The Roman Spring of Mrs. Stone

I am old enough to remember when Vivien Leigh starred in The Roman Spring of Mrs. Stone. Although I was a fan of Ms Leigh, I remember that I was quite unimpressed with the film. It was not particularly well-received. It was not one of Ms. Leigh's greatest roles. It is not a classic. This version of Roman Spring starring Helen Mirren and Olivier Martinez harkens back to the original novella by Tennessee Williams. The setting is returned to post-war Italy, and the story is told with great passion and drama. The plight of the Contessa and Paulo is much more understandable in that setting. The greatest difference is in the performance of Helen Mirren. In Mirren's capable hands, Karen Stone is shown as a woman who has known love but never real passion. In spite of her intelligence and common sense, Karen cannot resist Paulo, and her life changes irrevocably. In Mirren's performance, the transformation of Karen Stone is revealed in her actions, her clothes, and every nuance of face and voice. I think Tennessee Williams would approve.

A couple of Oscar winning Best Actresses star in this Showtime version of the Tennessee Williams novella The Roman Spring Of Mrs. Stone. Unlike in the big screen film, Tennessee Williams himself is in the story played under a pseudonym as an acid tongued southern fried playwright viper by Roger Allam. We all need a gay confidante in the line of work Anne Bancroft is in, supplying boy toys for the rich, horny and bored. Unlike the 1963 version, it is clear she caters to the male as well as the female.

One of those is Helen Mirren taking over the part done so well in 1963 by Vivien Leigh whose own life was tragically close to character Karen Stone. Mirren after a happy marriage that has seen a wane in the carnal embarks on a new quest for that after the death of husband Brian Dennehy. It's how she ends up with Olivier Martinez, a callow and spoiled youth who wants his women to treat him in a lifestyle he's gotten used to.

Having just seen Behind The Candelabra which is another story about an unequal sexual relationship in terms of power, it's given me a fresh insight into The Roman Spring Of Mrs. Stone. Even the best of gigolos should have a day job to fall back on.

Just as in the original the ending with the ever present and silent young street kid played by Rodrigo Santoro proves to Mirren that she can get what really wants without as much maintenance charge.

This beautifully costumed and photographed update of the 1961 film is vibrant, honest, and wonderfully acted. Helen Mirren's performance as the aging actress is at times playful, as when she brushes off an old "friend" with a lie about having a tumor, and heart-breaking as when her eyes travel from the perfect body of her lover to her own arms and then breaks down. Unlike most Tennessee Williams' works, "Stone" relies more on silences than on dialogue. Mirren registers every step in Karen's journey from humiliated actress to grieving widow to woman in love to woman scorned. Anne Bancroft, as the Countess, is also dead-on. Her arch manipulation of Karen conceals a passionate outrage at her own poverty that pours out with devastating effect in the film's final moments. Martinez and Santoro as the two young men are also effective.

Since the other users have provided details, ad nauseam, I will only say that Mirren seems to be channeling Vivien Leigh at times, especially in the last half. Many mannerisms are nearly identical to Leigh's actions in the 1961 studio version.

Also, strangely enough, I prefer the sound stage artifice of the 1960s. This cable movie was actually filmed on location, but in muted, boring colors. The 1961 feature has the wonderful Technicolor hues.

I found the actor portraying The Young Man/stalker to be far more sexy than Martinez's Paolo, even though he eats food off the ground, urinates in public, hacks up phlegm and never speaks.

Bancroft is fine, although I would have loved to have seen Sophia Loren take a stab at it.

And will you cable movie directors STOP overusing the "atmospheric" smoke machines?!! It looks like your entire film crew was smoking cigarettes during the interior scenes.

An intelligent and multi-layered treatment of the 1961 film classic from Tennessee Williams. Helen Mirren gives one of her best performances. All the casting works well. The pacing and cinematography is beautiful. John Altman's music is brooding and portends of the emptiness and tragic self-discovery that Mrs. Stone will ultimately find herself facing. Nice job Showtime. Please consider a DVD offering.