La morsure du lézard

I couldn't keep from commenting after reading the very short "Not bad" commentary. This movie is much better than just not bad. The acting is stellar, even from the children in the cast, who don't play cute or anything else but act just like my son's friends. The movie is smart and expects it's audience to be as well. The double back flash story lines are imaginative and contribute to the story rather than act as time filler. I watched this movie with my kids and then I watched it again by myself a few days later. If you have kids and are sick to death of movies that inspire a diabetic coma with their syrupy sweetness, then check out "Holes." My 6-year-old enjoyed it as much as my 11-year-old, and my husband and I enjoyed it as much as the two of them. How many movies can you say that about?

HOLES is not your average Disney stuff- it's very, very fun, even for adults who usually cringe at the cutesy, focus-group designed "family entertainment" that Uncle Walt's studio passes off as live-action. Perhaps the secret of this film's success is in its faithfulness to the original book, which is a little bit darker than your average kid stuff. The action begins when Stanley Yelnats is sent to a boys' prison camp, where all the inmates are forced to dig holes under the desert sun as a form of rehibilitation. But as the story progresses, Stanley's tale becomes interwoven with that of a legendary treasure, and this adventure becomes ten times more fun than any Disney movie about an all-boy prison camp has any right to be. Jon Voight is especially nasty and colorful, and Sigourney Weaver is beautiful, as always.

And I'm serious! Truly one of the most fantastic films I have ever had the pleasure of watching. What's so wonderful is that very rarely does a good book turn into a movie that is not only good, but if possible better than the novel it was based on. Perhaps in the case of Lord of the Rings and Trainspotting, but it is a rare occurrence indeed. But I think that the fact that Louis Sachar was involved from the beginning helped masses, so that the film sticks close to the story but takes it even further. This film has many elements that make it what it is:

1. A unique, original story with a good mix of fun and humour, but a mature edge. 2. Brilliant actors. Adults and kids alike, these actors know how to bring the story to life and deliver their lines with enthusiasm and style without going overboard, as sometimes happen with kids movies. 3. Breathtaking scenery. And it doesn't matter if it's real or CGI, the setting in itself is a masterpiece. I especially love the image of the holes from a birds eye view. 4. A talented director who breathes life into the book and turns it into technicolour genius. The transitions in time work well and capture the steady climax from the book, leading up to the twists throughout the film. 5. Louis Sachar! The guy who had me reading a book nonstop from start to finish so that I couldn't put it down. He makes sure that the script sticks to the book, with new bits added in to make it even better. 6. And speaking of the script! The one-liners in this are smart, funny and unpatronising. But there are also parts to make you smile, make you cry, and tug at your heartstrings to make you love this story all the more. 7. Beautiful soundtrack. There's not a song in this film that I haven't fallen for, and that's something considering I'm supposed to be a punk-rocker. The songs link to the story well and add extra jazz to the overall style of the film. If you're going to buy the film, I recommend you buy the soundtrack too, especially for "If Only", which centres around the story and contains the chorus from the book.

I do not work for the people who made Holes, by the way, I'm just a fan, plugging my favourite film and giving it the review it deserves. If you haven't seen it, do it. Now. This very instant. Go!

A very unexpected Disney gem about friendship. This is basically about a group of kids digging holes. Sounds boring right? well luckily we get a western side story to keep the movie rolling. It may start off slow but in the end you can't help but feel like you have spent your time very nicely.

This is the first movie i saw with Shia Labeouf in it and i must say that he is turning into a excellent actor. He was great in this movie along with Khleo Thomas. Rounding off the great performances was Sigourney Weaver and Patricia Arquette.

I recommend it. It was a pleasure to watch but it did get boring at times but comes out good in the end.

7/10

Ostensibly a film for adolescents, Holes is a film with too much plot and, at two hours long, not enough time to tell it in. Despite that, it is refreshingly original and offers some satisfying performances from both younger and older members of the cast.

Stanley Yelnats (Shia LaBeouf) is wrongly convicted of stealing a pair of trainers and sentenced to eighteen months at Camp Green Lake, a boy's detention centre deep in the desert where he and the other inmates spend each day digging 5ft deep by 5ft wide holes beneath the scorching sun. The camp's warden (Sigourney Weaver) aided by her henchmen Mr. Sir (Jon Voight) and Dr. Pendanski (Tim Blake Nelson) claim such treatment is character building but, of course, have an ulterior motive.

Saddled with a sometimes intrusive and usually inappropriate soundtrack, Holes looks like a music video at times and, because of the wealth of information it has to fit into its running time, contains a convoluted structure featuring repeated flashbacks and, sometimes, even flashbacks within flashbacks. All this suggests a requirement for the viewer to be familiar with screenwriter Louis Sachar's novel on which it is based, but this isn't necessarily the case. The film's story can be followed by anyone who hasn't read the book, but there's a depth of characterisation that is sorely missing from the film that anyone who knows the novel would presumably be able to draw on to fill in the gaps.

Most of the real personalities belong to the adult characters. The triumvirate of Weaver, Voight and Nelson stray dangerously close to parody at times but manage somehow to avoid the obvious pitfalls and entertain while giving us reasonably hissable villains. Our young heroes, Stanley and Zero (Khleo Thomas), work well together and writer Sachar builds a largely adversarial relationship between the inmates that would be as recognisable on the school playground as it is in a detention camp.

Perhaps the story's main failing is the impression it gives of just being too clever. Every story has to tie up its loose ends, but the more strands the story has – and this one has many – the more contrived the ending appears when they are finally all neatly pulled together. But at least it's different from much of the media offered to teenagers today in that it offers a thoughtful and intelligent story, and it is obvious that both Sachar and director Andrew Davis have put a lot of care and attention to detail into the telling of this tale.