Stupeur et tremblements

This film may accurately depict Japanese office life or it may be full of stereotypes, I don't know. But whichever it is, it makes a wonderful story brought to life by a good cast.

Belgian Amelie seems to know Japan and it's culture, but can't help get into trouble by acting "Western" while working in a Japanese office. As the film goes on you see Amelie make mistakes and you get the urge to warn her not to get into trouble. Her sense of absurdity and courageous submittance make her a likable character. The constricted setting in which people don't express their feelings make the internal monologues and narration very functional.

The story is strong, the filming sober and functional, the cast well-picked. A nice experience for anyone who wants to watch a production from outside LA.

Hi all, I've watched this movie and enjoyed it as a Japanese born in Tokyo and lived there for ~30 years (though my wife, also Japanese, was p***ed off.;-) Just a short comment on questions like "can this be real?" - my answer is clear and obvious "no". It could possibly happen to _Japanese_ female employees in a few nasty companies 30 years ago, but is simply impossible to "Westerners" as they are specially respected. Whether this is good or bad is another question.

By the way, some of the text appearing at the official web site (http://www.cinemaguild.com/fearandtrembling/) as background decoration actually looks like Korean or something. It is definitely not Japanese. I'm not talking about the Katakana characters outside the flash window, but the white background inside the flash window itself, though it is very hard to see on some monitors.

Films about working in the office – any office – have been done before: Nine to Five (1980) comes to mind readily and there are many others too numerous to mention.

But, whereas this film has its comedic moments, it's not the same kind of comedy as the above, and not just because it was made in Japan, although that helped.

This really is a story about the difficulties in communication and understanding that exist between cultures and, arguably, those differences between Japanese culture and Western are, or can be, daunting.

Happily, the director presents the narrative from the Amelie's (Sylvie Testud) point of view almost exclusively. In doing so, he exposes and satirizes some of the ridiculous situations that do exist in the Japanese workplace, which, in another culture, would also be equally stupid, if not criminal.

Everybody's come up against tunnel vision in a supervisor. And the same goes for professional jealousy between co-workers. The difference with this film is, of course, the fact that Japanese modes of interaction, manager-worker relationships and, most importantly, individual initiative are regarded very differently when compared to similar conditions in an office in New York, London, Sydney or any other major Western city. To take just one example, a Western vice-president these days would be charged with assault if he'd acted in the same way as Omochi (Bison Katayama) did towards Amelie when the toilet paper tray in the men's toilet was empty. The fact that I could still laugh at that scene testifies to the ability of the director to highlight the absurdity of it all.

As you might expect, there's a lot of dialog, almost as much voice-over by Amelie as she thinks and fantasizes and very little in the way of action – well, action-fan type action, know what I mean? So, this movie will not appeal to everybody. I really liked it though as I have a soft spot for Japanese culture anyway, having been steeped in martial arts for nearly thirty years.

For me, this was a subtly satisfying slice of life of a Westerner – and female to boot -- in Japan. And quite hilarious at times.

I watched Fear and Trembling mainly because I like Sylvie Testud, and also because I am studying French and wanted to watch a French-language film. It turns out most of the movie is in Japanese -- other than the main character's internal monologue (which is in French, of course).

The plot involves a Belgian woman (Amelie) who loves Japan (having spent her early childhood there) and who obtains employment at a huge corporation in Tokyo. Through various cultural misunderstandings, she continually gets demoted until her job mainly involves cleaning toilets.

The film depicts late 80's / early 90's Japanese corporate culture as unbelievably hierarchical, brutal, inefficient and de-humanizing. I suspect this was exaggerated, for comic and dramatic effect. And, for the sake of the Japanese people, I hope so.

My only two complaints about Fear and Trembling are (i) the over-use of the voice-over narration to tell the story, and (ii) the fact that we do not get any hint of Amalie's life (or anyone else's life) outside the office.

With respect to the latter point, another commenter noted "In the novel Amelie Nothomb writes : this could be leading to think I had no life outside the office, which is wrong. but for a schizophrenic reason, when I was at job in the 44th floor toilets of the yumimoto company I couldn't think of myself as the same person respected and loved by friends outside."

Overall, it was entertaining, thought-provoking, and by the end, strangely moving. Both my wife and I got a bit misty-eyed at the end - I was a bit surprised that the movie drew such sudden emotion out of me. Definitely worth seeing.

Remember in the late 1980s when Japan's economy was the envy of the world and best-selling books said a company's survival depended on doing business the Japanese way? Belgian writer Amelie Nothomb was in Tokyo in 1989 and later wrote her own book – an autobiographical novel -- that inspired this dark, often funny, story about life inside a giant Asian corporation. It is well worth watching.

Amelie is hired as a translator for the enormous Yamimoto Corporation and put in the accounting department. She is bright, talented and fluent in Japanese and all goes well at first. Unfortunately, Amelie doesn't fully understand the office culture and protocols. That leads to a series of missteps that result in her receiving increasingly degrading assignments.

Amelie's descent down the corporate ladder provides a fascinating glimpse into Japanese corporate life. It is a place that rewards loyalty, not initiative, where workers are promoted based on time served, not because of accomplishment, and bosses use public humiliation to keep employees in line. Watching the managers at Yamimoto in action you begin to understand why the Japanese economy has been in the dumps for the last 15 years.