Master and Commander : De l'autre côté du monde
Titre original : Master and Commander: The Far Side of the World
Pendant les guerres napoléoniennes, un capitaine britannique impétueux pousse son bateau et son équipage à bout à la poursuite d'un formidable navire de guerre français en Amérique du Sud.Pendant les guerres napoléoniennes, un capitaine britannique impétueux pousse son bateau et son équipage à bout à la poursuite d'un formidable navire de guerre français en Amérique du Sud.Pendant les guerres napoléoniennes, un capitaine britannique impétueux pousse son bateau et son équipage à bout à la poursuite d'un formidable navire de guerre français en Amérique du Sud.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 23 victoires et 90 nominations au total
Avis à la une
Normally, I do not begrudge someone their opinion about a movie, but when they cast aspersions about other reviewers here, I feel compelled to respond. One disgruntled reviewer of this film stated that she cannot understand how anyone could like this movie, let alone love it. Further, she claimed that we, the other reviewers, only believe what we are told to believe. Nothing could be further from the truth.
That someone would loathe what others have lauded is not surprising, really. I have to admit that I, too, have disliked films that were highly rated by a large majority of film critics. 'Fargo' comes to mind as does 'Moulin Rouge' and 'Mystic River.' However, unlike the reviewer, I watched these films several times over before reaching a final judgment in the event that I had been too hasty in my initial impressions. Neither of these films, though, were hailed as classics like 'MASTER AND COMMANDER'
Many people go into a theatre with a preconceived notion of what they think they will see, only to be disappointed when what they see is not what they expected. Each person carries with them their own set of experiences and no amount of explanation or arguments will change their mind, either. Yet, once in awhile a movie transcends the boundaries that define it, and its true genius is not something that everyone is going to apprehend. This is the case with 'MASTER AND COMMANDER'.
All I can say to that reviewer is simply, 'I am really sorry that you were not able to see what I saw.'
Movies like 'MASTER AND COMMANDER' only come around once in a generation. It is, without question, the finest movie ever made about tall ships. However, its greatness lies not in the story line but in those elements that typically ruin what would otherwise be great historical films, namely: dialogue, special effects, and sound track. Take for example, 'Gangs of New York.' The cinematography and sets were outstanding but the dialogue of everyone but Daniel Day-Lewis was severely lacking in historical authenticity. Another example is the 'Passion of the Christ' which used a mix of Aramaic and Hebrew to add its authentic feel, but it came across as highly artificial.
'MASTER AND COMMANDER' brought to life a language totally forgotten: the language of the sea, circa early 1800's. Every actor spoke the language as if they were born into it, and that element alone made the viewer feel as if they were viewing a window in time of a world rarely seen.
The sound editing alone was worth the price of admission. I have never been to a film where I actually felt that I was part of the environment. 'MASTER AND COMMANDER' did that, and even if you play the DVD on a plain TV, you would still marvel at the realism of the sound.
Finally, unlike every other sea movie that preceded it, the special effects were seamlessly integrated into the real footage of the ships at sea. At no time, did I get the sense that I was watching a scale model in a tank. In reality, the actual ship passed through rough seas on its journey around the Horn and these real scenes were added to the movie.
All these factors I mentioned above set the movie apart but that does not mean it had a substandard plot and mediocre acting. On the contrary, Russell Crowe was at his best playing Lucky Jack Aubrey with a panache that could only be matched by the late Errol Flynn. If I were a seaman aboard the HMS Surprise, I would truly feel that I could follow him anywhere. Crowe commands both the stage and the ship wherever he goes.
Paul Bettany as Jack's most trusted friend and the ship's doctor, turns in his best performance to date. Another unusual part of this movie is that while no seagoing fare would be complete without a love affair, the one in this movie is a platonic one between the captain and the doctor.
The two have a special relationship that is constantly strained by Crowe's call to duty and his overarching ambition. Having served with the great Lord Nelson, Lucky Jack does his best to emulate him and carve out a piece of British naval history for himself.
The film reminded me of works like 'Run Silent, Run Deep' which although dealt with more contemporary battles at sea (WWII), also featured a classic battle of wits between unseen adversaries. We never get to meet Jack's nemesis directly, but we learn by his battle tactics that he is a worthy opponent and a lot like Jack himself.
'MASTER AND COMMANDER' is a movie that I never tire of watching, and each time I see it I learn something new. It has its weaknesses like every movie does. It lacks continuity and subplots. It lacks character development of some of the more interesting supporting actors. Often I found it hard to keep track of who is who when everyone is referred to by their last names. Yet, all in all, 'MASTER AND COMMANDER' is a must-see movie and a must-own DVD.
That someone would loathe what others have lauded is not surprising, really. I have to admit that I, too, have disliked films that were highly rated by a large majority of film critics. 'Fargo' comes to mind as does 'Moulin Rouge' and 'Mystic River.' However, unlike the reviewer, I watched these films several times over before reaching a final judgment in the event that I had been too hasty in my initial impressions. Neither of these films, though, were hailed as classics like 'MASTER AND COMMANDER'
Many people go into a theatre with a preconceived notion of what they think they will see, only to be disappointed when what they see is not what they expected. Each person carries with them their own set of experiences and no amount of explanation or arguments will change their mind, either. Yet, once in awhile a movie transcends the boundaries that define it, and its true genius is not something that everyone is going to apprehend. This is the case with 'MASTER AND COMMANDER'.
All I can say to that reviewer is simply, 'I am really sorry that you were not able to see what I saw.'
Movies like 'MASTER AND COMMANDER' only come around once in a generation. It is, without question, the finest movie ever made about tall ships. However, its greatness lies not in the story line but in those elements that typically ruin what would otherwise be great historical films, namely: dialogue, special effects, and sound track. Take for example, 'Gangs of New York.' The cinematography and sets were outstanding but the dialogue of everyone but Daniel Day-Lewis was severely lacking in historical authenticity. Another example is the 'Passion of the Christ' which used a mix of Aramaic and Hebrew to add its authentic feel, but it came across as highly artificial.
'MASTER AND COMMANDER' brought to life a language totally forgotten: the language of the sea, circa early 1800's. Every actor spoke the language as if they were born into it, and that element alone made the viewer feel as if they were viewing a window in time of a world rarely seen.
The sound editing alone was worth the price of admission. I have never been to a film where I actually felt that I was part of the environment. 'MASTER AND COMMANDER' did that, and even if you play the DVD on a plain TV, you would still marvel at the realism of the sound.
Finally, unlike every other sea movie that preceded it, the special effects were seamlessly integrated into the real footage of the ships at sea. At no time, did I get the sense that I was watching a scale model in a tank. In reality, the actual ship passed through rough seas on its journey around the Horn and these real scenes were added to the movie.
All these factors I mentioned above set the movie apart but that does not mean it had a substandard plot and mediocre acting. On the contrary, Russell Crowe was at his best playing Lucky Jack Aubrey with a panache that could only be matched by the late Errol Flynn. If I were a seaman aboard the HMS Surprise, I would truly feel that I could follow him anywhere. Crowe commands both the stage and the ship wherever he goes.
Paul Bettany as Jack's most trusted friend and the ship's doctor, turns in his best performance to date. Another unusual part of this movie is that while no seagoing fare would be complete without a love affair, the one in this movie is a platonic one between the captain and the doctor.
The two have a special relationship that is constantly strained by Crowe's call to duty and his overarching ambition. Having served with the great Lord Nelson, Lucky Jack does his best to emulate him and carve out a piece of British naval history for himself.
The film reminded me of works like 'Run Silent, Run Deep' which although dealt with more contemporary battles at sea (WWII), also featured a classic battle of wits between unseen adversaries. We never get to meet Jack's nemesis directly, but we learn by his battle tactics that he is a worthy opponent and a lot like Jack himself.
'MASTER AND COMMANDER' is a movie that I never tire of watching, and each time I see it I learn something new. It has its weaknesses like every movie does. It lacks continuity and subplots. It lacks character development of some of the more interesting supporting actors. Often I found it hard to keep track of who is who when everyone is referred to by their last names. Yet, all in all, 'MASTER AND COMMANDER' is a must-see movie and a must-own DVD.
And surprised I was. After hearing a friend rant endlessly about it, and having nothing to do one Friday night, I rented Master and Commander. The marketing staff should be cackling in glee, that a female in her 20's, would love this movie. It's an amazing movie. Russell Crowe is a force of nature, and all the other actors from Paul Bettany to Billy Boyd give wonderful performances. I especially enjoyed the details of life at sea, though most would call them boring. The day after my 5-day rental, I had to run to the nearest shop and buy the DVD, and have since re-watched it endlessly. I've never seen a more beautifully adapted, filmed and acted movie. Five stars out of five.
"Master and Commander: The Far Side of the World" is a very unusual film because the filmmakers obviously were not attempting to make yet another Hollywood style blockbuster. Instead, they seemed to be doing the impossible--make a film that tries very hard to replicate what life was like at sea back during the Napoleonic Wars. As a retired history teacher, this is the sort of stuff I love--even if in the original, the 'bad guys' were actually the Americans and it was set during the War of 1812! I assume they changed the enemy to the French to make the film more marketable. After all, it would be a hard sell in the large American market to get the audiences to root for the British Navy in this altercation! The story occurs around the beginning of the 19th century. The Brits and French have been fighting off and on for almost a decade (and would continue to do so until 1815). The action is set aboard a British Naval ship commanded by Captain Jack Aubrey (Russell Crowe). His ship has encountered a larger and faster French vessel and managed to escape. However, instead of running, Crowe plays a very determined man--and spends much of the film hunting down this ship. Along the way, there are lots of adventures--mostly of the variety you might actually have seen during the era. I could talk about them, but frankly this would spoil the suspense.
Overall, while this film is very slowly and deliberately paced (which will obviously turn off some viewers), the film is so expertly crafted that for a reasonably patient viewer, it should be a very engaging film. The film looks great--with a lot of attention to details and accuracy. It also has the best looking sea footage you can find in a period film--especially when the ship is rounding the Cape (it must have been amazing on the big screen). The acting is lovely as well--understated but quite realistic. Well done in every way and the director really deserves kudos for this one. While I love films from the same period as "Damn the Defiant", "Captain Horatio Hornblower", "Mutiny on the Bounty" and the like, clearly "Master and Commander" is superior when it comes to accurately portraying the life of a seaman.
Overall, while this film is very slowly and deliberately paced (which will obviously turn off some viewers), the film is so expertly crafted that for a reasonably patient viewer, it should be a very engaging film. The film looks great--with a lot of attention to details and accuracy. It also has the best looking sea footage you can find in a period film--especially when the ship is rounding the Cape (it must have been amazing on the big screen). The acting is lovely as well--understated but quite realistic. Well done in every way and the director really deserves kudos for this one. While I love films from the same period as "Damn the Defiant", "Captain Horatio Hornblower", "Mutiny on the Bounty" and the like, clearly "Master and Commander" is superior when it comes to accurately portraying the life of a seaman.
Epic. It is the first word defining it. But , scene by scene, the nuances are more significant. For a lot of reasons. The performances could be the first. And the most seductive. The memories about adventure and historical literature from. early years is the second. Not the last - the thrill of story, remembering huge drama. And the art of a real good adaptation.
The British Navy ruled the waves throughout the nineteenth century and this film captures some of that spirit rather well. The cast is excellent, Crowe in particular shining as the captain. The battle scenes between Anglo-French vessels are very entertaining, the cannons blasting great big holes into enemy ships! The story itself is not going to set the world on fire, but its all done very nicely. The film offers a glimpse of what life at sea was like during the Napoleonic Wars and anybody with an interest in history should catch the film. A few more battles would have been nice, but there you go! It's over 2 hours long, but doesn't drag. One to watch definitely.
Le saviez-vous
- AnecdotesRussell Crowe learned to play violin for the film and referred to it as the hardest thing he'd ever done for a film.
- GaffesDuring the Storm when the Surprise is chasing the Acheron around Cape Horn, Barrett Bonden is shown alone at the wheel. It was customary on a Royal Navy vessel of the time to always have at least two men at the wheel both as a security measure in case one man was injured in battle, and because the rudder itself was extremely heavy and difficult to turn. During any sort of heavy weather there would certainly have been four or more men at the wheel as one man would not be able to control the rudder (which is why the ship has two connected wheels).
- Citations
[Toasting]
Capt. Jack Aubrey: To wives and sweethearts.
Officers: To wives and sweethearts.
Capt. Jack Aubrey: May they never meet.
- Crédits fousThere are no opening credits.
- ConnexionsEdited into Spisok korabley (2008)
- Bandes originalesGhost of Time
Composed by Iva Davies, Christopher Gordon and Richard Tognetti
Performed by Iva Davies and Icehouse
Featured Violin Performance by Richard Tognetti
Orchestrated by Christopher Gordon
Meilleurs choix
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- How long is Master and Commander: The Far Side of the World?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Capitán de mar y guerra: La costa más lejana del mundo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 93 927 920 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 105 990 $US
- 16 nov. 2003
- Montant brut mondial
- 211 623 421 $US
- Durée
- 2h 18min(138 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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