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We Were the Mulvaneys

  • Téléfilm
  • 2002
  • TV-14
  • 1h 26min
NOTE IMDb
6,5/10
651
MA NOTE
Beau Bridges, Blythe Danner, Tammy Blanchard, Mark Famiglietti, Tom Guiry, and Jacob Pitts in We Were the Mulvaneys (2002)
Drame

Ajouter une intrigue dans votre langueBased on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves.Based on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves.Based on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves.

  • Réalisation
    • Peter Werner
  • Scénario
    • Joyce Carol Oates
    • Joyce Eliason
    • Peter Silverman
  • Casting principal
    • Beau Bridges
    • Blythe Danner
    • Tammy Blanchard
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    651
    MA NOTE
    • Réalisation
      • Peter Werner
    • Scénario
      • Joyce Carol Oates
      • Joyce Eliason
      • Peter Silverman
    • Casting principal
      • Beau Bridges
      • Blythe Danner
      • Tammy Blanchard
    • 14avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Primetime Emmys
      • 1 victoire et 3 nominations au total

    Photos4

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux30

    Modifier
    Beau Bridges
    Beau Bridges
    • Michael Mulvaney, Sr.
    Blythe Danner
    Blythe Danner
    • Corinne Mulvaney
    Tammy Blanchard
    Tammy Blanchard
    • Marianne Mulvaney
    Tom Guiry
    Tom Guiry
    • Judd Mulvaney, Narrator
    • (as Thomas Guiry)
    Jacob Pitts
    Jacob Pitts
    • Patrick Mulvaney
    Mark Famiglietti
    Mark Famiglietti
    • Mike Mulvaney Jr.
    Shawn Roberts
    Shawn Roberts
    • Zachary Lundt
    Colin Ferguson
    Colin Ferguson
    • Dr. Witt
    Leigh Enns
    Leigh Enns
    • Trish La Porte
    John O'Callaghan
    John O'Callaghan
    • Abelove
    Jon Ted Wynne
    Jon Ted Wynne
    • Mort Lundt
    Wayne Nicklas
    • Ray Pringle
    Chris Sigurdson
    • Deputy Harris
    • (as Christopher Sigurdson)
    Muriel Hogue
    • Lydia Bethune
    Robert Huculak
    Robert Huculak
    • Coach Hanson
    Janine Theriault
    Janine Theriault
    • Katya
    Michal Grajewski
    • Austin
    Victor Cowie
    • Judge Kirkland
    • Réalisation
      • Peter Werner
    • Scénario
      • Joyce Carol Oates
      • Joyce Eliason
      • Peter Silverman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    6,5651
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    7Gore_Won

    Above average TV movie

    It might be difficult for the younger generations to understand the progression of this movie's plot. We know now that women have rights, too, that they are sometimes violated against their will, and that hidden secrets have a way of coming out against our will.

    But people just a few decades ago did not know that. Just three decades ago, a women was presumed to have invited a man to have sex with her if she cried rape. Sexual abuses were hushed, pregnant girls sent away in group homes.

    I suspect that women from past eras will find this film provoking, and the younger ones will do well to see how much progress has been achieved since. We still have a long way to go, of course.
    6JamesHitchcock

    Going through the Motions

    Michael and Corinne Mulvaney and their four children, Michael Jr., Patrick, Maryanne ("Marianne" in the original novel), and Judd, are the seemingly perfect all-American family living the seemingly perfect all-American dream in a small, rural town in upstate New York, where Michael Sr. has a successful business as a building contractor. The film chronicles the family's fall from grace after Maryanne, at the time a teenage schoolgirl, is raped at a party by a boy at her school. She, however, does not want to give evidence and the police are reluctant to prosecute, possibly swayed by the fact that the boy's family are wealthy and influential. The stresses caused by this incident lead to all four children leaving home and to a greater or lesser extent becoming alienated from their parents, who eventually divorce.

    The film is based on a novel written by Joyce Carol Oates, and while I have not read it I am familiar with some of the author's other work. Her novels are normally quite lengthy and complex, with a large cast of characters and several interconnected plot lines, features which would make them difficult to adapt for the screen. (Although one of America's most highly regarded modern novelists, I am not aware of any other films based on her books). I suspect that "We Were the Mulvaneys" is a novel of this type and that the screenplay is based on a very basic filleted outline of the plot, with a lot of the book's complexities going missing in the transition from page to screen. An hour-and-a-half running time- the standard length of TV movies when allowance is made for commercial breaks- would not normally be long enough to do full justice to an Oates novel.

    If this is so, it would explain why the film never comes to life, even though it deals with some serious issues. The action supposedly takes place in the seventies and eighties, but there is not much period colour. There are some decent acting contributions, especially from Beau Bridges as Michael Sr., Blythe Danner as Corinne and Tammy Blanchard, an actress I had not previously come across, as Maryanne. Overall, however, I felt that this was a film which did little more than go through the motions and that a better film could have been made from the story. 6/10
    9upminster59

    'We were the Mulvanneys'

    'We were the Mulvanney's is one of the most powerful films about the family I have ever seen. It is brilliant especially seen through the eyes of the the teenage youngest of four, his helplessness and yet his belief in his siblings, most of all his love for them. It is a measure for all families who downward spiral, one that is left unchecked by so called parents. The central characters have intelligence, and above all love. Familys are important and this film seeks to warn the viewer of great emotional losses that can be avoided. However, it takes more than one family member to be positive to redress the problems some parents find unsolvable. Joyce Kelly.
    PatrynXX

    Poor adaption of book.

    It coulda been better. This movie has a very rushed feeling about it. And the movie doesn't match the book.

    It does have a great sense of emotion in this movie however.

    5/10

    Quality: 7/10 Entertainment: ? Replayable: 3/10
    5=G=

    Fodder for hanky wringers

    "We Were the Mulvaneys" tells of a nauseatingly, oh so perfect family not unlike "Father Knows Best" or "Ozzie and Harriet" who suffer a tragedy, a rape, which begins a chain of events resulting in the fission of the nuclear family. Pausing to dwell on the emoting while skipping through time for the rest of the story, everything which happens in this squeaky clean contrivance seems to be little more than an excuse for melodrama making this film just more low budget TV drama queen fodder for Lifetime channel hanky-wringers. Pretty awful stuff made for those who can swallow huge choking gulps of stereotypes, cliches, and melodrama. Recommended for soap opera fans and the like. You know who you are. (C+)

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Leigh Enns's debut.
    • Connexions
      Featured in The 54th Annual Primetime Emmy Awards (2002)

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    Détails

    Modifier
    • Date de sortie
      • 8 avril 2002 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Une famille déchirée
    • Lieux de tournage
      • Carman, Manitoba, Canada
    • Sociétés de production
      • Adelson Entertainment
      • Von Zerneck-Sertner Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 26 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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