Skinwalkers

I noticed that "Skinwalkers" was filmed in the Phoenix area, but Mr. Redford knew that he'd not be filming taboo places around Phoenix as was a problem with "Dark Wind".

Navajo and those associated closely with the language will note that the actors are not flawless by any stretch, but at least they tried. Adam Beach is interested in the language and the people. I give credit for trying... twice! ("Windtalkers")

Tony Hillerman's books are always going to be better than his movies. I think the reason that they made Leaphorn so ignorant of his people's ways is so that bilighana (Anglo) (and you have to admit that most people watching any movie are not going to be Navajo) can understand why Chee does some of the things he does. Makes sense to Navajo and friends, but most others would just turn it off thinking it "weird" without the movie explaining thoughts and motives.

I hope this is enough of a success that they will try ALL of Mr. Hillerman's books which honor the beauty of a gentle people and their beautiful home. I would like to see them try Navajo actors, but Adam Beach is giving an admirable performance, especially in capturing the wonderful quiet ways of the Navajo.

I just saw this movie, and I would like to say that this was a great mystery. The setting is in a Navajo county, Adam Beach plays a cop and a medicine man that makes sure things in town are going the way they are supposed to, and Wes Studi plays a good detective. When a murder of a medicine man takes place, Beach and Studi join together to solve the crime. The movie is great because it shows you how the Native American life is. The roles that Beach and Studi play, are roles of heros that would do anything in order to set things right. I cannot wait to see Coyote Waits. This movie was very good and I would highly recommend people that like mystery films, to see this movie.

I just caught this on PBS for the first time and immediately noticed all the errors and shortcomings I had planned to document before seeing they had been mentioned by viewers already. Morris Bitsie in particular has commented accurately, as have all the people who vastly preferred the book(s).

It just begs the question to have the benefit of Tony Hillerman's own acknowledgement in the afterword that the process of making a movie is very different from that of writing a novel. But to see the movie set on the low desert instead of the high plateau of the Navajo nation is almost as sacrilegious as giving short shrift to the actual language, religion, and culture of the Dine themselves.

As a former student at Northern Arizona University with many friends on the nation, I was dismayed to see Hillerman's sensitive and intricate plot and characters chopped up, re-sorted, and spat out as yet another Hollywood style detective yarn. Only the mere fact that all the main characters were at least Native Americans saved it, though the usual all-Indians-look-alike-so-why-bother-to-get-real-Navajos aspect is so obvious as to be ludicrous.

Because I want to see better versions of Hillerman in the future, and I think Adam Beach has an appealing start toward a real Jim Chee, I rated this about four points too high at a 7 of 10. Next time I want to see real Navajos, however.

This movie gave a moving portrayal of Native Americans, between ones that wants to dismiss their past and assimilate with the outsider and their cultures, and ones that wants to hang on to their tradition. It shows how some are struggling with keeping their tradition in the modern world that is continuously moving forward, while others are torn between accepting the new and keeping with the old, or even ones who are completely disillusioned with their heritage to the point of violent counter-reactions. It all comes down to a complicated clash between various characters and how each one resolves the issue within itself.

This was a good mystery film too, revealing little by little as to the motive for the murders.

Chris Eyre did a good job in this film, having seen his other movie Smoke Signals, he gives a somber atmosphere to both of these films. Not invoking the usual depressing ambience usually portrayed on these kind of environment, but not over-glorifying any aspects either.

All in all, a worthy film to watch.

Movies in sub-cultural settings become exceptional when you quickly forget that it is, in fact, a sub-culture. Within minutes of the opening scenes of "Skinwalkers", I no longer dwelt upon the thought that a murder movie on an Indian Reservation is an unusual setting and, instead, focused on the murder mystery itself. In this sense, it reminds me of "Barbershop" (http://us.imdb.com/Title?0303714) in its ability to portray a particular sub-culture in America without actually dwelling on the differences between that sub-culture and America as a whole.

In other words, these movies become successful when you are drawn into the story so deeply that you realise that the sub-culture is as much a world in its own right as the so-called "majority" of America.

I would love to see this film turned into a weekly series. There's certainly enough potential depth of storylines to allow that.