Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 75 victoires et 50 nominations au total
Leandro Firmino
- Zé Pequeno
- (as Leandro Firmino da Hora)
Michel Gomes
- Bené Criança
- (as Michel De Souza Gomes)
Kiko Marques
- Cabeção
- (as Maurício Marques)
Résumé
Reviewers say 'City of God' is lauded for its gritty realism, powerful storytelling, and innovative cinematography, often drawing comparisons to 'Goodfellas' and 'Pulp Fiction'. The film is celebrated for its complex characters, compelling narrative, and raw depiction of Rio de Janeiro's favelas. However, some find the violence excessive and the script lacking depth. The use of non-professional actors and unflinching portrayal of poverty and crime are both praised and criticized. Pacing and length are also points of contention.
Avis à la une
Such an amazing film that deserves the accolades and acclaimed hype it's garnered. One of the best foreign language films there is and one of the best films personally seen recently, after a long time of being on my to see list but taking a while to get round to it due to being so busy and going through a difficult phase.
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
I agree with the other positive reviews here. I just saw this again after 15 years - still far exceeds anything made today when it comes to struggles of troubled youth in urban slums plagued by drugs and violence. So raw. So shocking to the system. Highly recommended!
I knew nothing of this film before I saw it by chance in a rare Pub open screening, but boy was I glad I got the chance to take a look. I was riveted all night - I completely ignored my friends! I thought it was an awesome re-enactment of a true story - powerful, moving, raw, real - and even funny in parts. I walked away afterwards, beaming. It's rare a great film like this is made, especially these days. I gave it ten out of ten. Please see it if you can.
Cidade de Deus seems to have a lot of praise on the IMDb boards, and with good reason too. It simply is, in my opinion, one of the best contemporary films ever made.
Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.
The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.
Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.
The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.
The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.
Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.
The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.
Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.
The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.
The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.
Wow, this is one of those different movies - meaning not run-of-mill by any means - and one of those which isn't pleasant to watch but one you might find yourself mesmerized by it.
This also is one of those "based on a true story" films which makes it even more shocking, if its mostly true. The story is of the many young (pre and early-teen) criminals inhabiting an area just outside the big city of Rio de Janeiro in Brazil. It has the feel of a documentary with real-life street kids but is upgraded considerably by fantastic camera-work, some very innovative cinematography. In other words: stylish.
Make no mistake: without that stylish look, the film might be too much of a downer. The street kids are interesting but really brutal, so be prepared. I mean, how often do you see 12-year-old killers portrayed on film? The violence, language and drug use are rough in here and what a sad comment on this social problem in Brazil, a country with a huge problem with these street gangs. Overall, a very tough but fascinating film.
This also is one of those "based on a true story" films which makes it even more shocking, if its mostly true. The story is of the many young (pre and early-teen) criminals inhabiting an area just outside the big city of Rio de Janeiro in Brazil. It has the feel of a documentary with real-life street kids but is upgraded considerably by fantastic camera-work, some very innovative cinematography. In other words: stylish.
Make no mistake: without that stylish look, the film might be too much of a downer. The street kids are interesting but really brutal, so be prepared. I mean, how often do you see 12-year-old killers portrayed on film? The violence, language and drug use are rough in here and what a sad comment on this social problem in Brazil, a country with a huge problem with these street gangs. Overall, a very tough but fascinating film.
Le saviez-vous
- AnecdotesWhen we hear Buscapé (Alexandre Rodrigues) talking to Marina (Graziella Moretto) about how "he never took a hot bath", that was not scripted. Actually, that was Rodrigues and Moretto talking off camera, during a pause in the shooting, when the boy (who lived on the slums) was telling her about his life.
- GaffesZé Pequeno is taken into custody by the police, Buscapé runs after the police truck. The Police truck passes by a late - model Chevrolet S10, black, circa 2001. The movie is set in the seventies.
- Crédits fousThe closing credits shows pictures of the main actors, their name, their character's name and pictures of the real life characters (for the ones based on existing people).
- Versions alternativesThe Indian Censor Board nonsensically deleted the visuals of frontal nudity in the motel scene and the dialogue of a woman talking about her sexual experiences for an 'A' (adults) rating.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Bandes originalesAlvorada
Written by Cartola / Carlos Cachaça / Hermínio Bello de Carvalho (as Hermínio B. Carvalho)
Performed by Cartola
Peer Music do Brasil Edições Musicais Ltda
Licensed by EMI Music Ltda
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- How long is City of God?Alimenté par Alexa
- Is 'City of God' based on a novel?
- Why is the favela called "City of God"? It seems like just the opposite.
- The "Runts" frequently mention the formation of a "Red" gang. Is there any significance to this?
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ciudad de Dios
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 300 000 R$ (estimé)
- Montant brut aux États-Unis et au Canada
- 7 564 459 $US
- Week-end de sortie aux États-Unis et au Canada
- 88 292 $US
- 19 janv. 2003
- Montant brut mondial
- 30 681 033 $US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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