Ajouter une intrigue dans votre langueAn anthology consisting of three horror shorts from different Asian directors: Memories by Kim Jee-woon, The Wheel by Nonzee Nimibutr, and Going Home by Peter Chan.An anthology consisting of three horror shorts from different Asian directors: Memories by Kim Jee-woon, The Wheel by Nonzee Nimibutr, and Going Home by Peter Chan.An anthology consisting of three horror shorts from different Asian directors: Memories by Kim Jee-woon, The Wheel by Nonzee Nimibutr, and Going Home by Peter Chan.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 19 nominations au total
Kim Hye-su
- Wife (segment "Memories")
- (as Kim Hye-Soo)
Jeong Bo-seok
- Husband (segment "Memories")
- (as Jung Bo-Seog)
Moon Jeong-Hee
- Hyun Joo (segment "Memories")
- (as Moon Jung-Hee)
Park Hee-soon
- Hyun Joo's Husband (segment "Memories")
- (as Park Hee-Soon)
Jung-Won Jang
- Eun Ji (segment "Memories")
- (as Jang Jung-Won)
Hyung-Kwon Lee
- Guard (segment "Memories")
- (as Lee Hyung-Kwon)
Sung-Keun Jee
- Taxi Driver (segment "Memories")
- (as Jee Sung-Keun)
Seung-Young Lee
- Woman in Car Crash (segment "Memories")
- (as Lee Seung-Young)
A-Rum Lee
- High School Girl (segment "Memories")
- (as Lee A-Rum)
Jae-Hoo Choi
- Suspicious Young Man (segment "Memories")
- (as Choi Jae-Hoo)
Jee-You Kim
- Mr. Park (segment "Memories")
- (as Kim Jee-You)
Cha-Yeun Lee
- Girl with Yellow Bag (segment "Memories")
- (as Lee Cha-Yeun)
Joon-Yong Park
- Man on Bike (segment "Memories")
- (as Park Joon-Yong)
Eun-Young Kwak
- Girl in Elevator (segment "Memories")
- (as Kwak Eun-Young)
Avis à la une
An ominous package consisting of three short films by different Asian filmmakers, Three suffers from the same set of issues that plague most anthology films. Each story has its positives & negatives. Each tackles an intriguing idea which it fails to explore or execute to the fullest. And coz of that, the end product as a whole feels decent at best.
The first short is Memories. Directed by Kim Jee-woon, it benefits from its ominous mood, flexible camerawork & smooth tracking in addition to excellent use of sound. The story isn't that riveting or original but the execution of the plot is still the best of the bunch. The uneasy aura, foreboding tone & graphic imagery alone make it look better than it actually is.
The second one is a Thai short called The Wheel. Directed by Nonzee Nimibutr, it is the least impressive of the three segments. It deals with puppet & voodoo elements but its characters remain distant while unfolding events fails to pique our interest. A better grasp of Thai culture may alleviate some confusion but that still won't make it better than the other two stories.
The third & final short is Going Home. Directed by Peter Chan, it is easily the most original of the three. The concept is an interesting one and the inhospitable setting & creepy vibe provide the right environment for the plot to unfurl. What undoes it in the end however is its half-hearted execution & overdone sentimentality. Compared to the other two, it still leaves a better impression.
Overall, Three makes for a serviceable horror anthology that's satisfying to an extent but there is nothing about it that stands out from the norm. Kim Jee-woon's name in it is why I went for it and although his segment impresses in bits n pieces, he is capable of much more than what he delivers here. Horror anthologies are more a miss than hit, and Three unfortunately ends up with the same fate as most.
The first short is Memories. Directed by Kim Jee-woon, it benefits from its ominous mood, flexible camerawork & smooth tracking in addition to excellent use of sound. The story isn't that riveting or original but the execution of the plot is still the best of the bunch. The uneasy aura, foreboding tone & graphic imagery alone make it look better than it actually is.
The second one is a Thai short called The Wheel. Directed by Nonzee Nimibutr, it is the least impressive of the three segments. It deals with puppet & voodoo elements but its characters remain distant while unfolding events fails to pique our interest. A better grasp of Thai culture may alleviate some confusion but that still won't make it better than the other two stories.
The third & final short is Going Home. Directed by Peter Chan, it is easily the most original of the three. The concept is an interesting one and the inhospitable setting & creepy vibe provide the right environment for the plot to unfurl. What undoes it in the end however is its half-hearted execution & overdone sentimentality. Compared to the other two, it still leaves a better impression.
Overall, Three makes for a serviceable horror anthology that's satisfying to an extent but there is nothing about it that stands out from the norm. Kim Jee-woon's name in it is why I went for it and although his segment impresses in bits n pieces, he is capable of much more than what he delivers here. Horror anthologies are more a miss than hit, and Three unfortunately ends up with the same fate as most.
Three, internationally marketed as 3 Extremes 2, consists of three horror short films by renowned Asian directors. All three short movies had something different to offer and were quite entertaining since they didn't overstay their welcome. However, these short movies aren't among the directors' greatest hours either.
The first short film is entitled Memories and was created by South Korean director Kim Jee-won, who made masterpieces like the psychological drama A Tale of Two Sisters, comedy western The Good, the Bad, the Weird and grisly horror shocker I Saw the Devil. Memories tells two stories that slowly but surely intertwine. The first story is about a man whose wife has disappeared and who suffers from memory loss as he can't remember why or how she left. The second story revolves around a woman who wakes up in the middle of a street, can't remember who she is and tries to figure out her identity and what happened to her. On the positive side, the movie convinces with gloomy atmosphere and moody cinematography. On the negative side, the story is somewhat predictable and slow-paced.
The second short film is called The Wheel and was created by Thai director Nonzee Nimibutr, who is known for action movie Dang Bireley and the Young Gangsters, romantic horror film Nang Nak - Return from the Dead and romantic drama Jan Dara. The Wheel revolves around cursed puppets that haunt a group of puppeteers living and performing in rural Thailand. The curse starts when the master puppeteer puts his soul into said puppets but later on orders his wife and child to get rid of them. His wife and child drown and the old man burns alive in his house. A rival puppeteer plans on using these puppets but other grisly events soon start to take place as performers collapse on stage, commit suicide or start to see ghosts. On the positive side, this film is the grisliest of the three and includes several haunting deaths. The locations in rural Thailand are stunning to watch. The movie also introduces us to a part of Thai culture which isn't very known outside the country. The film's sinister conclusion is also memorable. On the negative side, the acting performances are a little bit stiff at times and the movie was obviously suffering from a very low budget.
The third and last short film is called Going Home and was created by Thailand-born Hong Kong filmmaker Peter Ho-Sun Chan, who directed movies such as romantic comedy drama The Love Letter, historical drama The Warlords and action epic Dragon. Going Home tells the story of a single father and cop who moves into a decrepit apartment complex with his infant son. His son soon befriends the strange daughter of the only other family living in the building and then goes missing. His father suspects the weird father of that family who nurses his mysterious wife back to health to be responsible for his son's disappearance. On the positive side, the characters in this movie are really strong, the story takes a few unexpected turns and the movie even has a romantic underlying message which one couldn't expect from a horror movie. On the negative side, several questions in this movie remain unanswered which make it feel somewhat unfinished. This movie should have been elaborated into a full length movie to have a bigger impact.
In the end, all three movies have their merits but also a few minor disadvantages. Expect solid psychological and supernatural thrillers but no grisly horror episodes. All of these short films were entertaining and are worth to be discovered, presented or watched again.
The first short film is entitled Memories and was created by South Korean director Kim Jee-won, who made masterpieces like the psychological drama A Tale of Two Sisters, comedy western The Good, the Bad, the Weird and grisly horror shocker I Saw the Devil. Memories tells two stories that slowly but surely intertwine. The first story is about a man whose wife has disappeared and who suffers from memory loss as he can't remember why or how she left. The second story revolves around a woman who wakes up in the middle of a street, can't remember who she is and tries to figure out her identity and what happened to her. On the positive side, the movie convinces with gloomy atmosphere and moody cinematography. On the negative side, the story is somewhat predictable and slow-paced.
The second short film is called The Wheel and was created by Thai director Nonzee Nimibutr, who is known for action movie Dang Bireley and the Young Gangsters, romantic horror film Nang Nak - Return from the Dead and romantic drama Jan Dara. The Wheel revolves around cursed puppets that haunt a group of puppeteers living and performing in rural Thailand. The curse starts when the master puppeteer puts his soul into said puppets but later on orders his wife and child to get rid of them. His wife and child drown and the old man burns alive in his house. A rival puppeteer plans on using these puppets but other grisly events soon start to take place as performers collapse on stage, commit suicide or start to see ghosts. On the positive side, this film is the grisliest of the three and includes several haunting deaths. The locations in rural Thailand are stunning to watch. The movie also introduces us to a part of Thai culture which isn't very known outside the country. The film's sinister conclusion is also memorable. On the negative side, the acting performances are a little bit stiff at times and the movie was obviously suffering from a very low budget.
The third and last short film is called Going Home and was created by Thailand-born Hong Kong filmmaker Peter Ho-Sun Chan, who directed movies such as romantic comedy drama The Love Letter, historical drama The Warlords and action epic Dragon. Going Home tells the story of a single father and cop who moves into a decrepit apartment complex with his infant son. His son soon befriends the strange daughter of the only other family living in the building and then goes missing. His father suspects the weird father of that family who nurses his mysterious wife back to health to be responsible for his son's disappearance. On the positive side, the characters in this movie are really strong, the story takes a few unexpected turns and the movie even has a romantic underlying message which one couldn't expect from a horror movie. On the negative side, several questions in this movie remain unanswered which make it feel somewhat unfinished. This movie should have been elaborated into a full length movie to have a bigger impact.
In the end, all three movies have their merits but also a few minor disadvantages. Expect solid psychological and supernatural thrillers but no grisly horror episodes. All of these short films were entertaining and are worth to be discovered, presented or watched again.
After watching the original 3 EXTREMES, one might expect the so-called "sequel" 3 EXTREMES II to be as, or even more unsettling, gory, or terrifying.
Is it?
Well, not really. While the first film was refreshingly bizarre and somewhat revolting in spots, this follow-up is rather mild with fewer shocks or gross-out story lines. It's also far more concerned with the supernatural than its predecessor.
The three stories involve ghosts, curses, and reanimation along with some dismemberment and murder. All three tales are good. Just don't expect another thriller full of disturbing subject matter and stomach-turning revelations...
Is it?
Well, not really. While the first film was refreshingly bizarre and somewhat revolting in spots, this follow-up is rather mild with fewer shocks or gross-out story lines. It's also far more concerned with the supernatural than its predecessor.
The three stories involve ghosts, curses, and reanimation along with some dismemberment and murder. All three tales are good. Just don't expect another thriller full of disturbing subject matter and stomach-turning revelations...
Three Extremes 2 (2002)
** (out of 4)
Lions Gate is releasing this title next week but it's original title is Three, the "inspiration" for what would become Three Extremes. I guess the popularity of that title is why Lions Gate selected to make this appear as a sequel when it's actually the first film. Kim Jee-Woon's Memories has a woman lost in the streets without any memory of who she is. She has one phone number that she keeps trying to call but when she can't reach anyone she just continues to walk around hoping her memory will return. Nonzee Nimibutr's The Wheel has an old man dying and leaving behind puppets, which are cursed and start to come to life. Peter Ho-Sun Chan's Going Home has a cop searching for his missing son when he is kidnapped by a man who keeps his "wife" locked inside their apartment. These three films aren't any good but the first and third one are the most interesting. The second film dealing with the puppet is quite poor without any good moment. The first and third stories are the best.
** (out of 4)
Lions Gate is releasing this title next week but it's original title is Three, the "inspiration" for what would become Three Extremes. I guess the popularity of that title is why Lions Gate selected to make this appear as a sequel when it's actually the first film. Kim Jee-Woon's Memories has a woman lost in the streets without any memory of who she is. She has one phone number that she keeps trying to call but when she can't reach anyone she just continues to walk around hoping her memory will return. Nonzee Nimibutr's The Wheel has an old man dying and leaving behind puppets, which are cursed and start to come to life. Peter Ho-Sun Chan's Going Home has a cop searching for his missing son when he is kidnapped by a man who keeps his "wife" locked inside their apartment. These three films aren't any good but the first and third one are the most interesting. The second film dealing with the puppet is quite poor without any good moment. The first and third stories are the best.
I´m a bit surprised with the negative reviews of "Three" here at imdb. I thought this was a good movie, chilling and intriguing. The first segment, "Memories", is my personal favourite, good acting and some genuinly scary moments. Much more scary than Final Destination 2 anyway. The 2nd installment is somewhat a disappointment after the great first one. Poor acting, no interest for the characters and not at all scary. The 3rd movie "Going Home" is a beautiful story about true love, perhaps not that scary, but still a great story.
Le saviez-vous
- AnecdotesReleased in America as "3...Extremes II" to capitalize on the success of 3 Extrêmes (2004).
- ConnexionsFollowed by 3 Extrêmes (2004)
Meilleurs choix
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- How long is Three?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Three
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 1 691 811 $US
- Durée
- 2h 20min(140 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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