Disparitions

I am pretty sure that it is not possible for someone other than an Argentine to make a film about this subject and have it matter. These are people who at the beginning of the terror supported it wholeheartedly. The military simply responded to what they saw was a terrorist threat by arresting without process and torturing. Starting small means starting; once you cross the line, everything else is trivial. And so 6 years of what ramped up to 3o police murders a day in Buenos Aires.

So this thing lacks power as a story about Argentine horror. But even through all its faults, it still rings true and haunts about things at home: power corrupted and evil. Torture to protect citizens never does.

The film is incredibly muffed, in pretty much all dimensions except...

There are two good scenes. One is when the husband of the newly missing wife is comforted by his daughter in a somewhat sexual way. This was made for American consumption, and though the interaction may be genuinely Latin, the implication in this context is plain. It was a powerful scene and sets up all that follows.

The second powerful scene is the unveiling of a spy. There is only a second that matters, when the man knows he is revealed and you see not panic but blame to his informant. It happens fact but it matters.

Otherwise, what we have is a powerfully conceived set of folding narratives: a man as a playwright (precisely as in "The Lives of Others") in a film with deliberate dissonance. And him further as a psychic, telling the story to us and other characters as it happens to him. In other hands, this could have worked, especially with the intended fold from then there to now here.

Tangos, l'exil de Gardel, was not good, but still better and at least genuine.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Imagining Argentina (2003)

The story, and the facts behind the story, of innocent people being kidnapped, tortured, and killed in Argentina is so disturbing and emotionally draining it's hard to see this movie objectively. I wish it was a better movie, both in its construction (the filming and editing) and in the storytelling decisions (too much emphasis on empty searching, and too much torture, even after we get the point).

Cruelty needs no sympathy, and this movie gives it none. But it gives it attention, offering only a solution in perseverance and romantic love. There are lots of evocative scenes of dancing and music, of wide open countryside, and of warmly lit interiors. It paints a picture of a beautiful country with a beautiful culture, just to show how a small tilt in a great place can turn to horrors.

The final statistics of all the people "disappeared" under the Argentine dictatorship is an indictment of cruel dictators. The movie serves to remind us, and to paint the horrors, and it goes half way. I wish it had been a poetic, or raw, or inventive success as well.

Please excuse my English, now that it is my third language. I was born and raised in Argentina; I currently work in Buenos Aires at a café, until I get my bachelor degree in naval architecture. As crazy as it might sound, my grandfather disappeared in the 1970s, and never came back. Perhaps to you… this was just a movie, you can rate it as you want or give the names you like to. But I found myself dumb founded with this film, I felt the worst anguish while seeing it, and forced myself to keep on watching and to keep on remembering. I can not find words in English nor Spanish to describe how deeply this movie has gotten to me. It's been a long time since it happened, but I see most of this film as my mind portraying old stories that my grandmother used to tell me when I asked about the dad of my dad. A film where reality is described at its best and where a part of me knows that justice in this country is just a word with no meaning, it was before, and it is now. I win nothing by saying this, nor I feel better, I just thought that perhaps I should comment on the impact the movie has had on someone like me, a normal guy who studies and works in country where future has little by little lost its meaning.

This was truly enjoyable movie in many ways.

The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.

This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.

This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.

Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.

Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.

A film about Videla's dictatorship. Powerful for few real impressive scenes , admirable for the fair job of Emma Thompson and Antonio Banderas, precise definition of the essence of dictatorship ( Viela's case being , in some measure, reflection of an entire century expressions of terror and controll of people ).

The psychic aspect gives more bitter poetry to story and defines in proper manner the connection between couple partners.

Obvious, it is a manifesto , defining a regime's abuses .

It is a warning, in same measure, about the effects of no limits power. It is a hommage to the victims.

But, first, it is one of films for remind .