Constellation

"Constellation," which begins in 1940's Alabama, tells the tale of a secret, forbidden love between a black woman named Carmel and a white soldier named Bear, whose romance is cut short when he is shipped overseas to fight in the war. Flash forward fifty years to the funeral of Carmel - who never married after breaking up with Bear - which serves as the pretext for all the principal people in her life to gather together to air out their grievances and to thrash out the personal relationship problems that have haunted them all their lives. The participants include her emotionally distant brother and his two ex-wives; her two adult nieces and their respective men folk; and Bear himself, who, despite the fact that the two of them were kept apart all their lives by the restrictions of a racist society, has decided to pay not only for the services, but to put all these people up in one of the swankier hotels in Huntsville, Alabama.

Though there are a goodly number of insightful, touching moments in "Constellation," the movie probably would have been more effective had the screenplay (by director Jordan Walker-Pearlman) not tried to cram so many different characters into such a relatively short space of time (the movie runs barely over an hour and a half). Yes, I understand that the theme of the movie is all about how we form "constellations" with the people who are most important to us in life, but speaking strictly in narrative terms, much too often, the genuinely compelling travails of one character are shunted aside to make room for the far less interesting problems of another. Moreover, the romantic relationship between Carmel and Bear, which is supposed to function as the emotional cornerstone of the movie, is never made all that convincing. We are TOLD that these two people are in love with each other, but we aren't made to FEEL it. In addition, Aunt Carmel is portrayed as such a wise and ethereal earth-mother presence even after death that she is essentially robbed of her own individuality and humanity as a character.

Still, there is much that is good in the movie, starting with the performances of Billy Dee Williams, as a man incapable of making emotional connections with the people in his life, and Rae Dawn Chong, as the daughter who has the most trouble dealing with this reality. They are ably abetted by Lesley Ann Warren, Zoe Saldana, Melissa De Souza, and Hill Harper. The movie also boasts a flavorful soundtrack, filled with an eclectic mixture of musical styles, ranging from classical to hip hop to spiritual. The Huntsville setting also provides a refreshing change for audiences weary of seeing New York, Los Angeles and Chicago constantly being recycled in film after film, as if they were the only urban centers movie makers had to choose from.

The movie does lay its message on a bit thickly towards the end, employing heavy-handed speech-making and rather obvious symbolism to get its points across. It really doesn't need to go to all that effort, since the viewers could probably figure the themes out on their own given half a chance.

Yet, although "Constellation" is a decidedly mixed bag as far as family and social dramas go, it has enough elements of quality to make it worth checking out.

It did Huntsville, Alabama justice. While not the greatest movie ever made, Constellation does a decent job of showing the south without stereotyping it. Billy Dee Williams has trouble coming to terms with the fact his sister threw her life away for someone she thought loved her.

While tense at some points, dramatic at others, I liked this movie because of the location. The story took some time to get into. I've watched it twice now and have taken a liking to it.

The acting isn't that good, the dialogue isn't capturing, and the subplots needed a little more work. The movie is still pretty good. It certainly isn't a groundbreaking film piece sure to change the world, but it's a decent "B" movie.

I enjoyed this movie at the Roxbury Film Festival in Boston in August 2005. It showed an interracial family that was clearly professional and it was set in the South in a non-stereotypical way. It also dealt with an ill-fated interracial love-story in a way that I thought was realistic. It had romance, tension, and good acting from all the actors. It did have the never-ending closing that is a feature of so many Hollywood films but I don't hold it against the filmmaker. It was good to see Billy Dee Williams and Lesley Warren, two under-utilized talents in my opinion. One of the ways I judge whether a film is good or not is whether it makes me care about the characters and story and want to know more. Constellation did that. I wanted to know more about Gabrielle Union's character. We see her during her youth and hear about her after her death. I wanted to know more about the intervening years. Also wanted to know more about Billy Dee Williams' character's decision to be come an expatriate. I hope the film gets released and would encourage people who are looking for a good family story to see it.

I watched two episodes thinking this might get better, but it actually got worse.

This is something that must have gotten a lot of investment judging from the cast and the special effects, so why did anyone greenlight this story?

Jonathan Banks usually has pretty good sense as to what media to be a part of and I expected better, and even more so with Noomi Rapace.

I don't give 1/10 ratings very often. To me, a 1/10 review is an unwatchable show. While "Constellation" is not unwatchable in the beginning because it piques your curiosity, it is worse than unwatchable in the long run because it wastes the time it takes to watch a few episodes to realize it is unwatchable and assuming viewers are utter fools.

Another really irritating thing is how they draw things out with no reason other than to draw them out. For example, nothing on the International Space Station seems to work or be dependable.

I just feel bad that if you don't take my advice and avoid this sad excuse for a science fiction movie you will be wasting your time watching it before you quit in disgust.

Sorry ... 1/10.

Stunning performances by Billy Dee Williams, Gabrielle Union, Leslie Ann Warren, and Zoe Saldana. Melissa DeSousa was perfect as the daughter trying to please her daddy (Billy Dee). The scene between Leslie Ann Warren and Rae Dawn Chong was very powerful. The contention between the two women in one mans life came across on screen beautifully. Hill Harpers scene with Billy Dee Williams in the housing project was powerful, sensitive and touching. Miss Unions narration of the story line is unique and memorable. But Zoe Saldana's self searching role was haunting. She emotes talent and deep feelings in her work. Truly destined to greatness. Jordan walker-Perlman's directing really tugs at the heart string with the way he displays the interpersonal relationships of the characters.