NOTE IMDb
5,8/10
22 k
MA NOTE
Ajouter une intrigue dans votre langueA mysterious serial killer is preying on other serial killers and one FBI agent suspects there may be more to the vigilante than the obvious characteristics.A mysterious serial killer is preying on other serial killers and one FBI agent suspects there may be more to the vigilante than the obvious characteristics.A mysterious serial killer is preying on other serial killers and one FBI agent suspects there may be more to the vigilante than the obvious characteristics.
- Réalisation
- Scénario
- Casting principal
Chloe Alexa Ibanez
- Loretta
- (as Chloe Russell)
Avis à la une
Good movie but underrated at 5.8. Should be rated well into the 6's and, for my tastes, a 7. While there are some cliches, there are some very good twists and excellent spins on the genre. Well worth watching. There is so much great content available these days that I rarely waste my time on anything less than a 6.5 (Yes, IMDB is my go-to source for ratings) but this one came on a recommendation and I was highly pleased by the results. Sure, it's not a classic worth viewing twice, but certainly a very good movie to watch at least once.
Coming from Dallas after a suspension and a breakdown, FBI agent Thomas Mackelway (Aaron Eckhart) arrives in Dallas when a salesman is killed in a hideous crime. Mackelway is in charge of the investigation and the chief of the agency calls for backup, arriving agent Fran Kulok (Carrie-Anne Moss), who had a past with Mackelway. The leads guide them to Benjamin O'Ryan (Ben Kinsley), a man that claims to be a former FBI agent, and considered a random killing machine. Mackelway becomes obsessed trying to find the truth.
I saw the trailer of "Suspect Zero" and I really expected a great thriller. The cinematography and atmosphere are really excellent, the cast with Ben Kinsley, Carrie-Anne Moss and Aaron Eckhart is very above average, but unfortunately the screenplay does not work well. The idea is original, the story discloses in a good pace, but something is missing to accomplish my excessive expectations. Nevertheless, watching "Suspect Zero" is worthwhile and my vote is six.
Titçe (Brazil): "Suspeito Zero" ("Suspect Zero")
I saw the trailer of "Suspect Zero" and I really expected a great thriller. The cinematography and atmosphere are really excellent, the cast with Ben Kinsley, Carrie-Anne Moss and Aaron Eckhart is very above average, but unfortunately the screenplay does not work well. The idea is original, the story discloses in a good pace, but something is missing to accomplish my excessive expectations. Nevertheless, watching "Suspect Zero" is worthwhile and my vote is six.
Titçe (Brazil): "Suspeito Zero" ("Suspect Zero")
SUSPECT ZERO (2004) ** Ben Kingsley, Aaron Eckhart, Carrie-Anne Moss, Harry J. Lennix, Kevin Chamberlin, Chloe Russell, Nicole DeHuff, William Mapother. (Dir: E. Elias Merhige)
'Se7en' 'Silence of the Lambs' = 'Zero'
Trying to make a serial killer film, a sub genre that appears to have overtaken the unstoppable killing machine teen slasher (think Jason or Freddy) that took horror films to another level, must be like attempting to build a snowman in July: not much fun and pointless since it's damn near impossible to perfect an impossibility.
Take the case of this unique perspective to a 15 minutes-of-fame and ticking category : a serial killer killing serial killers! OK now try to convince me for nearly two hours of my time why I should care? Well it was a good idea.
Anyway the premise of the latest style over substance take on it is having a disgraced FBI profiler named Mackelway (Eckhart) being reassigned to the desert of New Mexico when he finds the dullness only adding to his current state of blinding migraines (he chomps on aspirin like Chiclets) until a ghastly murder is found at the border literally with some follow up faxes sent directly to him. It seems a former specialty agent, O'Ryan (Sir Ben acting up a storm), who was assigned to a shadowy sect project entitled Icarus (read: getting too close to the sun; burning foreshadowing of things to come) where highly intelligent applicants were able to 'see' the minds of serial killers at work and transcribing their thoughts into para psychological scribblings in charcoal pencil that would lead them to their quarry. Apparently it has affected O'Ryan to the point of obsession and causing him to act as a rogue executioner of the filth he was assigned to locate. What happens next is a series of murders of murderers that lead a grisly wake to some serious soul searching for one Agent Mackelway. To complicate matters his former partner and ex-lover Agent Kulok (Moss) has been called in to help him and his new prickly boss Charelton (Lennix also late of the 'Matrix' flicks) crack the case wide open.
I admit it seems a tad outrageous that someone could psychically forecast an upcoming crime however it is set in fiction and there was a cool 'X-Files' episode 'Unruhe' that had a similar story but it involved Polaroids instead of sketchings. Regardless you have to give the creative team an A for effort yet the screenplay by Zak Penn and Billy Ray is a Luke-warm reheating of 'Se7en' with Kingsley as an ersatz John Doe serving up justice with a nasty slicing off of the victims' eyelids to show what he sees they see and the 'Silence of the Lambs' backbiting of its federal peacekeepers at odds with what they cannot.
Eckhart seems wasted of his talent in a somewhat muted turn he should be more tortured if that is what his character is implied to be and Moss is undeniably sleepwalking her way through the film no thanks to bad lighting making one of the screen's most lovely women look downright homely. Kingsley has proven to be a very versatile actor notably ditching his Gandhi peace for sinister doings in 'Sexy Beast' a few years ago and here he makes the most of his deeply troubled psychic warrior with a few moments of glass sharp scares.
Director Merhige a relative newcomer employs the usual shaky camera work with some interesting visual courtesy of his ace cinematographer Michael Chapman with its desaturated colors and vibrantly dark moments that underlie the terror at hand. Too bad it couldn't shed it in a more intriguing light.
'Se7en' 'Silence of the Lambs' = 'Zero'
Trying to make a serial killer film, a sub genre that appears to have overtaken the unstoppable killing machine teen slasher (think Jason or Freddy) that took horror films to another level, must be like attempting to build a snowman in July: not much fun and pointless since it's damn near impossible to perfect an impossibility.
Take the case of this unique perspective to a 15 minutes-of-fame and ticking category : a serial killer killing serial killers! OK now try to convince me for nearly two hours of my time why I should care? Well it was a good idea.
Anyway the premise of the latest style over substance take on it is having a disgraced FBI profiler named Mackelway (Eckhart) being reassigned to the desert of New Mexico when he finds the dullness only adding to his current state of blinding migraines (he chomps on aspirin like Chiclets) until a ghastly murder is found at the border literally with some follow up faxes sent directly to him. It seems a former specialty agent, O'Ryan (Sir Ben acting up a storm), who was assigned to a shadowy sect project entitled Icarus (read: getting too close to the sun; burning foreshadowing of things to come) where highly intelligent applicants were able to 'see' the minds of serial killers at work and transcribing their thoughts into para psychological scribblings in charcoal pencil that would lead them to their quarry. Apparently it has affected O'Ryan to the point of obsession and causing him to act as a rogue executioner of the filth he was assigned to locate. What happens next is a series of murders of murderers that lead a grisly wake to some serious soul searching for one Agent Mackelway. To complicate matters his former partner and ex-lover Agent Kulok (Moss) has been called in to help him and his new prickly boss Charelton (Lennix also late of the 'Matrix' flicks) crack the case wide open.
I admit it seems a tad outrageous that someone could psychically forecast an upcoming crime however it is set in fiction and there was a cool 'X-Files' episode 'Unruhe' that had a similar story but it involved Polaroids instead of sketchings. Regardless you have to give the creative team an A for effort yet the screenplay by Zak Penn and Billy Ray is a Luke-warm reheating of 'Se7en' with Kingsley as an ersatz John Doe serving up justice with a nasty slicing off of the victims' eyelids to show what he sees they see and the 'Silence of the Lambs' backbiting of its federal peacekeepers at odds with what they cannot.
Eckhart seems wasted of his talent in a somewhat muted turn he should be more tortured if that is what his character is implied to be and Moss is undeniably sleepwalking her way through the film no thanks to bad lighting making one of the screen's most lovely women look downright homely. Kingsley has proven to be a very versatile actor notably ditching his Gandhi peace for sinister doings in 'Sexy Beast' a few years ago and here he makes the most of his deeply troubled psychic warrior with a few moments of glass sharp scares.
Director Merhige a relative newcomer employs the usual shaky camera work with some interesting visual courtesy of his ace cinematographer Michael Chapman with its desaturated colors and vibrantly dark moments that underlie the terror at hand. Too bad it couldn't shed it in a more intriguing light.
There's a few interesting twists and turns in this film but not nearly enough to save it. Ben Kingsley gives a wonderful performance as a man that has spent too many years looking through the eyes of monsters. Aaron Eckhart is intense as the agent on the hunt. However, Carrie-Anne Moss seems to have text messaged her performance in. The camera work looked good, but was so formula it could have been straight out of a cinematography textbook. It uses virtually every camera trick ever seen in every movie Hitchcock ever made. "Suspect Zero" has the potential to be a thoroughly spellbinding film, but manages to come up short. Out of five stars, I'd rate it 2.5.
Aaron Eckhart is terrible as agent Thomas Mackelway on the hunt for a serial killer and Carrie-Anne Moss as another agent is wasted in this uneven film. The premise of the film is interesting but I can't reveal it because it would be considered a spoiler. Poor Ben Kingsley is relegated to acting with his "intense eyes" look for most of the film. Something is really lacking in this film because the idea is good but the execution is not. The direction is okay but there's not much suspense. The ending is very weak. Most of the film is confusing and there are large holes in the plot. Even the locale of New Mexico is wasted. I lived there an a lot more could have been done with it. Weakest of all are the characters who are distant and quite impersonal. I didn't hate the film but was disappointed that it wasn't done better. Blame the writer mostly for weak characterizations.
Le saviez-vous
- AnecdotesUncredited producer Tom Cruise was so impressed by Carrie-Anne Moss that he wanted her in Mission: Impossible III (2006), but she ultimately had to drop out due to schedule delays.
- GaffesThe trailer of the big rig that crashes at the end has several damaged areas on it that were not there prior to the crash. (Possibly from an earlier take that didn't go right and damaged the trailer.)
- Citations
Piper: Ever see a 50-foot shark?
Thomas Mackelway: I'm sorry?
Piper: A 50-foot shark. You ever seen one?
Thomas Mackelway: No.
Piper: Doesn't mean there aren't any.
- Crédits fousThe opening Paramount logo is brown (to resemble the desert) and the water in the Intermedia logo is black.
- Bandes originalesWhat a Dream It's Been
(1999)
Written by Robert Williams
Performed by Big Sandy and His Fly-Rite Boys
Courtesy of Hightone Records
By Arrangement with Ocean Park Music Group
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- How long is Suspect Zero?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Нульовий підозрюваний
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 725 813 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 446 375 $US
- 29 août 2004
- Montant brut mondial
- 11 416 075 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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