Ajouter une intrigue dans votre langueA documentary about George W. Bush's 2000 campaign for the White House.A documentary about George W. Bush's 2000 campaign for the White House.A documentary about George W. Bush's 2000 campaign for the White House.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Primetime Emmy
- 1 victoire et 5 nominations au total
Erin Brockovich-Ellis
- Self
- (images d'archives)
Tom Brokaw
- Self
- (images d'archives)
Barbara Bush
- Self
- (images d'archives)
George Bush
- Self
- (images d'archives)
Laura Bush
- Self
- (images d'archives)
Dick Cheney
- Self
- (images d'archives)
Howard Dean
- Self
- (images d'archives)
Avis à la une
The film was entertaining. It provided a candid look at W, before and after the reality of his "situation" (being a viable candidate for President) had really "sunk in." It also provides a great look at how managed are a candidate and the public's view of that candidate. In particular, Rove's role in the entire campaign was apparent ("Bush's Brain," past and present).
At any stage of W's evolution, one thing was clear in the film: W is socially awkward. His attempts at humor are, most often, ill-timed and unsophisticated; sometimes inappropriate. It reflects an apparent discomfort with himself and with others. I must say that I am not at all comforted by having seen this view of W.
At any stage of W's evolution, one thing was clear in the film: W is socially awkward. His attempts at humor are, most often, ill-timed and unsophisticated; sometimes inappropriate. It reflects an apparent discomfort with himself and with others. I must say that I am not at all comforted by having seen this view of W.
This documentary gives a real in-depth, behind-the scenes view of the journey for politically campaigning. From its infancy up until the end of the election.
For one, George W. Bush personifies a go-getter from the beginning hopefully becoming triumphant at the end of his 'journey' to become president. It shows his highs and lows in the political race as he is faced with constant scrutiny as well as great accomplishments along the way. You can't have a comment without a compliment in the media. The two are inseparable and George W. Bush allows for both the bad and good to be reinforced always into a positive. For some reason, he can take any comment and make it into a compliment.
He keeps battling these obstacles and successfully rising above them, only to allow them to resemble him as a go getter in his 'journey'.
For one, George W. Bush personifies a go-getter from the beginning hopefully becoming triumphant at the end of his 'journey' to become president. It shows his highs and lows in the political race as he is faced with constant scrutiny as well as great accomplishments along the way. You can't have a comment without a compliment in the media. The two are inseparable and George W. Bush allows for both the bad and good to be reinforced always into a positive. For some reason, he can take any comment and make it into a compliment.
He keeps battling these obstacles and successfully rising above them, only to allow them to resemble him as a go getter in his 'journey'.
Despite being warned by her Democrat mother to stay out of the media and politics, Alexandra Pelosi winds up working for NBC and spending a year with Texan Governor George Bush as he heads out on the campaign trail to become the next American President. Joining the press core as the Republican primaries start with Bush being viewed as the underdog to John McCain, Pelosi decides to film her campaign journey with a camcorder.
An interesting prospect this one. Not only does it offer an insight into the machine that is the political campaign machine but the subject happens to be George W. Bush not only one of the most unpopular and controversial Presidents of my lifetime, but also one who's nature of election should make for an interesting conclusion to the film. The results are mixed though. I'm not convinced that Pelosi had totally decided what she was trying to do when she first picked up the camcorder as she doesn't really deliver a good documentary/polemic on the nature of the media as part of a well-oiled political process. Yes she gets interviews with her colleagues talking about how what they are shooting isn't real, or complaining about the pack or being self-effacing about being lemmings, but this didn't really convince considering in later scenes we see them all back in the feeding frenzy and doing just what they criticised their peers for doing. It probably didn't help to have interviewed people who look down their noses rather smugly at the subject and talk in a condescending way about it either, since it just made them like snobs as well as being hypocritical.
She doesn't really have a structure either; not just in regards the film (which you can understand is already set by the passage of time) but her points are not well made. The tone varies from the sort of stuff that concerns her fancying a fellow journalist, to attempts at more serious questions about impartiality when being so buddy-buddy with Bush and his staff. It is never dull because at worst it is amusing (bemusing?) to see behind the media curtain, but if she had genuine aims to make her film a look at the media within this process then I'm afraid that the material mostly undermines her status as a documentary maker as well as taking away from her points.
If some of the film is about that, then the main appeal to the casual viewer will be the fly-on-the-wall access to the most powerful man in the world, George Bush. This part is engaging because there is no doubt that Bush is far from the stupid man that he is painted as. Sure he has a rather homely "average Joe" swagger about him that doesn't totally fit with the demands of his position, but he is a very charismatic man and it shines through in this film. Problem I had though was again to do with structure as she just seemed content with pointing and shooting without having an overall point or argument to make. I appreciate that this was fly-on-the-wall and that the point is not to manipulate to make things fit "a point", but I'm only suggesting a reason for the film being decided with the material structured around that, not spin.
A shame then that it is nowhere near as good as it should have been, but even with the rather aimless footage has sufficient access to Bush and sufficient fly-on-the-wall insight into how the media covers the political campaign to be of interest to many a casual viewer.
An interesting prospect this one. Not only does it offer an insight into the machine that is the political campaign machine but the subject happens to be George W. Bush not only one of the most unpopular and controversial Presidents of my lifetime, but also one who's nature of election should make for an interesting conclusion to the film. The results are mixed though. I'm not convinced that Pelosi had totally decided what she was trying to do when she first picked up the camcorder as she doesn't really deliver a good documentary/polemic on the nature of the media as part of a well-oiled political process. Yes she gets interviews with her colleagues talking about how what they are shooting isn't real, or complaining about the pack or being self-effacing about being lemmings, but this didn't really convince considering in later scenes we see them all back in the feeding frenzy and doing just what they criticised their peers for doing. It probably didn't help to have interviewed people who look down their noses rather smugly at the subject and talk in a condescending way about it either, since it just made them like snobs as well as being hypocritical.
She doesn't really have a structure either; not just in regards the film (which you can understand is already set by the passage of time) but her points are not well made. The tone varies from the sort of stuff that concerns her fancying a fellow journalist, to attempts at more serious questions about impartiality when being so buddy-buddy with Bush and his staff. It is never dull because at worst it is amusing (bemusing?) to see behind the media curtain, but if she had genuine aims to make her film a look at the media within this process then I'm afraid that the material mostly undermines her status as a documentary maker as well as taking away from her points.
If some of the film is about that, then the main appeal to the casual viewer will be the fly-on-the-wall access to the most powerful man in the world, George Bush. This part is engaging because there is no doubt that Bush is far from the stupid man that he is painted as. Sure he has a rather homely "average Joe" swagger about him that doesn't totally fit with the demands of his position, but he is a very charismatic man and it shines through in this film. Problem I had though was again to do with structure as she just seemed content with pointing and shooting without having an overall point or argument to make. I appreciate that this was fly-on-the-wall and that the point is not to manipulate to make things fit "a point", but I'm only suggesting a reason for the film being decided with the material structured around that, not spin.
A shame then that it is nowhere near as good as it should have been, but even with the rather aimless footage has sufficient access to Bush and sufficient fly-on-the-wall insight into how the media covers the political campaign to be of interest to many a casual viewer.
This is a kind of haphazardly organized documentary of W's campaign for prez, with lots of wide-angle shots of the boys and girls on the bus, and W himself mugging and chatting, and with occasional mostly editorial voice-over comments by Alexandra Pelosi. I used the word haphazardly before because things are brought up and left hanging, though perhaps deliberately. For instance, I have no idea why the hell Pelosi's hair was falling out or what, if anything, she did about it.
The first ten or fifteen minutes are rather like a home movie of somebody's adventurous trip to the Galapagos or something and I was about to switch channels when I realizing that some development was taking place. W comes across as rather a likable guy, with light-hearted moments if not exactly witty ones. He seems genuinely friendly. Then I realized that he more or less HAD to give the impression of warmth and friendliness. I mean, the guy is addressing a planeload of reporters covering his campaign! Still, he's quite good at impression management. At the start of the campaign he rarely makes himself cozy with the press. But when he slips in the polls and loses a state or two his appearances on the press vehicles increase in number and in the degree of their relaxation. On the other hand, when it is clear that he has won, he disappears and pretends not to hear the questions thrown at him by his friends in the fifth estate whose first names he has taken the trouble to memorize. He doesn't need them anymore.
They're quite a bunch too, those journalists, when you come right down to it. Reporters certainly know how to throw a party in the back of the bus. And it seems to help in gaining access to the candidate if you're a pert-nosed lively young brunette, as Pelosi is. (W gives her a peck on the cheek at one point.)
But she's a dyed in the wool democrat and throws him a fast ball at a public Q & A session, about Texas having such a high rate of executions. For a while thereafter he punishes her by not answering her questions, and spells out the reason for it -- on camera too.
It's difficult to see through W's (or any other politician's) rhetoric and frozen smiles, but I must say that he seems smoothly amiable as far as we can tell. He shows no evidence of being intellectually challenged. I wound up asking myself how such a normal guy could be such a stupid president. Of course every politician blows the occasional line. But this? "There's nothing more deep than Israel's right to exist. That's the most deep thought of all. I can't think of anything deeper than that right." And how could such a normal guy be so enthusiastic about beginning an unprovoked war against a nation who's name half of our leaders can't pronounce properly.
More recently Pelosi called to Bush from a crowd of reporters. He recognized her, waved, and shouted, "I made you famous." A revealing response, which boils down to "You owe me."
The first ten or fifteen minutes are rather like a home movie of somebody's adventurous trip to the Galapagos or something and I was about to switch channels when I realizing that some development was taking place. W comes across as rather a likable guy, with light-hearted moments if not exactly witty ones. He seems genuinely friendly. Then I realized that he more or less HAD to give the impression of warmth and friendliness. I mean, the guy is addressing a planeload of reporters covering his campaign! Still, he's quite good at impression management. At the start of the campaign he rarely makes himself cozy with the press. But when he slips in the polls and loses a state or two his appearances on the press vehicles increase in number and in the degree of their relaxation. On the other hand, when it is clear that he has won, he disappears and pretends not to hear the questions thrown at him by his friends in the fifth estate whose first names he has taken the trouble to memorize. He doesn't need them anymore.
They're quite a bunch too, those journalists, when you come right down to it. Reporters certainly know how to throw a party in the back of the bus. And it seems to help in gaining access to the candidate if you're a pert-nosed lively young brunette, as Pelosi is. (W gives her a peck on the cheek at one point.)
But she's a dyed in the wool democrat and throws him a fast ball at a public Q & A session, about Texas having such a high rate of executions. For a while thereafter he punishes her by not answering her questions, and spells out the reason for it -- on camera too.
It's difficult to see through W's (or any other politician's) rhetoric and frozen smiles, but I must say that he seems smoothly amiable as far as we can tell. He shows no evidence of being intellectually challenged. I wound up asking myself how such a normal guy could be such a stupid president. Of course every politician blows the occasional line. But this? "There's nothing more deep than Israel's right to exist. That's the most deep thought of all. I can't think of anything deeper than that right." And how could such a normal guy be so enthusiastic about beginning an unprovoked war against a nation who's name half of our leaders can't pronounce properly.
More recently Pelosi called to Bush from a crowd of reporters. He recognized her, waved, and shouted, "I made you famous." A revealing response, which boils down to "You owe me."
I saw this film on HBO, and I felt like I just watched a 1-1/2-hour Leftist propaganda piece. It doesn't feel real for some reason. It looks like it was made only to slam Bush and Republicans as much as possible, rather than to entertain or enlighten. Every character (real person) is irritated, as well as irritating (including the Governor-cum-President Bush, who has to stick his eye into the camera lens every other scene). If the press corps is so uncomfortable with their assignment, QUIT and go to the other side!!!! (I'm sure the Gore campaign was a hell of a lot more bearable for people like this, but I digress). Smarmy and condescending; unpatriotic to a fault. I feel like s**t for being an American because of this presentation. It did, however, show a lot about how much power the press has in shaping public opinion. Scary.
Le saviez-vous
- AnecdotesAt one point during filming, George W. Bush took the camera from Alexandra Pelosi and turned it on her. Pelosi included this moment in the finished film and gave Bush a credit for cinematography.
- Citations
George W. Bush: I like a good bologna sandwich.
- ConnexionsFollowed by Diary of a Political Tourist (2004)
- Bandes originalesHappy Birthday
(uncredited)
Written by Mildred J. Hill and Patty S. Hill
[Sang at three different times for Pelosi's birthday]
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 3 588 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 264 $US
- 16 mars 2003
- Montant brut mondial
- 3 588 $US
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