyperinflation, and war in Chechnya, has lower approval ratings than Stalin, against political opponents ranging from kooky (the xenophobic Vladimir Zhirinovsky, who wants to retake Alaska), to Communist (Gennady Zyuganov, who vows to restore the Soviet Union). In Yeltsin's view (and that of some powerful forces on both sides of the Atlantic) the future of Russia is at stake: do people want to live with the challenges and opportunities of free choice, or fall back to the failed Communist system (along with newly wealthy oligarchs losing their power).

How can a candidate be "guaranteed" victory in a democracy? Hire the best political advisors money can buy, in this case George Gorton (Jeff Goldblum), Dick Dresner (Anthony LaPaglia), and Joe Shumate (Liev Schreiber, playing a more open operative than in his last Russian adventure, "The Sum of All Fears," and proving himself a master in the political movies genre).

The three American political consultants (one of whom, Gorton, recently led Arnold Schwarzenegger's successful gubernatorial campaign) are masters at showing how politics can be manipulated, or fine tuned. "Spinning Boris" shows the idealism and naivete of Russia's fledging democracy in 1996, primarily through the eyes of his daughter, Tatiana Dyachenko (played by the sensuously dignified Svetlana Efremova, known to political drama junkies through an appearance as a Russian journalist in "The West Wing").

The main difference between history and the plot of this film is that the script overplays the political naivete of Russians far too much. After all, it was Yeltsin's main opponent, the Communist Zyuganov, who said in 1995, "You should understand that a clever propaganda worker and a skilled politician will never talk in the same language with different audiences." If the Soviet era proved anything, it is that Russians are masters at telling an audience what it wants to hear. The movie does prove that Americans are good at reviving a stale product, in this case a Presidential candidate, Yeltsin, who offers a clear (and clearly superior) alternative to his opponents, men who reach back into the "ash heap of history" for their political platform.

"Spinning Boris" perpetuates some negative stereotypes about Russia. For instance: the President Hotel is not 5-Star quality; people did not walk around with machine guns in 1996; the SOVIET national anthem was not in use during the Yeltsin era; and why did the Americans sing the "Internationale," the song of world Communism, as they leave Moscow? There are, however, some wonderful street scenes throughout the entire movie, and the cinematography manages to capture some of the exoticness and beauty of Moscow, the world's most unique city (although most of the interior shots were filmed in Toronto).

It is great to have a dramatization of what is for Americans an obscure political event, but one that had far-reaching repercussions. Movies are often the only way that a historic event is remembered; by their nature a political drama will be abridged and truncated (this is true of documentaries as well). Hopefully people watching this movie won't believe that today's Russia is as close to the brink of collapse as it is depicted here. Like "Primary Colors," the movie (and novel) which gave great understanding into the 1992 Clinton campaign, "Spinning Boris" gives humorous insight into the Russian political scene during its early democratic years.

From the biznessmen to the government officials, even the hotel lounge's Elvis impersonator, the dialogue, spoken language, actors, character portrayals and cultural depictions are so authentically Russian, it's frightening. And hilarious. Which makes it all the more difficult to believe this a product of American cinema, which seems to prefer perpetuating tired and/or exaggerated Russian stereotypes (whether due to ignorance or apathy is still open to debate). Anthropologically speaking, this film's a bull's-eye; historically, who knows? High production values (including stock footage from the actual campaign -- see Yeltsin dance!), quality casting and genuine humor make for good times. More so if you know Russia(n), less so, perhaps, if you don't. I'm recommending it to friends, and I'd watch it again. Na zdoroviye.

Three American campaign advisers go to Russia to help Yeltsin win the election and a good time was had by viewers.

This is the true story of three guys who went to Moscow to win an election and did so despite death threats (from the people who wanted Yeltsin elected but feared he'd lose- don't ask) and being watched by everyone in the country and outside it.

The real pleasure here is the trio of actors playing the leads, Jeff Goldblum, Anthony LaPaglia and Liev Schreiber who work together like a well oiled machine and seem to be having such a grand time you can't help but watch it and enjoy it. They play it like three long time friends who know each other like the back of their own hands and spread the sense of fun and good times, even in the bad times, so neatly it rolls right off the screen. You don't care what the film is about so long as you get to watch them interacting. This would be a perfectly charming film if it was more interesting to look at, its mostly in hotel rooms that all look the same, with the odd trip to the balcony to speak where no one can over hear. They could also have used a woman as Yeltsin's daughter who is a lovely as the real thing, but those minor quibbles. That said its a joy to behold and highly recommended. 9/10

This film is a riot! It is like a political comedy version of "THE WIZARD OF OZ." Only here, Jeff Goldblum is the metaphorical scarecrow,Anthony LaPaglia, the cowardly lion and Liev Shreiber is like the tinman...leading the Russian President Boris Yetzin's daughter (who is like Dorothy) played Svetlana Efremova...through the OZ of political consulting and campaign winning. Boris Krutonog and Gregory Hlady add the proper intrigue and menace to make even those of us who read the original Time Magazine cover story about the real incident...wonder how it will all turn out.It is funny, charming, and truly suspenseful. The trio of actors playing the "fish out of water" American political consultants play off one another beautifully and with the charisma and wit of a real life Hope and Crosby road picture!

I was watching the election returns in my friends' apartment in St. Petersburg on June 16, 1996, and thus had seen the documentary footage in this film first-hand. Watching "Spinning Boris" on DVD, I did not suspect that it was based on reality rather than conjecture until I watched the interviews with the political consultants on whom it is based. It is a tribute to the writers that the film came off as incredible fiction. Very enjoyable. The dialogue is very clever among the Americans (in the good old "buddy movie" tradition) , and I was impressed at the texture of the Russian setting, all the while not believing the story line. (I recall less dire numbers in the polls, although my Russian friends were very worried about a possible return to Communism).

Apparently, though, I found more humor in the film's situations than I really should have, considering it was based on fact. I regret that this film did not get broader press coverage, for it is as relevant to the current situation in American politics as to the Russian events it portrays.