Heimat 3 chronique d'une époque

Although the last episode in particular is absolutely sublime, this was a slight disappointment after the incredible Heimat 1 and Heimat 2. I felt it was more difficult to connect to the characters here. They're not as interesting, but this could be exclusively because Heimat 3 describes a period of time that's closer to us. There also seems to be less focus on capturing the big picture: This feels more like a conventional drama than the others. Overall, however, if you get a chance to see it, there's no reason to hesitate. And the soundtrack by Nikos Mamangakis is, again, excellent.

Those who are unfamiliar with the Heimat series, should start out with number 1 or 2.

Heimat: A Chronicle of Germany (1984), the first entry in Edgar Reitz's trilogy (although at the time he had no idea that was gonna happen), did not need a sequel. The Second Heimat: Chronicle of a Youth (1992), on the other hand, demanded one, because of its brilliant, ironic epilogue: having finally made love to Clarissa Lichtblau (Salome Kammer), Hermann Simon (Henry Arnold) realized he couldn't keep running away for ever and decided to return to Schabbach after a decade-long absence. During those ten years he'd been through a lot (including a failed marriage), yet when he came home his old friend Glasisch (Kurt Wagner), the village fool and narrator of the first Heimat series, greeted him by saying: "You haven't changed at all, little Hermann". Such a conclusion almost screams "Go on with the story, please", and with Heimat 3: Chronicle of a Turning Point, he returns to familiar ground for the third and last time.

The story begins in November 1989, in Berlin, where Hermann is busy with a concert. During the night, he learns of the destruction of the wall that had been separating the two parts of Germany, and while trying to find out more he runs into Clarissa, 29 years after the night they spent together in Amsterdam. The two decide to settle down and buy a house in the countryside. Coincidentally, said building isn't that far away from Schabbach, where Hermann's brothers Anton and Ernst have to deal with some problems, which will affect the whole community, as well as Hermann's life too.

As with the previous Heimat entries, Reitz handles the project incredibly well from a technical point of view, with beautiful cinematography (though there are less black and white segments this time), controlled editing and great music. In terms of plot and character development, though, Heimat 3 isn't as flawless as its predecessors. It may have to do with the fact that covering a ten-year period (1989-1999) in only six episodes isn't an easy task. There are huge chronological gaps between events, meaning that after the superbly executed first episode, the series'quality shifts: some people (mostly those the audience will relate to, like Russian immigrant Galina or East Berlin-based construction worker Gunnar) disappear inexplicably, while others come out of nowhere. The characters we're left with are largely annoying (Anton's son Hartmut and particularly Hermann's daughter Lulu), and it looks like the director's lost his interest in the leading couple as well (except for the eerie, Kubrick-inspired concert sequences). Fortunately, he redeems himself with the stunning final chapter (aptly titled Farewell to Schabbach), a touching and, in pure Heimat tradition, ambiguous goodbye to a universe that has struck and moved lovers of film and television alike throughout the years.

On the whole, an underachievement compared to Heimat 1 and 2 (blame the dodgy middle section for that), but worth seeing as a completion of Reitz's powerful German saga.

A story as brilliantly told as the first Heimat...I did not think that would be possible, but this truly is a masterpiece...I want it on DVD!! I was 19, and at university as a fresher when the Berlin Wall fell - an event that, looking back, none of us ever thought would happen. The euphoria is captured as I remembered at the time. Then the football World Cup in 1990, Gunnar's marriage breakdown, Hartmut's clumsy attempts to usurp his father, through to the deaths of Anton and Ernst, the cancer suffered by Clarissa - all of these events can be related somehow to all our own experiences of the 1990s. That is why Heimat 3 ranks so highly - the director managed to get me to feel nostalgic for events that occurred so recently. In the years to come, these feelings will grow stronger and Heimat 3 will become even more poignant for me.

I need to point out that I've not seen Heimat 1, nor 2.

However, I would say that with much recent changing history in Germany; the fall of the Wall, monetary unification and US military bases withdrawing, this hardly seems to matter, as it's all fairly fresh in the mind. We (us Brits) also view it all as slight outsiders as real people (well, fictionalised actors) are affected by those changes and that gives us a freshness, a keenness as another country's scenarios are new to us.

I thought it would plod, be very proper and maybe a bit righteous. However, it was fresh, breezy and superbly presented with a vibrant colour and excellent sound. Acting too, is first rate.

I found myself being swept along with the various characters involved, their almost normal activities keeping it real, but also compelling, as we can relate to their family and business issues. Then, a change of scene, location, and new people the story branches off and you enjoy that route. Cleverly, though, the sub-plots seem to relate or interlink with characters manifesting themselves just as you'd nearly forgotten them.

If I recall, I viewed all of it just over a year ago, over one week. Though it changed its pace from thriller to intense drama, it was never boring. I wasn't riveted to all of it 100%, possibly one can't, with so much going on and human nature warms us to threads that hold particular interest to each of us differently.

Naturally, I'd like to see the original, first and critically most acclaimed box set. This, the second and my third part are collector's items and expensive ones at that. Ones to show off to any knowing and adventurous movie/DVD collector. You'll be comforted in knowing that you're almost unique owning one, let alone having watched it all and even more than that, been thoroughly and decently entertained by it. Now, that IS a talking point...

I went to the German movie premier last weekend. It was a wonderful experience to be able to see all 6 of the series during a 2 day sitting at the ProWinz Kino in Simmern, Germany. Although the series was originally sponsored by the German TV group, the original heimat 1 and 2 did not fit into typical programming slots. Heimat 3 production came under pressure to confirm more into regular TV slots, as German TV is becoming more Americanized and working on more similar schedules than they have in the past.

The series was more than I had ever expected,and are a beautiful tribute to artistry, and talents of the filmmaker, Edgar Rietz. If you have seen Heimat 1 or 2, you will definitely want to see 3, but each part of 3 is a film in itself; a work of art, that is enjoyable on it's own. The acting, photography, and story line are all excellent, and I am sure he will win many awards. This film will only reinforce the feelings you have about the quality of film that comes from Edgar Rietz. It is a must. For Heimat fans the photo book that has been published to coincide with the release of Heimat 3 will also be a must too, and is well worth the investment for real fans. They will not be disappointed, as they will not be disappointed with Heimat 3.