Une famille de super-héros infiltrés essayant de vivre dans une banlieue tranquille est forcée d'agir pour sauver le monde.Une famille de super-héros infiltrés essayant de vivre dans une banlieue tranquille est forcée d'agir pour sauver le monde.Une famille de super-héros infiltrés essayant de vivre dans une banlieue tranquille est forcée d'agir pour sauver le monde.
- Récompensé par 2 Oscars
- 69 victoires et 56 nominations au total
- Bob Parr
- (voix)
- …
- Lucius Best
- (voix)
- …
- Helen Parr
- (voix)
- …
- Buddy Pine
- (voix)
- …
- Jack-Jack Parr
- (voix)
- Bernie Kropp
- (voix)
- Principal
- (voix)
- Violet Parr
- (voix)
- Mirage
- (voix)
- Rick Dicker
- (voix)
- Edna 'E' Mode
- (voix)
Résumé
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It is my favourite pixar film and probably always will be. If you haven't seen this masterpiece yet, stop reading this review and go watch it right now. Infact, even if you've seen it before, just watch it right now. It is that freaking good.
It's a film that takes on a type in society that we all know well (in the past they've done toys, bugs, monsters, undersea life, and now comic book archetypes) and transforms it superbly to the imaginative computer-animated landscape. This is also in credit due to Brad Bird, who proved five years ago with his sleeper The Iron Giant that he could transcend the genre and appeal with heart and vigor for almost every age bracket.
So what little touches make The Incredibles so appealing? How it starts to deconstruct the idea of a superhero, perhaps, as well as how the family unit is shown in the usual conventions under unusual and funny circumstances. As an example, one of our heroes Mr. Incredible, a.k.a. Bob Parr (voiced wonderfully by Craig T. Nelson), goes to visit a woman who fixes and creates the uniforms of superheroes. In one scene she explains why a cape is not a good idea. This is the kind of scene that might not make it into most Hollywood movies, and would sometimes if not often be discredited as being too 'smart' for kids to get. But by appealing to a kind of level late teens and adults can relate to, it reaches a higher, far more intelligent plane. In fact, many of the best scenes in the film take on what we all know in films displaying the 'family unit' and morph it with the power and imagination of superheroes.
I won't go too much into the plot as some may already have, except to say that what makes the story in and of itself appealing is how it is a fully formed story, and doesn't try and sell itself short like other animated films (i.e. Sharktale for example). It also uses it's PG-rating perimeter wisely, and Bird and company create action sequences that are as exciting, if not more so, than in the action films that have been released this year (in fact, some of the scenes in the climax, for my money, could rival a couple of those in Spider-Man 2). By setting up the right emotional bases with the characters- Bob, his wife Elasti-girl (Holly Hunter), their kids, and with supporting characters voiced finitely by the likes of Samuel L. Jackson and Jason Lee, by the time the high-charged, internally fantasy scenes take off, they take off with great conviction and excitement.
Overall, The Incredibles is a film that is, in a way, what audiences wish they could get and rarely do- it's a film with wit and observance, a kind of video-game where the results are not as expectable as can be. Some kids may not get it as much as adults might, which is just as well, as it sometimes operates on a level like Antz did, only through the sphere of Disney. In other words, if you say the teaser trailer, which involved the out-of-shape Mr. Incredible trying with all his might to buckle his tights, you'll know what the film could bring. Personally, I can't wait to see it again.
Also we need a Frozone solo movie.
Another thing that made this film unique was its look. If you notice, the city where the story takes place looks like a fairly modern metropolis. However, if you look at the cars in the film, most of them look as if they would have been more at home in the mid to late 1960's. Also, the way that many of the characters were dressed also could have put them in that time.
However, the thing that I really loved about this film was the fact that even though it was geared primarily to children, it was dark enough in theme to appeal to adults. In fact, there are a couple of scenes that you wouldn't normally associate with a film geared towards children.
This film is definitely a classic of animation and once again Pixar shows why they are the masters of computer animation.
First of all, this is because it's funny. It's not so funny that you're constantly laughing out loud, but there are more than enough good jokes in the movie to keep you entertained, and it's full of good observations about superhero movies (note all the ridiculous superhero and villain names) and references to other movies. It's also a brilliant James Bond spoof/homage, containing all the gadgets, secret island bases and crazy schemes that made early Bond movies so much fun.
Secondly, this movie has heart and charm in droves. It's full of memorably and likable characters you can really identify with and care about. Characters like Edna are instant classics. The voice acting is universally excellent, but Holly Hunter steals the show as Elastigirl. This is a movie that doesn't need toilet humor, characters modeled like celebrities, or a "hip" soundtrack...it easily succeeds on charm and style alone.
Also, I found it to be a surprisingly good action movie. The plentiful action sequences are full of energy, extremely fast-paced, and exciting, and put many a live-action movie to shame.
Finally, I also liked the tone and message of the movie. "The Incredibles" basically makes a plea against mediocrity, breaking with the politically correct idea that "everybody is special" (and thus nobody really is), and encouraging people to use the talents they have been given. I think this couldn't be more true. Not all people are equally talented (just compare Pixar to Dreamworks), but this is no reason to keep the talented people from not reaching their full potential just because it makes the less talented ones feel bad.
"The Incredibles", while maybe not as hilarious as I had hoped (though it's still very funny), is nonetheless an extremely entertaining movie, that manages to charm you wit its combination of great characters, lots of style, tongue-in-cheek attitude and good message. Highly recommended.
****1/2 of ***** stars
Le saviez-vous
- AnecdotesJason Lee (Buddy/Syndrome) recorded his lines in four days, while Craig T. Nelson (Bob Parr/Mr. Incredible) recorded his lines over the span of two years.
- GaffesWhen Syndrome says "You got me monologuing. I can't believe it", his jaw clips through his shoulder.
- Citations
Lucius: Honey?
Honey: What?
Lucius: Where's my super suit?
Honey: What?
Lucius: WHERE - IS - MY - SUPER SUIT?
Honey: I, uh, put it away!
[helicopter explodes outside]
Lucius: *Where*?
Honey: *Why* do you *need* to know?
Lucius: I need it!
[Lucius rummages through another room in his condo]
Honey: Uh-uh! Don't you think about running off doing no derring-do! We've been planning this dinner for two months!
Lucius: The public is in danger!
Honey: My evening's in danger!
Lucius: YOU TELL ME WHERE MY SUIT IS, WOMAN! We are talking about the greater good!
Honey: 'Greater good?' I am your wife! I'm the greatest *good* you are ever gonna get!
- Crédits fousThe credits are shown interacting with the film's characters and in stylized renditions of the film's key scenes.
- Versions alternativesIn the Argentinian version of the movie, not only the newspapers headlines are written in Spanish, but also streets names are changed: the characters make references to Buenos Aires City street names, such as Callao, Corrientes, and many others.
- ConnexionsFeatured in Disney Through the Decades (2001)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Los Increíbles
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 92 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 261 441 092 $US
- Week-end de sortie aux États-Unis et au Canada
- 70 467 623 $US
- 7 nov. 2004
- Montant brut mondial
- 631 688 498 $US
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1