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New York Taxi

Titre original : Taxi
  • 2004
  • Tous publics
  • 1h 37min
NOTE IMDb
4,6/10
46 k
MA NOTE
New York Taxi (2004)
Trailer for Taxi
Lire trailer2:28
3 Videos
81 photos
ActionComédieCriminalitéThrillerBurlesqueCopain Cop

Ajouter une intrigue dans votre langueA mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.A mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.A mouthy and feisty taxicab driver has hot tips for a green and inept cop set on solving a string of New York City bank robberies committed by a quartet of female Brazilian bank robbers.

  • Réalisation
    • Tim Story
  • Scénario
    • Luc Besson
    • Robert Ben Garant
    • Thomas Lennon
  • Casting principal
    • Queen Latifah
    • Jimmy Fallon
    • Gisele Bündchen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,6/10
    46 k
    MA NOTE
    • Réalisation
      • Tim Story
    • Scénario
      • Luc Besson
      • Robert Ben Garant
      • Thomas Lennon
    • Casting principal
      • Queen Latifah
      • Jimmy Fallon
      • Gisele Bündchen
    • 211avis d'utilisateurs
    • 79avis des critiques
    • 27Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 7 nominations au total

    Vidéos3

    Taxi
    Trailer 2:28
    Taxi
    Taxi
    Trailer 2:22
    Taxi
    Taxi
    Trailer 2:22
    Taxi
    Taxi
    Trailer 2:25
    Taxi

    Photos81

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 75
    Voir l'affiche

    Rôles principaux60

    Modifier
    Queen Latifah
    Queen Latifah
    • Isabelle 'Belle' Williams
    Jimmy Fallon
    Jimmy Fallon
    • Andrew 'Andy' Washburn
    Gisele Bündchen
    Gisele Bündchen
    • Vanessa
    Henry Simmons
    Henry Simmons
    • Jesse
    Jennifer Esposito
    Jennifer Esposito
    • Lt. Marta Robbins
    Ana Cristina de Oliveira
    Ana Cristina de Oliveira
    • Redhead
    Ingrid Vandebosch
    Ingrid Vandebosch
    • Third Robber
    Magali Amadei
    • Fourth Robber
    Ann-Margret
    Ann-Margret
    • Mrs. Washburn
    Christian Kane
    Christian Kane
    • Agent Mullins
    Boris McGiver
    Boris McGiver
    • Franklin
    Adrian Martinez
    Adrian Martinez
    • Brasilian Man
    Joe Lisi
    Joe Lisi
    • Mr. Scalia
    Bryna Weiss
    Bryna Weiss
    • Mrs. Scalia
    GQ
    GQ
    • Stopwatch Messenger
    Joey Diaz
    Joey Diaz
    • Freddy
    • (as Joey 'CoCo' Diaz)
    Rick Overton
    Rick Overton
    • Man at Taxi Convention
    John Rothman
    John Rothman
    • Business Man
    • Réalisation
      • Tim Story
    • Scénario
      • Luc Besson
      • Robert Ben Garant
      • Thomas Lennon
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs211

    4,646.4K
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    Avis à la une

    bob the moo

    Boys will like it but the rest of us will be turned off by the lack of imagination, spark or anything resembling originality

    Washburn is an undercover cop who, after yet another job ending in a crashed car, has his license taken away and put back on the street. Meanwhile cycle courier Belle has finally gotten her taxi license and is preparing her souped up vehicle for the New York City streets. When a bank robbery in progress is called in, Washburn commandeers Belle's cab and gets involved in a high-speed chase with a group of Brazilian supermodels in a red BMW. Thrown off the case by the FBI, Washburn wants to catch the gang to get his job back, while Belle agrees to help so that she can get her taxi out of lockup.

    I quite liked the original for what it was so I decided to give this film a try to see if it could manage to be fun. I'll be honest and say that the trailer attracted me because it had car chases, a bit of a laugh and some faux-lesbian teasing – there, gone are my 'art-house' credentials! I hoped that these elements could be kept fun and that the film could have a spark to it in some area that would raise it above the genre and actually make it fun to watch. Sadly I was wrong and my worries about the effort put into this film were realized in the first few minutes of the film where a skinny person on a bike is revealed to be Belle – even though their body shapes could not be more different! With this lack of attention to detail I did not have high hopes but I figured I was being picky and tried to get past it. However from here on in everything is exactly as you would expect – lacking imagination and effort in almost every regard.

    The plot is nonsense but to pick on that is to be too demanding because none of us expected anything too cohesive or logical but suffice to say that attempts to build stories around the characters are all flat and uninteresting. However what I did need from the film was action, excitement, comedy and spark. The action is OK but nothing special – the use of CGI cars to make impossible stunts really takes away from the impact of the action, while the limitations of the busy streets means that the car chases are very tightly cut and never feel real and impressive. This reduces how excited the audience can feel and me and the other 15 people in the cinema sat rather impassive for most of the action scenes. With this OK, then the comedy needed to match it to produce an OK film, but it didn't. Not at all. The comedy is partly based on that wonderful comic device – that black people are cool and sassy while white people are geeky and uptight. Oh, how I never tire of seeing racial stereotypes enforced in the name of comedy. With this old chestnut wheeled out again, the rest of the comedy falls into line and I never really laughed more than once. The button pushing and lack of imagination continues with the robbers themselves who are nothing more than legs and skin who are there to attract an idiotic and salivating male audience (ie – me) on the promise of titillation. They don't deliver this very well at all and the scenes where they try to feel cheap, tacky and exploitative instead of sexy and fresh.

    The cast are lumbered with the material but they don't do as much as perhaps they could have done to make it better. Fallon is annoying and geeky – simply filling the 'white' cliché in the 'cool black/geeky white' combo. Latifah continues to just play the easy ethnic cliché stuff for every penny.

    I don't know if she is like this in real life but I must admit that I do find her ethnic cliché to be lazy and rather offensive – her smart-mouth, impatience and speed to violence has been in many of her last few roles and I don't think it is the best use of her position, but then again if you put money in front of me then I'd probably do the same. Esposito is pretty wasted in a thankless role before being used as a piece of meat for the sake of selling the film to the male audience (yes, yes, I admit it). The models are nothing but eye candy and I didn't think they did it very well.

    Overall this is not a terrible film because it will appeal to boys and young teenagers with its noisy mix of unattainable leggy women, fast cars, basic humour and racial stereotyping; the target audience for this is shown even in the cut – which removes a use of the MF word so that it can get to a younger audience. For me though I found it lacking any sort of imagination, spark or wit and instead just took the easy line of cliché, stereotype and noise. It will appeal to some, but not to me, and it was an effort to get to the end.
    4jiujitsu_jesus

    This Taxi's run outta gas

    TAXI is the American remake of the quirky 1998 Luc Besson comedy. While the core of the film is still oriented around fast cars, hot chicks and zany humour, the film's light-hearted French comedic ambiance has been replaced with a dirtier, more strident, and somewhat more serious American action-comedy feel, which, although it tries hard, doesn't quite translate as it should. Queen Latifah leads as Belle Williams, a taxi driver who runs a souped-up Ford around the meaner streets of the city. Jimmy Fallon plays the unco New York cop who lands in her cab one day in pursuit of a bunch of foxy Brazilian bank robbers. Together, they muddle through car-crashes, shoot-outs and weirdly-decorated apartments to bring crooks to justice. While the plot sounds like a good premise for a decent comedy, the film is sorely lacking in script composition. The one-liners are crap, the jokes feel forced, and the script, which alternates between taking itself too seriously and sheer stupidity, does no justice whatsoever to the energetic and talented cast. A major disappointment from what looked to be a brilliant film. Someone should remake it in six more years - with a little more skill, I hope.
    croatiansensation29

    Fun cop movie!

    Once again, this is a movie that really surprised me, as I was not expecting it to be much good at all.

    Taxi is another cop buddy film, but this time with a twist. This film pits a feisty cab driver and a klutzy, nervous cop together to try to capture a band of robbers who are hitting various banks in New York City.

    Though not up to par with other cop buddy films, this film is fun, and enjoyable. Some of the scenes are very funny, and the movie runs at a brisk pace. Plus, the Brazilian models are just incredible to look at.

    For fans of the genre, you will not want to miss this one. Those looking for something with a little bit of substance, look elsewhere.
    4moonspinner55

    Big budget comedy with cut-rate jokes...

    Slick, flashy film, a semi-remake of Luc Besson's "Taxi" from 1998, here Americanized as an urban action-comedy. Queen Latifah plays smart-mouthed cabbie with a souped-up vehicle in New York City who inadvertently partners with stumble bum cop Jimmy Fallon to crack a major crime case. Film should have relied more on Latifah's natural sass and less on Fallon's white-bread, dim-witted act (race is a constant punchline in the script, and Fallon is just there as Exhibit A). Jennifer Esposito is wonderful as a no-nonsense police lieutenant, Ann-Margret is a stitch as Fallon's tippling mother, and John Sierros (Broadway actor shamefully credited as 'Fat Cop') shines as a bamboozled police officer, but what happened to Queen Latifah? She gets a few good cracks in, but there's no character here for her to play; she sticks to her sarcastic persona and puts everyone down, but her role is depressingly one-dimensional. Comedy has a fast pace, impressive cinematography (although the swooping crane shots in traffic get repetitive) and some good car chases, but the screenplay needed an overhaul. ** from ****
    kristi_wilson81

    Well substance shouldn't be expected

    You know going in to this one that its just for the laughs. I really enjoyed "Taxi". They were in the garage with the nitrous, I almost came out of my seat laughing so hard. The actually taxi cab is better eye candy than the three model/bank robbers. I thought the new idea of how to get the money without being caught was clever. I also liked that Jimmy Fallon thought Jen Espositos character was madly in love with him. While she totally blew him off. Queen Latifah I always like,she gives it attitude w/a lil ummph. The music had you jumping,exciting to see what was coming up. The action was good because it wasn't overdone. The dialogue I thought was well balanced. I am not a fan of when they talk to much before something happens. If you like SNL you'll be the type wanting to see "taxi" over & over & over.

    There wasn't much to ponder in the movie. Ahhh, who cares?? It was an excellent time. One I think you should share with a group of friends, then laugh over dinner.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Ingrid Vandebosch, one of the female robbers in this film, is married to Jeff Gordon, who has an uncredited cameo in this film.
    • Gaffes
      Washburn opens the valve on a tank of Nitrous Oxide, saying that they can't fire at them because the "flammable" gas will explode. Nitrous Oxide is not flammable but it is an oxidizer. If you lit a match in a room full of N2O the flame would glow brighter than usual but there would be no explosion.
    • Citations

      Belle: We've gotta play to your strengths. And thinkin ain't one of them.

    • Crédits fous
      Outtakes are shown during the closing credits
    • Connexions
      Featured in Siskel & Ebert & the Movies: Shall We Dance?/Taxi/Raise Your Voice/Stage Beauty (2004)
    • Bandes originales
      Crazy in Love
      Written by Rich Harrison, Jay-Z (as Shawn Carter), Beyoncé and Eugene Record

      Performed by Beyoncé

      Courtesy of Columbia Records

      By Arrangement with Sony Music Licensing

      (contains a sample of "Are You My Woman (Tell Me So)"

      Performed by The Chi-Lites

      Courtesy of Brunswick Record Corporation).

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    Production art
    Liste

    FAQ

    • How long is Taxi?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 31 août 2005 (France)
    • Pays d’origine
      • France
      • États-Unis
    • Langues
      • Anglais
      • Portugais
      • Espagnol
    • Aussi connu sous le nom de
      • Taxi: Derrape total
    • Lieux de tournage
      • Phoenix International Raceway - 7602 S. Avondale Boulevard, Phoenix, Arizona, États-Unis
    • Sociétés de production
      • Twentieth Century Fox
      • EuropaCorp
      • Robert Simonds Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 36 879 320 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 12 029 832 $US
      • 10 oct. 2004
    • Montant brut mondial
      • 71 255 003 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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