Ajouter une intrigue dans votre langueTerrified of being buried alive by mistake, a woman puts a phone in her crypt to be able to call home if she needs help. She dies and nothing happens. One day, the phone suddenly rings. Para... Tout lireTerrified of being buried alive by mistake, a woman puts a phone in her crypt to be able to call home if she needs help. She dies and nothing happens. One day, the phone suddenly rings. Paranormal investigator Nelson Orion (Martin Landau) is brought in.Terrified of being buried alive by mistake, a woman puts a phone in her crypt to be able to call home if she needs help. She dies and nothing happens. One day, the phone suddenly rings. Paranormal investigator Nelson Orion (Martin Landau) is brought in.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
This was originally filmed as a pilot for an anthology TV series which never got picked up because it was considered too dark for 1960s viewers. Extra footage was then added and it was aired as a TV movie.
I give it a 7/10.
Martin Landau stars as Nelson Orion (a neat name, that), an architect who fights for the preservation of historical buildings. He also dabbles in the supernatural, because it's an interesting subject for him. He investigates hauntings, yet doesn't automatically reach for the most outlandish explanation. He grants that a good number of them can be no more than pranks, or otherwise have a reasonable explanation. He comes to the aid of blind rich man Henry Mandore (episodic TV veteran Tom Simcox), who thinks he's being haunted by his late mother. The plot thickens in intriguing ways, as Nelson meets Henry's wife Vivia (the pretty Diane Baker, "Strait-Jacket") and mysterious housekeeper Paulina (Dame Judith Anderson, "Rebecca").
'The Ghost of Sierra de Cobre' can legitimately claim to be genuinely spooky. It has the kind of wonderful atmosphere that the best "old dark house" movies possess. Two of the people responsible for its great look are the renowned cinematographers Conrad L. Hall ("Butch Cassidy and the Sundance Kid") and William A. Fraker ("Rosemary's Baby"). (The latter was the camera operator here.) And Dominic Frontiere did the shuddery score.
The movie doesn't miss opportunities for humour, considering the relationship that Nelson has with his witty housekeeper, Mary Finch (Nellie Burt, another TV veteran). She professes not to believe in the supernatural, while he prefers to be open to all possibilities. This leads to an interesting conversation between the two of them.
This is sort of done in the tradition of great black & white horror like "The Haunting" (1963), except that this time we do get to see the spirit, and it's a pretty good effect for a TV movie shot over 50 years ago. It's appropriately gnarly-looking.
More people should be made aware of this one. At the least, it's a good candidate for a cult favourite.
Eight out of 10.
Le saviez-vous
- AnecdotesJoseph Stefano and Martin Landau planned for this movie to be the pilot for a new show similar in concept to The Twilight Zone (1959) and The Outer Limits (1963), but with much more focus on horror. The television station that aired this movie received complaints that the movie was too scary and disturbing, so the station scrapped the movie and the project.
- Citations
Nelson Orion: Sometimes the sun sets so suddenly.
- ConnexionsFeatured in Frightful Movie: The Ghost of Sierra de Cobre (1968)
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Détails
- Durée1 heure 20 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1